Tag Archive for 19th century art

Lecture Series at NGV | The Pre-Raphaelite Brotherhood

Walter Howell DEVERELL
The grey parrot (c. 1852-1853) 
oil on canvas
53.5 x 35.2 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1913
569-2

The NGV is running a lecture series exploring the Pre-Raphaelite Brotherhood as part of their current exhibition Medieval Moderns: The Pre-Raphaelite Brotherhood.  Sat 16 May: Laurie Benson, Curator, International Art ‘The Pre-Raphaelite Brotherhood in the National Gallery of Victoria’ The Pre-Raphaelite Brotherhood are widely recognised as a the most dynamic group of artists to ever work in Britain. They radically shifted the goal-posts of the British art world, changing it forever. The NGV’s holdings of works by the Pre-Raphaelite Brotherhood are world renowned. The Gallery has been consistently acquiring these works since the 1880s until today. Medieval Moderns is the first comprehensive exhibition of the NGV’s Pre Raphaelites for more than forty years and this talk will focus on the collecting of…

Exhibition Review | Medieval Moderns, National Gallery of Victoria | Monique Webber

Figure 5. Edward Burne-Jones, The Wheel of Fortune, 1871-1885. Oil on canvas, 151.4 x 72.5 cm. National Gallery of Victoria, Melbourne (381-2).

Medieval Moderns: The Pre-Raphaelite Brotherhood,  NGV International, 11 April – 12 July 2015 The Pre-Raphaelite Brotherhood (PRB) burnt brightly and quickly. Forming in 1848, the seven original artists – John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, James Collinson, Thomas Woolner, William Michael Rossetti, and Frederic George Stephens – worked cohesively for little more than five years. Only Hunt and Dante Gabriel Rossetti remained directly involved in the movement. While Hunt continued as a largely independent artist, Rossetti later became a driving force in the second generation of the Brotherhood centred around William Morris and Edward Burne-Jones. Despite the brevity of their activity, the PRB had a profound influence upon the Industrial era. Rejecting the enforced hierarchies of beauty and…

Exhibition | Medieval Moderns: The Pre-Raphaelite Brotherhood | National Gallery of Victoria

Edward BURNE-JONES
The garden of Pan (1886-1887) 
oil on canvas
152.5 x 186.9 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1919
961-3

An exhibition, which opens this weekend at the NGV International, will focus on the NGV’s impressive collection of Pre-Raphaelite art. Opening weekend talks On Sunday 12th April there will be two free introductory talks to the new exhibition 2pm Explore the role of the Pre-Raphaelite Brotherhood in the Arts and Crafts movement in Britain, their place in the development of the illustrated book and their profound influence on later generations of artists with International Art Curator, Laurie Benson. Speaker Laurie Benson, Curator, International Art 3pm Capturing a sitter’s likeness was not central to the portraits by Sir Edward Burne-Jones. Join Emily Wubben, University of Melbourne, as she explores Burne-Jones’ portrait of Baronne Madeleine Deslandes and provides fresh insights into the sitter. Speaker Emily Wubben, Scholar,…

Symposium | The Legacy of Hugh Ramsay | National Gallery of Australia

File 19-03-2015 3 42 15 pm

Hugh Ramsay’s life was short but his impact endures. In celebration of the endowment of a chair in Australian art history at the University of Melbourne in his name, by his great niece Patricia Fullerton, the Australian Institute of Art History together with the National Gallery of Australia present this one day symposium reassessing his legacies. Date: Monday 30th March 2015, 9:00am – 5.00 pm Venue: James O Fairfax Theatre Free to attend but bookings are essential. Register here. Program 9.45 – 11.00am SESSION ONE Hugh Ramsay and philanthropy Gerard Vaughan, Director, National Gallery of Australia The life of Hugh Ramsay Patricia Fullerton  Hugh Ramsay in an Australian Context Mary Eagle 11.30am – 12.30pm SESSION TWO Hugh Ramsay and George Lambert Anna Gray The portraiture…

Melbourne Portrait Group Seminar | Emily Wubben: ‘Artistic Souls: Baronne Madeleine Deslandes and her portrait by Edward Burne-Jones’

Edward Burne-Jones, Portrait of Baronne Madeleine Deslandes, 1895-96. National Gallery of Victoria, Melbourne.

