Tag Archive for Lecture

Lecture Series | Philosophy, Literature, and Catherine the Great | NGV International

Marie-Anne COLLOT, French 1748–1821, Voltaire (1770s),, marble, 49.0 x 30.0 x 28.0 cm
The State Hermitage Museum, St Petersburg (Inv. no. Н.ск. 3) Acquired from the artist, 1778

In conjunction with the current NGV exhibition Masterpieces from the Hermitage: The Legacy of Catherine the Great the NGV is presenting a series of lectures on Philosophy, Literature and Catherine the Great. Catherine the Great’s intellectual pursuits extended far beyond her collection of art. Exchanging letters over a fifteen year period with French writer, historian and philosopher Voltaire, she was spurred to bring Russia into the modern era through ideas raised by the Enlightenment and its supporters. Patronage of the arts and education, as well as economic achievements, led to Catherine’s reign being cited as the golden age of Russia. In this special series of four lectures, specialists of history, philosophy and literature explore this rich period through the lens of the philosophers and…

Lecture | The Hours of Jeanne de Navarre, Three Medieval Queens and Hermann Goering – Christopher de Hamel | University of Melbourne

christopher_de_hamel

Early Books of Hours, especially those made for women, have long been a speciality of Professor Margaret Manion, who in 1998 published a major article on the famous fourteenth-century Book of Hours of Queen Jeanne of Navarre, in the Bibliothèque nationale in Paris (ms n.a. lat. 3093). This lecture takes up her lead and it asks why and when this beautiful manuscript was made, and why it includes some very rare components and extraordinary pictures, then unparalleled in medieval art. It follows the history of this Book of Hours in directions hitherto unsuspected, tracing its descent through the possession of at least four different reigning queens, of Navarre, France and England. Using entirely unknown material, it follows the astonishing journey…

Boiler Room Lecture | Jalal Toufic Which Is the More Difficult in the Christian Era: to Resurrect or to Bury? | State Library of Victoria

Jalal Toufic, Self Portrait? (2007)

Monash University Museum of Art [MUMA] in partnership with Monash Art Design & Architecture [MADA] are pleased to co-present a keynote lecture by Lebanese artist, writer and thinker Jalal Toufic, whose influence in the Beirut artistic community over the past two decades has been immense. The lecture will be introduced by Callum Morton, MADA Head of Department, and will be followed by a screening of Toufic’s video Attempt 137 to Map the Drive (7 minutes, 2011; made in collaboration with Graziella Rizkallah Toufic). Jalal Toufic is a thinker and a mortal to death. He was born in 1962 in Beirut or Baghdad and died before dying in 1989 in Evanston, Illinois. His books, many of which were published by Forthcoming…

Lecture | Conservation of cultural heritage, Henan Province, China – Chen Jiachang and Lan Wanli | University of Melbourne

Diseased archaeological site

Disease types and the conservation status of archaeological site museums | Professor CHEN Jiachang,  Director,  Henan Provincial Conservation Centre for Cultural Relics, Henan, China This lecture will introduce types of disease and the current conservation status of archaeological earthen sites in Henan province. It will discuss current approaches to conservation as well as proposed improvements to treatment methods. Professor CHEN was elected Fellow of the China Association for Preservation Technology of Cultural Relics (CAPTCR) in 2012. Professor CHEN has overseen numerous conservation projects including the in situ preservation of large scale earthen relics; the exploration of new methods and materials for shape recovery of collapsed, archaeological wood ware and the preservation of metal relics. Conservation of cultural relics and tombs…

Lecture | The Artist as Collector: Sir Joshua Reynolds and his Collection of Art | Donato Esposito

Self-portrait of Sir Joshua Reynolds, P.R.A., ca. 1780
Oil on panel, 1270 X 1016 mm. Given by Sir Joshua Reynolds, P.R.A., 1780 . Royal Academy of Arts.

Dr Donato Esposito will present a lecture on Sir Joshua Reynolds (1723-1792), the first and most famous President of the Royal Academy of Arts, London, focussing upon his activities as a collector of art. Dr Donato Esposito was a curator in the Department of Prints and Drawings at the British Museum, London (1999-2004). He co-curated the exhibition “Sir Joshua Reynolds: the acquisition of genius” at Plymouth City Museum & Art Gallery in 2009. He was recently an Andrew W. Mellon Fellow in the Department of Prints and Drawings at the Metropolitan Museum of Art, New York. He is currently working on a monograph on Reynolds as an art collector. Date: Wednesday 29th July, 6:30pm Venue: theatre D, Old Arts Building, University of…

Lecture | Monuments of Remembrance – Bronwyn Hughes | NGV Australia

Mornington War Memorial 1925, bronze medallion created in 1918 by Dora Ohlfsen (1867-1948),

photographed by Bronwyn Hughes, 2015. Background is of the Somme Valley near Peronne, photographed by Bronwyn Hughes, 2003.

