Tag Archive for NGV International

Floor Talks | Italian Masterpieces at the NGV

Mengs and Batoni

See the NGV’s permanent collection in a new light as curators and conservators take visitors through the permanent displays, making connections with artists and works featured in the Italian Masterpieces. Please note these talks are not in the Italian Masterpieces exhibition but held in NGV’s permanent collection. Friday 1 August Renaissance portraiture & personalities: Lucrezia Borgia | Speaker Carl Villis, Conservator of European Paintings before 1800 Friday 8 August Love and marriage in the Italian Renaissance | Speakers Dr Matthew Martin, Curator, Decorative Arts & Antiquities and Sophie Matthiesson, Curator,…

What are you looking at? | John Weretka on Music and Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Master S.B. active, Rome 1633–1655 Kitchen still life (Natura morta di cucina) 1640s oil on canvas 78.0 x 151.0 cm Museo Nacional del Prado, Madrid (P01990) Spanish Royal Collection Museo Nacional del Prado

John Weretka on a musical mystery in a painting by Master S.B. in the Museo del Prado Masterpieces exhibition at the NGV Amigoni’s group portrait of Farinelli, Teresea Castellini, Metastasio and Amigoni himself and Master S.B.’s Kitchen still life are both currently on display in the Museo del Prado exhibition at the National Gallery of Victoria. Music features reasonably often in paintings and other art works and, as someone who works between musicology and art history, my eye is often drawn to these kinds of representations. Artists often take real…

Lecture | 2014 Duldig Lecture – Matthew Martin on Spanish Sculpture | NGV International

Guido Reni Italian 1575–1642 Saint Sebastian (San Sebastiano) 1615–20 oil on canvas 170.5 x 133.0 cm Museo Nacional del Prado, Madrid (P00211) Spanish Royal Collection

Blood and Tears: Seventeenth-century Spanish sculpture Dr Matthew Martin, Curator, Decorative Arts & Antiquities at the NGV The Counter-reformation saw the rise of a new, more intense kind of realism in seventeenth-century Spanish art. Painters and sculptors sought to create images of Christ, the Virgin, and saints which were as lifelike and accessible as possible. This realism was starkly austere, emotionally gripping, and even gory, intended to shock the senses and stir the soul. While the painters of this period, like Diego Velázquez and Francisco de Zurbarán, are ranked amongst…

Lecture | For Auld Lang Syne – The exhibition: A curator’s perspective

Keeley Halswelle The Heart of the Coolins 1886 oil on canvas National Gallery of Victoria

“For Auld Lang Syne”: A curator’s perspective Associate Professor Alison Inglis, The University of Melbourne Associate Professor Alison Inglis, co-curator of the exhibition, For Auld Lang Syne: Images of Scottish Australia from First Fleet to Federation will talk about the development of this ground-breaking presentation of Scottish visual culture in colonial Australia.  The exhibition brings together over 300 objects from public and private collections across Australia and from England, and is currently on view at the Art Gallery of Ballarat (until 27 July 2014). The lecture will discuss the themes…

Study Day | A Day of Dante and William Blake | NGV International

William Blake illustration 'Dante running from Three Beasts'

Study Day: A Day of Dante Delve into Dante’s Divine Comedy and William Blake’s acclaimed series of watercolours inspired by the text. The NGV owns thirty-six of the 102 watercolours Blake executed in the 1820s to illustrate Dante’s Divine Comedy, which are regarded as among the artist’s finest and most impressive creations. The watercolours are currently on display at the NGV (along with other works by Blake) in the NGVs William Blake exhibition.  Due to the material’s light sensitivity, these works are only infrequently exhibited and the exhibition provides the rare…

What are you looking at? | Giuseppe Bonito’s The Turkish Embassy to the Court of Naples in 1741

Figure 2 Giuseppe Bonito (1707-1789), The Turkish Embassy to the Court of Naples in 1741  (1741) Madrid: Museo del Prado Oil on canvas, 207 x 170cm

What are you looking at? | Giuseppe Bonito’s The Turkish Embassy to the Court of Naples in 1741 John Weretka The Turkish Embassy to the Court of Naples in 1741 currently on display at the Museo del Prado exhibition at the National Gallery of Victoria. Giuseppe Bonito’s name is not one that anyone other than the most enthusiastic lover of late Baroque art is likely to know. This Neapolitan painter was born in 1707 and was a student of Solimena. From the 1740s, he was engaged as a portraitist to…

Exhibition Review | Italian Masterpieces from Spain’s Royal Court | Katrina Grant

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Italian Masterpieces from Spain’s Royal Court, Museo del Prado Reviewed by Katrina Grant The exhibition runs until until 31st August 2014 at the NGV International, St Kilda Rd. This exhibition tells two stories. The first is the story of Italian art from Raphael to Tiepolo and the second is the story of Spanish engagement with Italian art over this period. The exhibition highlights the close artistic relationship between Italy and Spain in the Early Modern period. It includes paintings that were directly commissioned by the Spanish Royal family from such…

Lecture | Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson | NGV International

Jar  (17th century)  from Delft,  Medium earthenware, National Gallery of Victoria, Melbourne Felton Bequest, 1939

The Robert Wilson Annual Decorative Arts Lecture Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson  The lecture will provide an overview of 250 years (1600-1850) history of ceramic production in the town of Delft and a focus on the second half of the seventeenth century when the small town of Delft became the centre of ceramic production in Europe, with production influenced by events from Europe to China. During this time potteries began selling to the nobility and royal courts all over Europe and their products in…

