Tag Archive for Lecture

Boiler Room Lecture | Raqs Media Collective

Image: Raqs Media Collective Coronation Park 2015
La Biennale di Venezia - 56th International Art Exhibition, Venice, Italy

MUMA in partnership with AsialinkArts and IMA are pleased to co-present a keynote lecture by Raqs Media Collective members Monica Narula and Shuddhabrata Sengupta. The lecture will be convened by Natalie King, Senior Research Fellow, Victorian College of the Arts/Senior Curator MPavilion. Date: Tuesday 7 July 2015, 6.00-7.30pm Venue: Village Roadshow Theatrette, State Library of Victoria Conference Centre, 179 La Trobe Street, Melbourne FREE event but bookings essential: muma.rsvp@monash.edu or ph. 03 9905 4365 The Raqs Media Collective enjoys playing a plurality of roles; often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs. They make contemporary art and films, curated exhibitions, edited books, staged events, collaborated with architects, computer programmers, writers and theatre directors and have founded processes…

Lecture | Barbara Bryant – Australia’s Pre-Raphaelite Collections: the People behind the Portraits | NGV International

Figure 5. Edward Burne-Jones, The Wheel of Fortune, 1871-1885. Oil on canvas, 151.4 x 72.5 cm. National Gallery of Victoria, Melbourne (381-2).

The idea of portraiture in Pre-Raphaelite art encompassed a new and exciting range of possibilities. The Pre-Raphaelite Brotherhood painted portraits with a stark realism that was unlike anything seen before. The meaning of the formal portrait mutated into a more direct vision of a real person, while subject paintings gained new meanings as artists cast friends and family in new roles. Dr Barbara Bryant is an art historian and writer who specialises in the work of artists in nineteenth-century Britain. In this special lecture, Dr Bryant looks at the real individuals in the extended Pre-Raphaelite circles to explore their impact on the artistic practice of D.G. Rossetti, F.M Brown, J.E. Millais, E. Burne-Jones and G.F. Watts in the 1850s and…

Lecture | Martin Jolly Spectral Stories: A Melbourne Spiritualist’s carte-de-visite album | MUMA

Frederick Hudson Mrs Houghton and Spirit 1872
spirit photograph of Georgiana Houghton, albumen silver photograph 
National Gallery of Australia, Canberra, NGA Photography Fund: Farrell Family Foundation donation

To mark the exhibition Believe not every spirit, but try the spirits, MUMA, in partnership with the Centre for Contemporary Photography are co-presenting a lecture by Martin Jolly, Spectral Stories: A Melbourne Spiritualist’s carte-de-visite album as part of the 2015 Glen Eira Storytelling Festival. Martyn Jolly is the head of Photography and Media Arts at the ANU School of Art, and is fascinated by the craze for spirit photography in the late 19th century. For this program he will discuss forgotten Victorian era artist Georgiana Houghton and her presence in Australia via the carte-de-visite album of a spiritualist in the collection of the National Gallery of Australia. In most carte-de-visite albums portraits of intimate friends rubbed shoulders with portraits of…

Lecture: ‘In Every Respect Equal’: John Rogers Herbert (1810-1890) and the Monumental Moses | NGV

John HERBERT
Moses bringing down the Tables of the Law (c. 1872-1878)
oil on paper on canvas
344.4 x 633.5 cm
National Gallery of Victoria, Melbourne
Purchased, 1878
p.306.4-1

In 1872 the NGV purchased a large mural of Moses Bringing Down the Tables of the Law by John Rogers Herbert, originally created for Parliament in London. However, it was more than a mere copy. Its earnest artist wrote that he wanted Melbourne to have an original, and he achieved this in a surprising way. Though it was initially popular with Melburnians, it was rolled up 70 years ago and hasn’t been on display since.  Now, unrolled at last, what can we discover about this enigmatic painting, concerned with law and justice? Speaker Dr Nancy Langham Hooper, art historian Date: 2pm–3pm, 14th June 2015 Venue: NGV International, Ground Level, Clemenger BBDO Auditorium Tickets:Cost $16 M / $20 A / $18 C…

Boiler Room Lecture | Ryan Gander | State Library of Victoria

Image: Ryan Gander, Porthole to Culturefield Revisited 2010
Courtesy of the artist and Lisson Gallery. Photo: Ken Adlard and Dave Morgan.