Please note venue change – seminar will now be held in the Visual Resource Centre in the John Medley building. Time and date are the same. This paper will investigate Sir Edward Burne-Jones’s enigmatic portrait of Baronne Madeleine Deslandes (1895-96), which was acquired by the National Gallery of Victoria in late 2005. Baronne Deslandes (1866–1929) was the celebrated hostess of a cultured Parisian salon that was frequented by renowned artists, poets and composers. Using contemporary accounts of Deslandes, this paper will explore the degree to which her portrait by Burne-Jones reflected her character. Capturing a sitter’s likeness was not central to the portraits by Burne-Jones, in which he depicted his own perception of beauty. Further, the deliberate inclusion of the background…

Symposium | Patronage, poetry and the art of William Blake

Wiliam Blake, Vala, Hyle and Skofeld
plate 51 from Jerusalem c. 1804 – c. 1820, c. 1820
relief etching and white-line etching printed in orange ink, and finished with watercolour, pen and ink and gold paint, Felton Bequest, 1920, 1026-3

  A symposium exploring William Blake’s poetry, his acclaimed Divine Comedy watercolours and John Linnell’s patronage of the artist. Speakers Professor Gerard Vaughan, The University of Melbourne; Professor Peter Otto, The University of Melbourne; and Associate Professor Jennifer Jones-O’Neill, Federation University (formerly University of Ballarat) Date: Saturday 23rd AUgust, 2pm Venue:NGV International, 180 St Kilda Road, Ground Level, Clemenger BBDO Auditorium Ticketing Information: Cost $25 A / $20 M / $22 C, Bookings essential Information & bookings: Ph +61 3 8662 1555, 10am-5pm daily, Booking code P1480

Exhibition Review | Atua: sacred gods from Polynesia | David Hansen

Marquesas Islands, French Polynesia Stone figure 19th century, Musée du quai Branly, Paris © 2013. Musée du quai Branly photograph: Hughes Dubois/Scala, Florence

  This is a ‘pre-print’ version of a review to be published by the University of Hawai’i Press in The Contemporary Pacific (vol. 17 no.1) in early 2015. Atua: sacred gods from Polynesia is on at the National Gallery of Australia, Canberra from 23 May – 3 August 2014 As you pass between the split-text panels at the entrance to Atua: sacred gods from Polynesia, your first encounter is with two semi-abstract totemic figures from a ritual sanctuary or marae, carved by contemporary Cook Island artist Eruera Nia. Embedded in a low, square, grey plinth, these silver-weathered woodenarabesques or parentheses are at once descriptive and abstract, hieratic and dynamic, leaping up into vision and consciousness in a manner comparable to that of…

Study Day | A Day of Dante and William Blake | NGV International

William Blake illustration 'Dante running from Three Beasts'

Study Day: A Day of Dante Delve into Dante’s Divine Comedy and William Blake’s acclaimed series of watercolours inspired by the text. The NGV owns thirty-six of the 102 watercolours Blake executed in the 1820s to illustrate Dante’s Divine Comedy, which are regarded as among the artist’s finest and most impressive creations. The watercolours are currently on display at the NGV (along with other works by Blake) in the NGVs William Blake exhibition.  Due to the material’s light sensitivity, these works are only infrequently exhibited and the exhibition provides the rare opportunity to see the Gallery’s complete holdings of Blake’s work which span his full career, from his earliest to his latest years. Explore Blake and the Divine Comedy with Assoc…

Exhibition Review | Genius and Ambition. The Royal Academy of Arts, London, 1768–1918 | David R. Marshall

John Frederick Lewis, The Door of a Cafe in Cairo, 1865, Royal Academy of Arts, London

Genius and Ambition. The Royal Academy of Arts, London, 1768–1918 David R. Marshall   At the Bendigo Art Gallery 2 March–9 June 2014. (Closes 9 June; an exhibition of antique sculpture from the British Museum follows on 2 August.) The regional galleries have some interesting exhibitions on at the moment. At the Ballarat Art Gallery is Auld Lang Syne while at Bendigo, with only a few days to run, is Genius and Ambition, which consists largely of works from the Royal Academy, London and is an exhibition generated by Bendigo and the only Australian venue. Following the success of its fashion shows, especially Grace Kelly, the Bendigo Gallery has stimulated an arts-led tourism industry serving day-trippers from Melbourne who come…

Lecture | The Ruination of Everything: Joseph Pennell, America and Illustration before the Great War – Eric Segal | Sydney University

IMAGE (detail): Joseph Pennell, Gatun Lock - end of the day, 1912

The Ruination of Everything: Joseph Pennell, America and Illustration before the Great War Eric Segal The Power Institute with Sydney Ideas is proud to present a talk by Eric Segal, of the Samuel P. Harn Museum of Art at the University of Florida. Segal’s presentation will focus on the artist Joseph Pennell (U.S.A. 1857-1926). Pennell worked throughout Europe and England illustrating Old World cities and landscapes, whist at the same time rendering great American works of architecture and engineering. His dedication to a shabby Europe of the past and a gleaming New-World modernity, reflected contradictions and disappointments in his chauvinistic concerns about the faltering course of American cultural progress. The talk will explore how Pennell tied together thinking about the…

Public Lectures | Melissa Hyde and Richard Taws | Sydney Intellectual History Network

François Boucher A young lady holding a pug dog (presumed portrait of Madame Boucher) mid 1740. Art Gallery of NSW.

