Author Archive for MelbourneArtNetwork

Talks | The Colourful History of the Stripe | NGV International

Chapan/khalat (coat) 
(late 19th century-mid 20th century), Uzbek, yellow and purple striped silk, cotton, dyes, braid, printed Russian cotton,
National Gallery of Victoria, Melbourne
Purchased, NGV Asian Art Acquisition Fund with the assistance of Graham and Vivien Knowles, Charles Good AC and Cornelia Goode, 2013

In the Middle Ages the stripe was a religious symbol; during the French and American revolutions it represented freedom; and in the twentieth century a cast of abstract artists reduced their work to stripes. Delve deeper into the social, cultural and historical significance of the stripe, as well as its fascinating relationship to art, architecture and fashion in this series of insightful talks. Time: 1pm on Saturdays – see dates below. Venue Clemenger BBDO Auditorium, NGV International Cost $20 Adult / $16 Members / $18 Concession / $10 Student Sat 25 October | The…

Registrations now open for AAANZ 2014 ‘GEOCritical’ (Launceston, December 2014)

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Registrations for the 2014 AAANZ conference GEOcritical, being held in Launceston, Tasmania 5-7 December with an optional day in Hobart 8 December, are now open! Registration covers the full program, including all keynote lectures, lunches, entry to all evening events and the occasional bar token as well. Registrants should read the Hobart Optional Day document before finalising their plans. To register with TryBooking follow this link: http://www.trybooking.com/Booking/BookingEventSummary.aspx?eid=96970Early bird registration closes on 7 November 2014, so make sure to finalise your plans soon. Bookings for the postgrad masterclasses are still open – details here. A full program is available here (word…

Lecture | Continuum and Urban Boundary Propositions – Ash Keating | La Trobe University

Ash Keating, West Park Proposition (2012), Truganina, Victoria. Photo by Greta Costello for Ash Keating

Melbourne artist Ash Keating will present a public lecture as part of his Artist Residency with the Centre for Creative Arts at La Trobe University.Keating will discuss his current work on the project Continuum and Urban Boundary Propositions, which he will discuss in detail in this upcoming lecture. Ash Keating has exhibited extensively in galleries and created numerous large-scale, site-responsive art projects in Australia and internationally since 2004. He recently undertook a major painting commission in collaboration with RMIT University and Peter Elliot Architects in Melbourne for RMIT’s A’Beckett Urban Square. Recent projects…

Lecture | Nathaniel Mellors gives the MUMA Boiler Room Lecture

Image: Nathaniel Mellors, The Sophisticated Neanderthal Interview 2013/2014, 23 min., 35mm film trans. to HD video (still). Image courtesy the artist and Matt's Gallery, London; Monitor, Rome and Stigter van Doesburg, Amsterdam.

  MUMA, in association with Monash Art Design and Architecture [MADA], present a keynote lecture by LA-based, British artist Nathaniel Mellors.The lecture will be introduced by Associate Professor Kit Wise, Associate Dean (Education), MADA, Monash University and followed by a discussion with the artist convened by Simon Maidment, Curator, Contemporary Art, National Gallery of Victoria.Nathaniel Mellors makes irreverent, humourous and absurd filmic works, sculptures, performances and critical writings that challenge our notions of taste, morality, and intelligence. His seminal series Ourhouse (2010- ongoing) is a six part film project (written and directed…

Jobs, Funding, Calls for Papers | Art History and Curatorship | October 17th 2014

Jobs Australia Nick Waterlow OAM Curatorial Fellow, Biennale of Sydney – deadline 14th November 2014 International Postdoctoral Opportunities in the Humanities 2015-18, University of Oxford – deadline 12th December 2014 Teaching Fellow in Painting, University of Edinburgh – Edinburgh College of Art – deadline 5th November 2014 Calls for Papers Rethinking Intellectual History, The University of Sydney (April, 2015) – deadline 30th November 2014 Stories and Storytelling in the Medieval World: an Interdisciplinary Conference (Institute of Archaeology, UCL 11-12 April, 2015) – deadline 30th January 2015 Call for proposals to guest edit a themed…

News | Gerard Vaughan confirmed as new director of the National Gallery of Australia

Gerard Vaughan, photo via NGV website

After a few weeks of rumours it has been confirmed that Gerard Vaughan is to take over from Ron Radford as the next director of the National Gallery of Australia. Vaughan will finish his position at the Australian Institute of Art History at the University of Melbourne and begin the new role on November 10th. From the press release (full version here) Professor Vaughan is a recognised international scholar and has had a distinguished career in the museum and galleries sector. He has an outstanding record of leadership, stakeholder engagement,…

Seminar | A New Document for Ghiberti at Santa Maria Novella in Florence | Hugh Hudson

A New Document for Ghiberti at Santa Maria Novella in Florence: The Confraternity of St Peter Martyr between Convent and Commune | Dr Hugh Hudson, University of Melbourne An unpublished reference in a book of the Confraternity of St Peter Martyr in the Archivio di Stato di Firenze shows that Lorenzo Ghiberti was among a group of 27 Florentine citizens who met in early 1414, of whom four were elected captains for the year. This raises a number of questions about confraternal practices in early Renaissance Florence. Did one have…

