Tag Archive for Lecture

Lecture | For Auld Lang Syne – The exhibition: A curator’s perspective

Keeley Halswelle The Heart of the Coolins 1886 oil on canvas National Gallery of Victoria

“For Auld Lang Syne”: A curator’s perspective Associate Professor Alison Inglis, The University of Melbourne Associate Professor Alison Inglis, co-curator of the exhibition, For Auld Lang Syne: Images of Scottish Australia from First Fleet to Federation will talk about the development of this ground-breaking presentation of Scottish visual culture in colonial Australia.  The exhibition brings together over 300 objects from public and private collections across Australia and from England, and is currently on view at the Art Gallery of Ballarat (until 27 July 2014). The lecture will discuss the themes…

Lecture | Branden W. Joseph – Art and Dirt: Kim Gordon’s Aesthetics of Impurity

Art and Dirt: Kim Gordon’s Aesthetics of Impurity Branden W. Joseph Before embarking on her path-breaking career as singer and bassist in the band Sonic Youth, Kim Gordon was a key artistic and critical voice in the New York art scene, close to such celebrated figures as Mike Kelley, Dan Graham, John Knight, Robert Longo and Laurie Anderson. Throughout the early 1980s in artist-run publications such as Real Life, ZG, Journal, and FILE, Gordon contributed a series of astute analyses of the artistic practices of these and other figures, as well as of the crossovers between art…

Lecture | Fame and Beauty in Victorian Society: Portraits by George Frederic Watts | Barbara Bryant

G. F. Watts, Alfred Tennyson, 1858, NGV

Fame and Beauty in Victorian Society: Portraits by George Frederic Watts Dr Barbara Bryant 2014 Ursula Hoff Lecture in partnership with the Ursula Hoff Institute In his own lifetime the reputation of English painter G.F. Watts (1817-1904) was international in its reach, thanks to exhibitions around the world from Europe to America. From 1879 onward Watts’s work was regularly seen in Australia, prompting major acquisitions for growing museum collections, with the earliest occurring in 1888 here in Melbourne with a portrait of the British Poet Laureate, Alfred Tennyson, and a…

Lecture | Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson | NGV International

Jar  (17th century)  from Delft,  Medium earthenware, National Gallery of Victoria, Melbourne Felton Bequest, 1939

The Robert Wilson Annual Decorative Arts Lecture Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson  The lecture will provide an overview of 250 years (1600-1850) history of ceramic production in the town of Delft and a focus on the second half of the seventeenth century when the small town of Delft became the centre of ceramic production in Europe, with production influenced by events from Europe to China. During this time potteries began selling to the nobility and royal courts all over Europe and their products in…

Public Lecture | Challenging time: Melbourne’s contribution to the conservation of visual culture at home and beyond | Newman College

The Bushrangers, William Strutt 1852, Ian Potter Museum of Art, University of Melbourne

Challenging time: Melbourne’s contribution to the conservation of visual culture at home and beyond Robyn Sloggett, Nicole Tse and Susanna Collis Associate Professor Robyn Sloggett has been at the heart of the developments of teaching, research and conservation practice at the University of Melbourne for more than two decades. She presents here, together with specialist colleagues Dr Nicole Tse and Susanna Collis, some of the achievements, challenges and future directions offered by this exacting and exciting discipline. Date: Tuesday 3 June 2014, 5–6pm Venue: The Oratory, Newman College, University of Melbourne…

Public Lecture | Wreckage and Reclamation: Politics and Art in Brisbane 1987-1997 | Doug Hall

TYNDALL, Peter, Australia b.1951, detail A Person Looks At A Work Of Art/ someone looks at something... QLD: 1979 (PUPPET CULTURE FRAMING SYSTEM), 1979 A Person Looks At A Work Of Art/ someone looks at something... CULTURAL CONSUMPTION PRODUCTION Oil on canvas and enamel on wood with braided nylon cord 177 x 56.6cm, Acc. 2002.115 Gift of the artist through the Queensland Art Gallery Foundation 2002. Donated through the Australian Government’s Cultural Gifts Program Collection: Queensland Art Gallery, © The artist

“The greatest thing that could happen to this State – and the Nation – is when we can get rid of the media. Then we could live in peace and tranquility, and no one would know anything.”  Sir Joh Bjelke-Petersen, former Queensland Premier, the Spectator, London, 12 December 1987. “This, December 2, 1989, is the end of the Bjelke-Petersen era.” Wayne Goss, election victory speech, 2 December, 1989. The one-liner, ‘it could only happen in Queensland’, is now but a well-worn and a meaningless cliché. The conduct that it supposedly…

Lecture | Infinite social landscape: Chinese contemporary art on the global stage – Professor Yiyang Shao

Zhan Wang,“My Universe” (2011) via en.cafa.com.cn

Infinite social landscape: Chinese contemporary art on the global stage Professor Yiyang Shao China has been a land of radical changes in the past 30 years, from its economy to society, from its culture to individual life. Chinese contemporary art has become one of the most intensive and challenging parts of such a great change. Professor Yiyang Shao’s research aims to examine Chinese contemporary art in the past few decades, to explore the relationship between the work and its socio-political environment, and analyse how Chinese contemporary art engaged with its…

Lecture | Tinka Pittoors ‘The Dysideological Principle’ RMIT Design Hub

Tinka Pittoors in situ installation - Fort Art - 3D-Drawing, 2012. Wood, plastic, paint, lights dimensions variable. Courtesy the artist and Galerie Triangle Bleu, Stavelot. Photograph: Tinka Pittoors