Lecture and Discussion Series | Italian art and Spanish patronage, 1500-1800 | NGV Melbourne

Titian Italian 1485/90–1576 Philip II (Filippo II) 1551 oil on canvas 193.0 x 111.0 cm Museo Nacional del Prado, Madrid (P00411) Spanish Royal Collection © Museo del Prado 2009

In association with the  exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado’  the NGV is presenting a series of lectures on Italian art and Spanish patronage, 1500-1800. The lectures will touch on topics including art and patronage, Renaissance painting, the art of the Italian Baroque, and more. The Saturday lectures will be followed by Monday night Discussion Groups that will take place in the exhibition space. The lectures will be presented by local art historians who are recognised international experts on the history of Italian art and Spanish patronage…

Reminder | Italian Masterpieces from Spain’s Royal Court | Symposium and Opening Weekend Events

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Symposium | Friday 16th May 1:30pm Delve into the main themes of the show with papers presented by key international and local speakers. Venue: NGV International, 180 St Kilda Road, Clemenger BBDO Auditorium, Ground Level Bookings: Ph +61 3 8662 1555, 10am-5pm daily, Booking Code P1454 Website: http://www.ngv.vic.gov.au/whats-on/programs/public-programs/symposium-italian-masterpieces-from-spains-royal-court,-museo-del-prado ‘The father of the Prado is Titian’: Italian Renaissance painting at the Museo del Prado | Speaker Miguel Falomir Faus, Head of Italian & French Painting Department (after 1700), Museo del Prado, and guest co-curator While the Prado opened its doors in 1819, and is thus contemporaneous with other…

Melbourne Portrait Group Seminar | Mark Shepheard on Mengs

Melbourne Portrait Group Seminar: ‘A tale of two portraits: Mengs and Don Luis de Borbón’. The National Gallery of Victoria has recently acquired a superb portrait by Anton Raphael Mengs (1728-79), one of the eighteenth century’s greatest portrait painters. The sitter is the Infante Don Luis de Borbón (1727-85), brother of the Spanish king, Carlos III. Don Luis was a major patron of the arts, employing the cellist and composer Luigi Boccherini, as well as being an early supporter of the young Goya. Meng’s portrait of the Infante was painted…

Symposium | Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Raphael, Holy Family with Saint John or Madonna of the Rose (Sacra Famiglia con san Giovannino o Madonna della Rosa) c.1517 oil on canvas 103.0 x 84.0 cm  Museo Nacional del Prado, Madrid (P00302) Spanish Royal Collection

The National Gallery of Victoria is holding a public symposium to coincide with its upcoming exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado. The symposium will include local and international experts on the art of the period. Each paper will delve into the main themes of the show. Date: 1:30 – 3:30pm, Friday 16th May, 2014 Venue: Clemenger BBDO Auditorium, NGV International, 180 St Kilda Road Bookings:  Ph +61 3 8662 1555, 10am-5pm daily or Cost $35 Adults / $28 Members / $30 C / $15 S (includes light refreshments,…

Lecture | William Blake in the 21st century – Peter Otto | NGV International

William Blake illustration 'Dante running from Three Beasts'

Keynote Lecture: William Blake in the 21st century        This lecture introduces Blake as artist, poet, and prophet by mapping his attempts radically to transform traditional understandings of the book, from the Songs of Innocence (1789) to the Laocoön engraving (c.1815). The interactive, open-ended, multi-media forms he created are a radical response to the modern, commercial culture of Romantic-era London; yet, as I will suggest, these same forms also seem at home in the early 21st century, where they gesture towards ideals often promised but rarely realised in our now digitally connected world. Speaker Prof…

Panel Discussion | New Media – New China | National Gallery of Victoria

Wang Gongxin born China 1960 The dinner table 2006 video installation, sound, 5:00 min Collection of the artist © Wang Gongxin

New Media – New China Wang Gongxin: Video Artist As part of the NGV’s exhibition Wang Gongxin: Video Artist (11 April – 28th September 2014) the NGV is hosting a panel discussion that will explore the phenomenon of new media in contemporary China which has captivated audiences since the 1990s. Speakers: Wang Gongxin, artist; Dr Isobel Crombie, Assistant Director, Curatorial and Collection Management, and; Dr Claire Roberts, Research Fellow, Australian National University Date: Saturday 12th April, 2:30pm Venue: NGV International, 180 St Kilda Road, Clemenger BBDO Auditorium, Ground Level Free Entry. All Welcome. Website…

Floortalks | Melbourne Now – Mark Hilton, Penny Byrne, Nick Braun-Sibling

Penny Burne, iProtest, 2013-2013, via National gallery of Victoria

Floortalks | Melbourne Now – Mark Hilton, Penny Byrne, Nick Braun-Sibling Designer Floor Talk- Nick Braun, Sibling SIBLING is a Melbourne design collective that works at the intersection of architecture, urbanism, cultural analysis and graphic communication to produce new and unexpected spatial outcomes. SIBLING’s approach insists on intelligent forms developed from a positive, socially engaged agenda. The practice is a network of eight people – Amelia Borg, Nicholas Braun, Jonathan Brener, Jessica Brent, Jane Caught, Qianyi Lim, Timothy Moore and Alan Ting – who are all trained in architecture and…