Duldig Studio, in association with the National Gallery of Victoria, is proud to present the 2015 Annual Duldig Lecture on Sculpture: Monuments of Remembrance by Dr Bronwyn Hughes, art historian and heritage consultant. The Annual Duldig Lecture on Sculpture was established to commemorate the life and work of the internationally recognised sculptor Karl Duldig and his wife, the artist and inventor, Slawa Duldig (née Horowitz). In this Monuments of Remembrance lecture, Dr Bronwyn Hughes will examine the impetus and values that underpinned the First World War commemoration movement through war monuments of national importance to the seemingly insignificant local memorial. It will  explore how Australian expectations, economies and aesthetics changed in the 1920s and 1930s post-War society and compare commemorations…

Lecture | The Smithsonian Institution’s Provenance Research Initiative – Jane Milosch

milosch_professional-photo_temp

This lecture will give an overview of the Smithsonian Institution’s Provenance Research Initiative. As a leader within the area of provenance research and theory Milosch is an unparalleled example to curators and the wider museum sector. Provenance research provides a powerful lens through which to look at and learn about art, the history of collecting, and museums. The Smithsonian Provenance Research Initiative (SPRI) aims to expand its focus beyond the WWII era, to assist with current provenance issues, and to explore the implications of provenance research for art history and connoisseurship. We anchor the museum in its core missions: stewardship, education, and appreciation of all cultures. Jane Milosch was also Fulbright Scholar in Munich, Germany, where she has studied and…

Boiler Room Lecture | Raqs Media Collective

Image: Raqs Media Collective Coronation Park 2015
La Biennale di Venezia - 56th International Art Exhibition, Venice, Italy

MUMA in partnership with AsialinkArts and IMA are pleased to co-present a keynote lecture by Raqs Media Collective members Monica Narula and Shuddhabrata Sengupta. The lecture will be convened by Natalie King, Senior Research Fellow, Victorian College of the Arts/Senior Curator MPavilion. Date: Tuesday 7 July 2015, 6.00-7.30pm Venue: Village Roadshow Theatrette, State Library of Victoria Conference Centre, 179 La Trobe Street, Melbourne FREE event but bookings essential: muma.rsvp@monash.edu or ph. 03 9905 4365 The Raqs Media Collective enjoys playing a plurality of roles; often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs. They make contemporary art and films, curated exhibitions, edited books, staged events, collaborated with architects, computer programmers, writers and theatre directors and have founded processes…

Lecture | Barbara Bryant – Australia’s Pre-Raphaelite Collections: the People behind the Portraits | NGV International

Figure 5. Edward Burne-Jones, The Wheel of Fortune, 1871-1885. Oil on canvas, 151.4 x 72.5 cm. National Gallery of Victoria, Melbourne (381-2).

The idea of portraiture in Pre-Raphaelite art encompassed a new and exciting range of possibilities. The Pre-Raphaelite Brotherhood painted portraits with a stark realism that was unlike anything seen before. The meaning of the formal portrait mutated into a more direct vision of a real person, while subject paintings gained new meanings as artists cast friends and family in new roles. Dr Barbara Bryant is an art historian and writer who specialises in the work of artists in nineteenth-century Britain. In this special lecture, Dr Bryant looks at the real individuals in the extended Pre-Raphaelite circles to explore their impact on the artistic practice of D.G. Rossetti, F.M Brown, J.E. Millais, E. Burne-Jones and G.F. Watts in the 1850s and…

Lecture | Martin Jolly Spectral Stories: A Melbourne Spiritualist’s carte-de-visite album | MUMA

Frederick Hudson Mrs Houghton and Spirit 1872
spirit photograph of Georgiana Houghton, albumen silver photograph 
National Gallery of Australia, Canberra, NGA Photography Fund: Farrell Family Foundation donation

To mark the exhibition Believe not every spirit, but try the spirits, MUMA, in partnership with the Centre for Contemporary Photography are co-presenting a lecture by Martin Jolly, Spectral Stories: A Melbourne Spiritualist’s carte-de-visite album as part of the 2015 Glen Eira Storytelling Festival. Martyn Jolly is the head of Photography and Media Arts at the ANU School of Art, and is fascinated by the craze for spirit photography in the late 19th century. For this program he will discuss forgotten Victorian era artist Georgiana Houghton and her presence in Australia via the carte-de-visite album of a spiritualist in the collection of the National Gallery of Australia. In most carte-de-visite albums portraits of intimate friends rubbed shoulders with portraits of…

