Tag: Lecture

Lecture | Dr Chris McAuliffe Blind Replicators and Conscious Foresight: Surviving Circulation | TarraWarra Museum of Art


Dr Chris McAuliffe | Blind Replicators and Conscious Foresight: Surviving Circulation Date: Sunday, 23rd October 2016, 2:00pm Venue: TarraWarra Museum of Art Free to attend The 2016 TarraWarra Biennial addresses the ideas of circulation and continuity emerging in art’s passage through institutional and industry channels such as exhibitions, magazines, galleries and museums. The sense of opportunity and crisis associated with these ideas might be traced back to 1976, when two challenging proposals relating to circulation and continuity were made. Writing in the first issue of the journal October, critic Rosalind Krauss reflected on artists’ extensive engagement with circulatory media, such…

Three lectures at the Power Institute | Frédéric Ogée, Tamar Garb and Sheridan Palmer


Three lectures at the Power Institute in Sydney over the next three weeks by interstate and international guest speakers.  Frédéric Ogée Hogarth’s Bodies Thursday 20 October, 6.00pm In his choice of subjects and in his painting technique, William Hogarth’s rendering of ‘life’ is remarkable for its tangible physicality. In this lecture, Professor Ogée argues that Hogarthian beauty and grace, far from being abstract concepts or resulting from the formal application of a set of rules, emerge as transient, ‘living’, physical phenomena, apprehended by the beholder through visual representations of the bodies’ natural and ‘peculiar’ movements. Frédéric Ogée is Professor of British Literature and Art History…

Lecture | Shoreline Landscapes and the Edges of Empire – Rachel DeLue | Power Institute Sydney


The Power Institute with Sydney Ideas is pleased to present a lecture by American art specialist Rachael DeLue, that considers the significance of the shoreline in the work of prominent nineteenth century Australian and American artists.  Defined as the line where a body of water meets the land, a shoreline is a space of contact, marking the point of convergence between different terrains, peoples, and ecosystems.  Shorelines also engender diverse forms of knowledge, including the outer limits of nation states, the geologic history of the earth, or the effect of climate change on global sea levels.  Depending on one’s point…

Writing and Concepts # 21 | Nikos Papastergiadis | RMIT Design Hub


Nikos Papastergiadis …speculates on the role that writing plays in the development of the concepts in his work. RMIT Design Hub, L3 Lecture Theatre 5:00pm Thursday 6 October Link to Facebook event NIKOS PAPASTERGIADIS is Professor at the School of Culture and Communication at the University of Melbourne. He studied at the University of Melbourne and University of Cambridge. Prior to returning to the University of Melbourne he was a lecturer at the University of Manchester. Throughout his career, Nikos has provided strategic consultancies for government agencies on issues relating to cultural identity and worked on collaborative projects with artists…

Lecture | Unbeautiful Bodies in Ancient South Italy’ Ted Robinson | NGV International


In the art of the Greek cities of South Italy, beautiful bodies are everywhere. The norms were subverted, though, when it came to representing the comic theatre, where the players are all shown as physically grotesque. There were many more vase-paintings which depicted comedy made in South Italy than in any other part of the Greek world, and several outstanding examples are in the collections of the National Gallery of Victoria. This lecture will seek to explain their conventions, and understand why depictions of unbeautiful bodies were so common in South Italy, even on vases that were used as grave-offerings.…

Lectures | David Solkin and Mark Hallett on British Eighteenth-Century Art | University of Sydney

Joshua Reynolds, John Manners, Marquess of Granby (detail), 1766, oil on canvas, 247.5 x 210.2 cm, Collection of John and Mable Ringling Museum of Art, Sarasota, Florida

The Power Institute is pleased to present two lectures on British art of the eighteenth century, by Professors David Solkin and Mark Hallett. David Solkin – English or European? Portraiture and the Politics of National Identity in Early Georgian Britain Professor Solkin’s lecture examines a fundamental shift in British portraiture during the reign of George II, which saw painters and patrons turn away from the established native heritage of Van Dyck, Lely, and Sir Godfrey Kneller, in favour of embracing the latest trends in Continental art practice. Spearheading this development were several immigrant European portraitists, led by Jean-Baptiste Van Loo, who…

Writing and Concepts | Lecture 17 Helen Grogan | RMIT Design Hub

HELEN GROGAN’s practise is informed by studies in philosophy and choreography, it operates critically and dynamically with exhibition formats and institutional conditions. She uses sculptural, photographic, and choreographic means to approach spatial and temporal experience as material. Her work has been exhibited nationally and internationally at: Australian Centre for Contemporary Art; Art Gallery of New South Wales; 20th Biennale of Sydney; National Gallery of Victoria International; Gertrude Contemporary; 2nd Tbilisi Triennial; Liquid Architecture; Alaska Projects; Gertrude Glasshouse; Slopes; West Space; Rijksakademie; Stockholm Kulturhuset; Kontext Festival Berlin; VCA Margaret Lawrence Gallery; C3; La Macedora, amongst others. “Grogan’s practice is a continuous…

Duldig Sculpture Lecture | Sculpture and the Museum: From Fortunate Son to Runaway Child – Christopher Marshall | University of Melbourne

Image: Interior view, Gipsoteca canoviano, Possagno (Treviso)