MUMA and Monash Art Design and Architecture [MADA], in association with Australian Centre for Contemporary Art [ACCA] are pleased to co-present a keynote lecture by renowned UK artist Ryan Gander. The lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Hannah Mathews, Associate Curator, ACCA. Ryan Gander was born in Chester, UK in 1976 and lives and works in London and Suffolk. He has established an international reputation through artworks that materialise in many different forms, including sculpture, film, writing, graphic design, installation and performance. Through associative thought processes that connect the everyday and the esoteric, the overlooked and the commonplace, Gander’s work involves a questioning of language and knowledge; a reinvention…

Lecture | Joe Banks ‘Rorschach Audio’ |Gertrude Contemporary

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Joe Banks | ‘Rorschach Audio’ | Histories and Theories of Sound, Lecture #5 2015 Liquid Architecture and the Monash University Museum of Art | MUMA are pleased to present British sound artist and writer Joe Banks in Australia for the first time. On Wednesday June 3 at 6.30pm at Gertrude Contemporary, Banks will deliver a lecture titled ‘Rorschach Audio’ as part of the ‘Histories and Theories of Sound’ series presented in association with Gertrude Contemporary, Liquid Architecture and Discipline. Banks’s lecture is #5 in the ‘Histories and Theories of Sound’ series that began last year, and has featured lectures by Branden W. Joseph, David Grubbs, Douglas Kahn, and James Parker. BLURB In Rorschach Audio: Art & Illusion for Sound, Banks offers a critical account…

Lecture | Conrad Rudolph – Faces, Art, and Computerized Evaluation Systems | University of Melbourne

Lorenzo de’ Medici,
probably after a model by Andrea
Del Verrocchio and Orsino
Benintendi, Samuel H. Kress
Collection, National Gallery of Art,
Washington D.C.

FACES (Faces, Art, and Computerized Evaluation Systems) is a project that, after two years of research support from the National Endowment for the Humanities (NEH), has established proof of concept for the application of face recognition technology to works of portrait art. In the application of face recognition technology to photographed human faces, a number of difficulties are inherent in a real or perceived alteration of appearance of the face through variations in facial expression, age, angle of pose, and so on. With works of portrait art, not only do all these problems pertain, but these works also have their own additional challenges. Most notably, portrait art does not provide what might be called a photographic likeness but rather one…

Gertrude Contemporary–Discipline 2015 Lecture #4 | David Raskin – Hiroshi Sugimoto’s Inhuman Photographs

hiroshi sugimoto

In asking why responses to Sugimoto’s photographs turn on a dime from awe to scorn, I suggest that these strange works of art manage to escape human desires. My hope is that by moving the conversation away from entrenched dichotomies such aesthetics or anti-aesthetics and toward an analysis of the nature of objects and feelings, I can suggest the ethical and practical consequences of inhuman art. David Raskin is Mohn Family Professor of Contemporary Art History at the School of the Art Institute of Chicago, and Editor-in-Chief of caa.reviews. He is author of Donald Judd (Yale University Press, 2010), and other scholarly publications, including essays on Noriyuki Haraguchi, Ad Reinhardt, Jo Baer, Olle Baertling, Enrique Martínez Celaya, Carl Andre, and…

Boiler Room Lecture | Charles Esche | Artistic freedom and cultural critique in the context of corporatism in the art world

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Monash University Museum of Art [MUMA] and Monash Art, Design and Architecture [MADA] are pleased to co-present in partnership with the Research Unit in Public Cultures [RUPC] and the School of Culture and Communications at the University of Melbourne, a keynote lecture by Charles Esche, Director, the Van Abbemuseum, the Netherlands. This lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Charles Esche convened by Nikos Papastergiadis, Professor, School of Culture and Communication, The University of Melbourne. For almost two decades, Charles Esche has been a protagonist in reshaping the curatorial landscape. His work as a director of important European institutions, curator of major biennials and both writer and publisher of critical…

Lecture | Gertrude–Discipline Lecture #3 | Timothy Moore

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The third Gertrude Contemporary–Discipline lecture for 2015 will be given by Timothy Moore on Tuesday the 28th of April, at 6pm for a 6.30pm start. Please N.B. the change of venue to Kalex at 166 Gertrude Street, Fitzroy. ABSTRACT Temporary architecture — that forms a community pavilion or event, a communal working space, artistic intervention, cultural platform or gastronomical destination — has had increased attention in wealthy economies in the twenty-first century. The pop-up project soon pops-down, however its effects are far from temporary. This is the screensaver, where a temporary project acts as a transition slide for a city yet to come. Screensaver architecture can be read cynically as low-cost aesthetic camouflage that may disguise speculative development to follow.…