Two lectures on eighteenth and nineteenth-century French art history in Sydney in June. Painted Women in the Age of Madame de Pompadour | Melissa Hyde In this lecture, Prof Melissa Hyde considers the role that cosmetics played in the court politics and social identities of women at the court of Versailles. Focusing largely on portraits of the most famous mistresses of Louis XV, Madame de Pompadour and Madame du Barry, Hyde will discuss ‘making up’ the face as a symbolic practice. The lecture also considers the historical irony and significance of Madame Du Barry’s eventual refusal of rouge. For the artist, François-Hubert Drouais and Elisabeth Vigée-Lebrun, who portrayed Pompadour, Du Barry and Marie-Antoinette after them, the problem of depicting an…

Lecture | William Blake in the 21st century – Peter Otto | NGV International

William Blake illustration 'Dante running from Three Beasts'

Keynote Lecture: William Blake in the 21st century        This lecture introduces Blake as artist, poet, and prophet by mapping his attempts radically to transform traditional understandings of the book, from the Songs of Innocence (1789) to the Laocoön engraving (c.1815). The interactive, open-ended, multi-media forms he created are a radical response to the modern, commercial culture of Romantic-era London; yet, as I will suggest, these same forms also seem at home in the early 21st century, where they gesture towards ideals often promised but rarely realised in our now digitally connected world. Speaker Prof Peter Otto, The University of Melbourne                                                             Date: Saturday 5th April, 2pm Venue Clemenger BBDO Auditorium, Ground Level Free. More details here. There will also be two ‘Curator’s Perspective’  floor talks in the exhibition…

Exhibition Review | ‘America: Painting a Nation’. Reviewed by Diane Kirkby.

Fig. 3 Henry Inman, No-Tin (Wind), a Chippewa Chief, 1832-3 Oil on canvas, Gift of the 2008 Collectors Committee (M.2008.58), Los Angeles County Museum of Art

America: Painting a Nation Diane Kirkby  America: Painting a Nation is at the Art Gallery of New South Wales, 8th November 2013 – 9th February 2014. At a time when historians are increasingly displacing nation-building as the purpose for knowing the past, it could seem a retrograde step to make this the foundation principle through which to showcase important works of art. Nevertheless, an exhibition organised around the concept of Painting a Nation immediately provokes questions about meaning and definitions that may not have simple answers. Approaching the exhibition as a historian of the United States and its art, I was mindful of the question former Time magazine art critic Robert Hughes asked: ‘What can you learn about America by looking…

Symposium | Art Gallery of NSW – Revolutionary ideas Perspectives on the building of an American nation

Image: Unknown artist Portrait of a black sailor (Paul Cuffe?) 1800 (detail), Los Angeles County Museum of Art, purchased with funds provided by Cecile Bartman via AGSNW website.

Symposium: Revolutionary ideas Perspectives on the building of an American nation This symposium considers the role of the visual arts and other forms of cultural expression in building an idea of nationhood in America from its foundation as a colony through the beginning of the 20th century. It addresses the aims of portraiture, the meanings of landscape, the rise of genre subjects and the significance of garden projects in the contexts of relationships with Britain, claims of independence, pivotal wars and moments of dramatic social change. Presented in conjunction with the Sydney Intellectual History Network at the University of Sydney Date: Saturday 16 November 2013, 10.30am Venue: Art Gallery of New South Wales, Sydney Bookings: $65 non-member/ $50 member/ $30…

Exhibition Review | ‘Exposing Thomas Clark: a colonial artist in Western Victoria’. Reviewed by David Hansen.

Fig. 6 Thomas Clark, 'The Wannon Falls (Proscenium View)', c.1860, Oil on Canvas, Private Collection. Via exhibition website

Exposing Thomas Clark: a colonial artist in Western Victoria David Hansen The exhibition runs at Hamilton Art Gallery 21 September – 17 November 2013 At a small but intensely stimulating symposium hosted by the University of Melbourne in November last year, a variety of curators, scholars and writers met to share experiences, insights and ambitions relating to exhibitions of Australian colonial art. Coffee breaks and plenary sessions were particularly interesting in articulating outstanding desiderata for monographic shows: Mary Morton Allport, Thomas Baines, Ludwig Becker, Louis Buvelot, J. H. Carse, Augustus Earle, S. T. Gill, Thomas Wainewright … . Nobody mentioned Thomas Clark, because everyone at the conference knew that Danny McOwan was already working on that one. Had been for…