In 2005, the Director of the National Gallery, London, signalled the long-standing eclipse of sculpture in favour of painting when he noted that “sculpture is what you fall over when you step back from the paintings”. The expanded field of contemporary sculptural practice, including installations, conceptual art and commissioned artist interventions, has nonetheless re-energised and revitalised the potential of sculpture to engage with the historical, institutional and even commercial dimensions of the museum. This lecture will consider the long and complex development from the Renaissance to today with a particular focus on the key role played by sculpture in communicating…

Lecture | Charles Green – Biennales, Triennales and documenta: The Exhibitions That Created Contemporary Art | NGV International

biennials triennials

Two main questions overlap in this lecture. What is the impact of biennials on contemporary art? And how have biennials changed in the course of the appearance of contemporary art? We will sum up the issues that we see played out in different biennials between 1955 to now. We will work through a typology of biennial formats, noting that each appears in turn as an answer to a set of problems and contingencies, whether these are artistic, political, or economic, but always in relation to globalisation (a process that we carefully distinguish from globalism, as the desire to be recognisably…

Lecture | Claude Perrault’s Royal Observatory and the Intractable Challenge of Comets by Claire Goldstein | University of Sydney

'Presentation of the Members of the Academy of Sciences to Louis XIV in 1667' by Henri Testelin

The Power Institute is pleased to invite you to a public lecture by Claire Goldstein, Associate Professor in the Department of French & Italian at the University of California, Davis. Louis XIV is one of the most iconic figures in European history. Styled the Sun King, he is remembered for his extravagant building projects, particularly those centred on the Chateau of Versailles, a site which came to function as a symbol of his long reign. At Versailles, Louis XIV shone most brilliantly, and prominent thinkers have long taken a critical interest in the ways the early years of his rule…

Lecture Series | The Art and Life of Edgar Degas – Roberta Crisci-Richardson | NGV International

Edgar Degas 
Family portrait (Portrait de famille), also called The Bellelli family 1867
oil on canvas
201.0 x 249.5 cm
Lemoisne 79
Musée d'Orsay, Paris (RF 2210)
© Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

Throughout art history Edgar Degas has been categorised as a nationalist, misogynist and experimental artist. But, is this an accurate portrayal? Considering Degas’s life and work from the streets of Paris to the walls of the salon – who was Degas really? In a series of three lectures, Dr Roberta Crisci-Richardson, author of Mapping Degas, challenges popular notions of Degas by considering his life and work in his context of nineteenth century France. Speaker Dr Roberta Crisci-Richardson, art historian, author of Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834–1917) Book…

Lecture | Les Immatériaux: experiments in art and philosophy – Ashley Woodward | VCA


  Les Immatériaux: experiments in art and philosophy A public lecture by Ashley Woodward (Lecturer in Philosophy, University of Dundee) | 28th July 2016   Les Immatériaux (‘The Immaterials’), was a major exhibition held at the Georges Pompidou Centre, Paris, in 1985. It’s principal director was the philosopher Jean-François Lyotard. After several decades of little interest, this exhibition is increasingly becoming recognized as a landmark exhibition of the twentieth century, a recognition marked by a number of commemorative events in France, England, and Germany over the last several years to mark its 30th anniversary. The exhibition collected a wide array of…

Lecture | How Pre-Raphaelite Frames Influenced Degas and the Impressionists | NGV International

Ford Madox BROWN The finding of Don Juan by Haidée (1869-1870) {retouched (1871) and later}  watercolour and gouache over pencil 47.5 x 57.6 cm (sheet) Bennett A91 National Gallery of Victoria, Melbourne Felton Bequest, 1905 210-2

Enter the world of picture framing through a lecture by British art historian and specialist Lynn Roberts. Although often ignored, picture frames have a huge impact on our viewing and perception of pictures. This fact was well appreciated by many artists connected with the British Pre-Raphaelite and the French Impressionist movements, including Edgar Degas. For these artists, framing was a critical aspect of their art, and literally integral to it. In different ways their frames radically contrasted to the conventional, ornate frames in which pictures were hung in official exhibitions such as the Salon in Paris and Royal Academy in…

Writing and Concepts | Lecture 12 Helen Johnson | RMIT Design Hub

Helen Johnson lecture image

Helen Johnson Helen Johnson is an artist, writer and teacher based in Melbourne. Painting is at the centre of her practice. Recent solo exhibitions include Barron Field as part of the 2016 Glasgow International and Slow Learners at Château Shatto, Los Angeles in 2015. She has recently exhibited work as part of June: A Painting Show at Sadie Coles, London; In my absence at Jocelyn Wolff, Paris; and Pleasure and Reality at the NGV. In 2017 Johnson will present a solo exhibition at the ICA in London. In 2015 she launched a book titled Painting is a Critical Form, developed…

MUMA Boiler Room Lecture | Outlaw Territories – Felicity D. Scott | State Library of Victoria

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Outlaw Territories Monash University Museum of Art (MUMA) is pleased to present a special lecture by visiting international curator and writer, Felicity D. Scott. Felicity D. Scott will discuss her book, Outlaw Territories: Environments of Insecurity/Architectures of Counter-insurgency (Zone Books, 2016), which outlines the historical and contemporary legacy of the American counterculture from the 1960s and ‘70s and its effects on environmental governance and the management of populations globally. During this lecture Scott will draw connections between many subjects including Kevin Roche’s designs for the Ford Foundation Headquarters and One United Nations Plaza in New York; the Open Land communes…