Lecture: ‘In Every Respect Equal’: John Rogers Herbert (1810-1890) and the Monumental Moses | NGV

John HERBERT
Moses bringing down the Tables of the Law (c. 1872-1878)
oil on paper on canvas
344.4 x 633.5 cm
National Gallery of Victoria, Melbourne
Purchased, 1878
p.306.4-1

In 1872 the NGV purchased a large mural of Moses Bringing Down the Tables of the Law by John Rogers Herbert, originally created for Parliament in London. However, it was more than a mere copy. Its earnest artist wrote that he wanted Melbourne to have an original, and he achieved this in a surprising way. Though it was initially popular with Melburnians, it was rolled up 70 years ago and hasn’t been on display since.  Now, unrolled at last, what can we discover about this enigmatic painting, concerned with law and justice? Speaker Dr Nancy Langham Hooper, art historian Date: 2pm–3pm, 14th June 2015 Venue: NGV International, Ground Level, Clemenger BBDO Auditorium Tickets:Cost $16 M / $20 A / $18 C…

Boiler Room Lecture | Ryan Gander | State Library of Victoria

Image: Ryan Gander, Porthole to Culturefield Revisited 2010
Courtesy of the artist and Lisson Gallery. Photo: Ken Adlard and Dave Morgan.

MUMA and Monash Art Design and Architecture [MADA], in association with Australian Centre for Contemporary Art [ACCA] are pleased to co-present a keynote lecture by renowned UK artist Ryan Gander. The lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Hannah Mathews, Associate Curator, ACCA. Ryan Gander was born in Chester, UK in 1976 and lives and works in London and Suffolk. He has established an international reputation through artworks that materialise in many different forms, including sculpture, film, writing, graphic design, installation and performance. Through associative thought processes that connect the everyday and the esoteric, the overlooked and the commonplace, Gander’s work involves a questioning of language and knowledge; a reinvention…

Lecture | Joe Banks ‘Rorschach Audio’ |Gertrude Contemporary

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Joe Banks | ‘Rorschach Audio’ | Histories and Theories of Sound, Lecture #5 2015 Liquid Architecture and the Monash University Museum of Art | MUMA are pleased to present British sound artist and writer Joe Banks in Australia for the first time. On Wednesday June 3 at 6.30pm at Gertrude Contemporary, Banks will deliver a lecture titled ‘Rorschach Audio’ as part of the ‘Histories and Theories of Sound’ series presented in association with Gertrude Contemporary, Liquid Architecture and Discipline. Banks’s lecture is #5 in the ‘Histories and Theories of Sound’ series that began last year, and has featured lectures by Branden W. Joseph, David Grubbs, Douglas Kahn, and James Parker. BLURB In Rorschach Audio: Art & Illusion for Sound, Banks offers a critical account…

Lecture | Conrad Rudolph – Faces, Art, and Computerized Evaluation Systems | University of Melbourne

Lorenzo de’ Medici,
probably after a model by Andrea
Del Verrocchio and Orsino
Benintendi, Samuel H. Kress
Collection, National Gallery of Art,
Washington D.C.

FACES (Faces, Art, and Computerized Evaluation Systems) is a project that, after two years of research support from the National Endowment for the Humanities (NEH), has established proof of concept for the application of face recognition technology to works of portrait art. In the application of face recognition technology to photographed human faces, a number of difficulties are inherent in a real or perceived alteration of appearance of the face through variations in facial expression, age, angle of pose, and so on. With works of portrait art, not only do all these problems pertain, but these works also have their own additional challenges. Most notably, portrait art does not provide what might be called a photographic likeness but rather one…

Gertrude Contemporary–Discipline 2015 Lecture #4 | David Raskin – Hiroshi Sugimoto’s Inhuman Photographs

hiroshi sugimoto

In asking why responses to Sugimoto’s photographs turn on a dime from awe to scorn, I suggest that these strange works of art manage to escape human desires. My hope is that by moving the conversation away from entrenched dichotomies such aesthetics or anti-aesthetics and toward an analysis of the nature of objects and feelings, I can suggest the ethical and practical consequences of inhuman art. David Raskin is Mohn Family Professor of Contemporary Art History at the School of the Art Institute of Chicago, and Editor-in-Chief of caa.reviews. He is author of Donald Judd (Yale University Press, 2010), and other scholarly publications, including essays on Noriyuki Haraguchi, Ad Reinhardt, Jo Baer, Olle Baertling, Enrique Martínez Celaya, Carl Andre, and…