Tag: Call for Papers

Continuing with its project of publishing thematic issues, Perspective : actualité en histoire de l’art – joining for the first time with the Festival of Art History – will dedicate its 2019-1 issue to the Scandinavia (Denmark, Sweden, Norway, Finland, Iceland, Greenland and the Faroe Islands). After the Maghreb, Perspective once again moves beyond the nation-state to consider a more expansive territory. This issue will be devoted to an examination of the territory’s extent and specificities as a cultural and historical construct whose contours have fluctuated over time. In contrast to an endogenous or essentialist approach, the themes will be considered in light of the representations, the narratives and imaginations it has nourished through exchanges with the rest of Europe and the world. Perspective wishes to privilege diachronic studies with multiple forms and stakes: topics related to works of art and…

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An International Conference, 19th – 20th July 2018, Paul Mellon Centre Website: http://www.paul-mellon-centre.ac.uk/whats-on/forthcoming/frenemies Deadline 5pm 14 December 2017 From the earliest histories of art, the friendships and rivalries of artists have been the subject of anecdote and gossip. For that reason they have been associated with the popular storylines of art, rather than with the scholarly discourse of art history. However, the wide-ranging re-evaluation of affect and emotion that is taking place in the humanities, and the increasing recognition of a synchronic, network model of understanding rather than a diachronic, emulative one in art history, have served to suggest that artistic friendships and rivalries are key agents in the production and reception of works of art. This methodological shift has helped art historians perceive the significance of interpersonal relationships to art-making. It has drawn attention to the sociability of artists, and…

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Deadline: Nov 5, 2017 Artium Quaestiones, issue 29: Work of Art as a Thing After a long period of fascination with semiotics, textuality, visual culture and – generally – with images, since the late 20th century scholars of art have been more and more often focusing on the materiality of an artwork. They tend to think about it as a physical object or – the distinction is of importance here – a thing. This tendency – conspicuous in many academic disciplines – from archeology to philosophy, museum studies, sociology or anthropology – is variously described as a ‘material turn’, ‘return to things’ or ‘thinking through things’. Its premises are related to a special kind of neo-positivist, empirical and science-based scholarly attitude and an attempt to overcome the humanist, anthropocentric orientation onto the world in favour of objects surrounding or rather…

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Issue 3: Art and Herbarium Guest Editors: Danielle Wyatt and Thomas Bristow   ART AND HERBARIUM: CREATIVE ECOLOGICAL INVESTIGATIONS Herbaria and natural history archives must be more than repositories for artifacts and scientific information. Curators of these collections are aware that while the archives have always been invested with human passions, natural collections are now laden with distinctly contemporary affect as ‘nature’ comes under threat from global challenges like species extinction, habitat loss and the impacts of man-made climate change. While natural collections institutions aim to improve our ecological futures through scientific research, it is clear that ecological literacy also requires involving diverse publics in more embodied, empathetic and ethical relationships with the natural systems that sustain our life on this planet. Creative Ecological Investigations #1 (CEI#1) is an art project placing a multidisciplinary selection of artists in contact with…

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This multidisciplinary collection will examine the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries. The era of Caribbean slavery placed the islands at the centre of the production and movement of goods, ideas, money and peoples, as well as cultural conflicts, exchanges and hybridities which created new challenges for artists, and new ways of looking. As a cornerstone of European imperial expansion the Caribbean had an enormous imaginative influence on Europe and the wider world. Tropical vistas and diverse peoples provided new visual subjects, and the art of the Caribbean participated in the circum-Atlantic movement of aesthetics, ideas and images: from mid-eighteenth-century georgic scenes which attempted to reconcile beauty with enslaved labour, to the colonial picturesque of the 1790s which rearticulated metropolitan landscape visions, to the unique botanical and zoological images which…

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Call for papers | EMAJ 10 The editors of EMAJ (www.emajartjournal.com) are seeking articles for their upcoming issue EMAJ 10. This is an open issue and the editors welcome articles on any topic relating to art history and visual culture. Articles will be published in April 2017. EMAJ welcomes monographic articles about specific artists or art collectives as well as thematic or theoretical analyses of art history from any historical period. Established and emerging researchers working within the fields of art history, architectural history, curatorship, aesthetics, visual culture, and museum studies are encouraged to submit. EMAJ is dedicated to providing a platform for emerging research and particularly encourages submissions from early career scholars and PhD students. All accepted submissions are double-blind peer reviewed. Manuscripts must be submitted by email to emaj.editors@gmail.com, as word documents (.doc) only. Articles can be between 5000-10000…

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