Volunteer Opportunity | NGV recruiting Volunteer Guides

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The NGV is recruiting Voluntary Guides to commence training in 2015. The Voluntary Guides of the National Gallery of Victoria was established in 1967 with the approval of the NGV Council of Trustees. It operates with the expressed aim of providing support to the NGV by assisting the community in understanding and appreciating the NGV and its collections. Since 1968, the NGV Voluntary Guides have been providing daily tours and talks for visitors, providing a link between the NGV and the public, and playing an important role in encouraging and…

Lecture | Djon Mundine OAM: A Personal History of Aboriginal Art | La Trobe University

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The history of Aboriginal art has a number of overlapping, blurred edge phases; it is market driven and of European historical conceit on one side, and the offering up of icons, ideas, and possibly a moral-memory insistence on the (Aboriginal) other side. Djob Mundine is a member of the Bandjalung people of northern New South Wales. With an extensive career as a curator, activist, writer and occasional artist, Djon worked in Arnhem Land as Art Adviser to the Milingimbi, Maningrida, and Ramingining Aboriginal communities for sixteen years. Djon was concept curator…

Jobs, Funding, Calls for Papers | Art History and Curatorship | October 10th 2014

Jobs Australia Collection Assistant, Australian War Memorial – deadline 22nd October 2014 Curator, Sovereign Hill Museum, Ballarat (pdf link) – deadline 26th October 2014 Gallery Director – Monash Gallery of Art – deadline 31st October 2014 Director, Tasmanian Museum and Art Gallery – deadline 27th October 2014 Assistant Curator, Shrine of Remembrance, Melbourne – deadline 20th October 2014 International Lecturer in Conservation, University of Lincoln – College of Arts – School of History and Heritage – deadline 21st October 2014 Research Associate in History of Art, University of Glasgow –…

Exhibition | Crossing Paths with Vivian Maier | Centre for Contemporary Photography

Vivian Maier New York City, September 10, 1955, Gelatin silver print, 30.5 x 30.5cm, Vivian Maier/Maloof Collection, courtesy of Howard Greenberg Gallery.

Vivian Maier | Crossing Paths with Vivian Maier Dates: 3rd October—26 October 2014 at CCP Australia, 404 George Street Fitzroy Artists: Cherine Fahd, Vivian Maier, Gabriella Mangano and Silvana Mangano, Debra Phillips, Patrick Pound, Clare Rae, Simone Slee, David Wadelton and Kellie Wells. Curated by Naomi Cass, Louise Neri and Karra Rees. During her lifetime, Vivian Maier (1926—2009) produced more than 100,000 photographic images, which remained largely undiscovered until after her death. CCP celebrates this reluctant artist’s timely relevance, juxtaposing her work with contemporary Australian photography, performance and video. Maier’s prolific body of…

Lecture | A Thin Red Line: The Presence of Prehistoric Pictoriality | Whitney Davis

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The lecture addresses one of the most well-established and influential ideas about prehistoric (and specifically Paleolithic) pictorial representation, namely, the idea that their original makers and beholders did not take them and use them as pictures ‘in our sense’ but instead considered them to be the ‘things themselves’, that is, the objects depicted, such as bison and other animals. But how do we reconcile this idea, which has some anthropological justification, with the visible activity of mark-making and of ‘painterliness’–of making visible the process of making the picture? What is…

Melbourne Portrait Group Seminar | Callum Reid, ‘Semper rectus, semper idem: The Uffizi Self Portrait Collection’

Francesco Marchissi, ‘Sala dei Pittori’ (detail), c. 1760. Vienna, Nationalbibliothek

The Uffizi collection of artists’ self-portraits, the majority of which is today secreted away in the Vasari Corridor, is the product of several important events in the history of collecting by the Grand Ducal families in Florence. This paper will discuss the various approaches to the acquisition and display of self-portraits across the Medici and Lorraine Grand-Duchies, their changing locations and their significance to the evolution of the broader gallery. First collected throughout the seventeent century and brought to the Uffizi around the turn of the eighteenth century, in many…

Lecture | Art, Nature and Living in the Contemporary World | John Wolseley

John Wolseley, The Language of Lizards (detail) 2007-08. Found charcoal, graphite, watercolour on paper, 90.7 x 306cm, Bendigo Art Gallery, The Gift of Grace and Alec Craig of Bendigo, Victoria 2008. Photo: Terence Bogue

Since moving from England to Australia in 1978, John Wolseley has immersed himself in the landscape. His large scale works on paper, watercolours and installations are often based around scientific themes like the movement of tides or sand-dunes or even the forces of continental drift and evolution. John’s lecture will focus on Henry David Thoreau’s dictum – “In wildness is the preservation of the world”. John’s work can be found in all state galleries in Australia and numerous public and private collections. In 2005 he was awarded an honorary Doctor of Science by…

Lecture | Australian Art and Artists in Post-War London | Simon Pierse

Australian artists' exhibition poster by Klaus Friedeberger

In this lecture Simon Pierse sheds new light on the role that Sir Kenneth Clark (later Baron Clark of Saltwood) played in bringing Australian art to a new audience in Britain during the early 1950s. Pierse examines the crucial part that Joseph Burke, inaugural Herald Professor of Fine Arts at the University of Melbourne, had in directing Clark’s attention towards the work of Sidney Nolan and Arthur Boyd and attempts to discover what may have lain beneath Clark’s abiding passion for Australian art and life. Simon Pierse is Senior Lecturer at…