Boiler Room Lecture | Matt Mullican | Wheeler Centre

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MUMA, in association with Monash Art, Design and Architecture [MADA], present a keynote lecture by renowned artist Matt Mullican. The lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Lars Bang Larsen, co-curator of Believe not every spirit, but try the spirits. For the last 30 years Matt Mullican has experimented with hypnosis to create work that both examines his subconscious, and functions as a strategy to break from the patterns of everyday life. Mullican’s practice interrogates systems of knowledge, meaning and language through drawing, collage, video, sculpture, performance, and installation. His interest in modified states of awareness led him to work under hypnotically induced psychoses, and it was during his first…

Lecture | ‘Inspiration by Design: the Victoria and Albert Museum and its Library’ Julius Bryant | State Library of Victoria

image

Julius Bryant, Keeper of Word and Image at the Victoria and Albert Museum will share stories about the National Art Library, and discuss the future of the institution. The founding mission of the Victoria and Albert Museum’s National Art Library was to be an encyclopaedic visual resource for the creative industries and designers of the future, conceived as part of an educational project to reform arts and manufacturing in Britain following the Great Exhibition of 1851. The State Library’s exhibition Inspiration by Design (from 20 March to 14 June) showcases some of the world’s finest book art and design, on loan from the acclaimed Victoria and Albert Museum’s National Art Library. Date: 23rd March 6-7pm Venue: Village Roadshow Theatre, State…

Lecture | Terence Maloon on Tony Tuckson and Ian Fairweather at TarraWarra Museum of Art

Tony Tuckson
Black on white, large upright c. 1958-1961
Oil on composition board,
183 x 122.4 cm
Gift of Eva Besen AO and Marc Besen AO 2003,
TarraWarra Museum of Art collection

‘Tuckson, Fairweather and the Crisis of the Easel Picture’ | Terence Maloon, Director, ANU Drill Hall Gallery and Art Collection To celebrate the exhibitions Ian Fairweather: The Drunken Buddha and Tony Tuckson: Paintings and Drawings, the curator, art historian and critic Terence Maloon will present a keynote lecture on these two major Australian artists. In particular, he will discuss how each artist responded to, and acted out, what the critic Clement Greenberg described in 1948 as the ‘crisis of the easel picture’. The lecture followed by refreshments. Date: 8th February, 4-5pm Venue: TarraWarra Museum of Art, 311 Healesville -Yarra Glen Road, Healesville. Website: www.twma.com.au Tickets $20.00 adult / $15 concession (Pension & Student card holders). Includes Museum entry, lecture &…

Lecture | Divided emotions, radical religions and apocalyptic expectations in the sixteenth-century Augsburg ‘Book of Miracles’ | Jenny Spinks

mage: Augsburger Wunderzeichenbuch, Folio 114: “In 1533, three suns shone similarly…” Courtesy of Day Faber.

Sixteenth-century printed and manuscript wonder books compiled reports of comets, floods, earthquakes, monstrous births, and other terrifying and extraordinary phenomena. Such compendia appeared in great numbers after 1556, and German-language wonder books were produced most commonly in Switzerland and in northern German lands. Some wonder books also appeared before the mid-1550s, and in other German regions, although these are works that have received much less attention and analysis. This paper will examine a recently-discovered and richly illustrated manuscript wonder book that was produced in Augsburg in the late 1540s, during a period of intense religious and political division within the city around the 1548 Augsburg Interim. German-language wonder books generally reflect Lutheran or Swiss Protestant approaches to the interpretation of…

Lecture | The Rococo Erotics of Disguise and Innocence: Revisiting the issue of viewing pleasure in the ancien régime | Patricia Simons

"Jupiter in the Guise of Diana, and the Nymph Callisto" by François Boucher (1759). Courtesy of Wikimedia Commons.

The erotic pleasure of rococo art is usually considered frivolous and feminine, but what if the seeming superficiality and insincerity did have emotive impact? By considering images of playful babes and mythological nymphs, this lecture demonstrates that the masquerade of insignificance enabled the true mask, the nonchalant disguise of innocence, which nevertheless luxuriated in sensuality. Patricia Simons’ scholarly interests include the art of Renaissance Europe (primarily Italy, France and the Netherlands) with a special focus on the representation of gender and sexuality and interdisciplinary research on materiality, visuality and material culture. Her work, published in anthologies and peer-review journals like Art History, Renaissance Quarterly, and Renaissance Studies, has investigated such issues as portraiture as a mode of fictive representation, medical discourse in relation…