The Dysideological Principle Tinka Pittoors About Tinka Pittoors Born 1977 in Brasschaat, Belgium Lives and works in Antwerp, Belgium Tinka Pittoors originally studied painting at the Royal Academy of Fine Arts, Ghent, before expanding her practice to explore the possibilities of sculpture integrated with drawing, photography, video and installation. Combining a multitude of materials and found objects, Pittoors is known for creating fantastical landscapes and surrealistic miniature worlds that examine ideas of power and utopia. Pittoors finds inspiration in words and is interested in the principle of neologism, where a…

Lecture | Donald Bates ‘Architecture, Imagination and Consequences’

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As part of the Ian Potter Museum of Art exhibition ‘The Piranesi effect’ leading international architect Donald Bates will discuss the continuing relevance and influence of Piranesi on contemporary architectural practice today ins his lecture ‘Architecture, Imagination and Consequences’. Professor Donald L Bates FAIA, RIBA is Chair of Architectural Design at the University of Melbourne and Founder/Director, LAB architecture studio. Date: Saturday 5 April, 2-3pm Venue: Ian Potter Museum of Art, University of Melbourne, Swanston St, Parkville Website: http://www.art-museum.unimelb.edu.au/public-programs/current-events/prgm-date/2014-04-05/prgm/saturday-lecture-the-piranesi-effect Free event but seating is limited – book via the Ian Potter website.…

Lecture | The Fitzwilliam Museum Cambridge: a case study in the evolution of the art museum – Duncan Robinson

Photograph © Andrew Dunn, 9 September 2004. Via wikimedia.org.

The Fitzwilliam Museum Cambridge: a case study in the evolution of the art museum Dean’s Lecture | Duncan Robinson The Fitzwilliam Museum was founded in 1816 by the bequest made to the University of Cambridge by a wealthy alumnus, Richard Viscount Fitzwilliam. In this lecture, Duncan Robinson traces its development, reflected in its architecture, from the private collection of an 18th Century aristocrat to its position today as one of Britain’s foremost art museums in which full, public access is combined with objects-based research, conservation facilities and teaching at all levels…

Lecture | Lars Bang Larsen – Art and Psychedelia

larsbang-larsen

Boiler Room Series Art and Psychedelia | Lars Bang Larsen Independent curator Lars Bang Larsen will present his research in art and psychedelia from both academic and exhibition making perspectives. He will discuss the connection between art and psychedelic imagery, concepts and practices in relation to his recent curatorial projects B/W Sensorium, as part of Dexter Bang Sinister at Charlottenborg Exhibition Hall, Copenhagen (2012), and Reflections from Damaged Life, Raven Row, London (2013). This line of enquiry follows a non-linear path, through individual artistic interpretations of how the psychedelic notion of transformation…

Lecture | Pat Simons ‘The Crone, the Witch and the Library in Renaissance Italy’

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The Crone, the Witch and the Library in Renaissance Italy Professor Pat Simons, University of Michigan This paper examines ways in which renewed attention to antiquity during the Renaissance re-invigorated misogynist stereotypes of old women as well as bringing new evidence to the emerging discourse about witches, hence shaping for the hag a vivid pictorial presence. Proof for the threatening female figure was drawn from the humanist’s library of classical authors, many cited in Giovanfrancesco Pico della Mirandola’s Stryx (1523), which stated that witches were ‘ancient in essence and new…

Lecture | A Multitude of Images – David Joselit

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A Multitude of Images Professor David Joselit Individual tickets are available for David Joselit’s keynote lecture for the 2013 AAANZ conference. A multitude denotes a plurality of people or things. According to the Oxford English Dictionary it signifies ‘the character, quality, or condition of being many.’ The subject of this lecture will be the condition of being many with regard to images, for indeed it is possible to define modernism as a response to ‘a multitude of images.’ The lecture will range from early twentieth-century montage to recent practices of…

Lecture | Analyzing and transmitting medieval manuscripts in the digital age – Professor Bernard Muir, FAHA

Muir moi 150 (1)

Analyzing and transmitting medieval manuscripts in the digital age Professor Bernard Muir, FAHA In this lecture Professor Muir will demonstrate a variety of challenges encountered when working with documents surviving from the Middle Ages, and the latest developments in the digital presentation such texts with specific reference to his published facsimiles; he will also suggest ways in which our understanding of the nature and function of the book is being transformed by its presentation in digital format. Date: Wednesday 20 November 6.00pm – 7.00pm Venue: Sunderland Lecture Theatre, level 2 (ground floor), Medical Building, corner…

Lecture | Rethinking Russell Drysdale: TarraWarra Museum of Art Lecture by Dr Christopher Heathcote

Russell Drysdale  Crucifixion 1946, oil on plywood, 76 x 101.6 cm  Art Gallery of New South Wales, Sydney  © Estate of Russell Drysdale

Rethinking Russell Drysdale: TarraWarra Museum of Art Lecture Dr Christopher Heathcote TWMA presents a special lecture by exhibition curator Dr Christopher Heathcote in which he explores TWMA’s ground-breaking new exhibition Russell Drysdale: Defining the Modern Australian Landscape. Heathcote will reveal that Drysdale, one of the most highly regarded artists of his generation both in Australia and internationally, was a man ahead of his time who not only shaped perceptions of the national landscape but used visual art to pose questions about the environment – disturbing questions that society is only…