Callum Reid ‘Annibale Carracci’s Holy Family at the National Gallery of Victoria’ This paper examines the little- studied Holy Family by Annibale Carracci (1560-1609), which hangs in the National Gallery of Victoria, and discusses its style, iconography and position within the artist’s oeuvre. The subject of the ‘Holy Family’ was repeated several times during the artist’s transition from a Bolognese to...
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This lecture was first delivered on December 10, 2010 at the British Institute, Florence, as the keynote address for the conference Agnolo Bronzino – Medici Court Artist in Context, a convegno that, in the words of its proposer, Prof. Andrea Gáldy, “sought to place the major exhibition of Bronzino’s work organised by the Fondazione...
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David R. Marshall Eugene Von Guérard and Daylesford: His Paintings for W.E. Stanbridge This paper, which arises from research for the catalogue for Ruth Pullin’s Eugene Von Guérard exhibition, currently on display at the NGV, examines Von Guérard’s views of the Daylesford district and their preparatory studies. It explores the interaction between Von Guérard’s...
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The European Visual Culture Seminar presents: Carl Villis, Conservator of Paintings before 1800, National Gallery of Victoria Giambattista Tiepolo, Francesco Algarotti and The Finding of Moses in the National Gallery of Victoria Between 1958 and 2008, the NGV’s large eighteenth-century Venetian canvas The Finding of Moses carried an attribution to Sebastiano Ricci. In 2009...
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Katrina Grant ‘Verdi prati, selve almene’: Theatres in the Italian Baroque Garden The links between theatre and the garden have long been recognised. The theatre as a feature of garden design can be traced back to the fifteenth century and its peak period of popularity was the seventeenth century. It remained a common feature...
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Ryan Johnston Pop Art and Surrealism: Eduardo Paolozzi in the 1950s In 1966 the critic David Irwin published an article in Studio International titled “Pop Art and Surrealism” in which he raised the broad question of how the two movements might be related. However in the forty five years since the publication of Irwin’s...
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Vincent Alessi ‘It’s a kind of Bible’: A thematic and stylistic analysis of van Gogh’s collection of English black-and-white illustrations During his life Vincent van Gogh assembled a number of important collections, including approximately 2,000 black-and-white popular illustrations. Cut from illustrated newspapers, the majority of the works in this collection were from two pioneering...
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Professor Richard Woodfield – Why study art historiography? Richard Woodfield, Honorary Senior Research Fellow in Art History at the University of Glasgow, will lead a seminar discussion on the subject of art historiography, particularly within the context of the Vienna School of Art History. Please download the dossier of material (link below) relating to...
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The European Visual Culture Seminar presents: Caitlin Breare Saints and Singers: The crisis of Oratorian style during their patronage of Borromini Despite now being renowned as a Baroque genius, architect Francesco Borromini suffered an exasperating and tumultuous career involving numerous personal conflicts and the subsequent loss of several commissions. One of these losses also...
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The European Visual Culture Seminar presents: Caitlin Breare Saints and Singers: The crisis of Oratorian style during their patronage of Borromini Despite now being renowned as a Baroque genius, architect Francesco Borromini suffered an exasperating and tumultuous career involving numerous personal conflicts and the subsequent loss of several commissions. One of these losses also...
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