Tag Archive for NGV International

Lecture | A World of Things: Exchange and Material Culture in the First Global Age – Giorgio Riello | NGV International

img_0259-1.jpg

A World of Things: Exchange and Material Culture in the First Global Age, 1500-1800 | Robert Wilson Annual Lecture 2016 | Professor Giorgio Riello, Director of the Warwick Institute of Advanced Study and Professor of History at Warwick University We are often told that we live in an age of globalization, one of growing homogenization of consumption, increasing communication and cultural and economic integration. Yet the study of material culture suggests that today’s global connectedness is not new. The early modern period (c. 1500-1800) can be seen as the ‘first global age’ as contact between different parts of the world intensified. Explore the artefacts of the first global age and the role of material culture in creating global connectivity with prize-winning…

Call for Papers | AICCM – FRAME: Concept, History and Conservation – a symposium | Melbourne, August 2016

Nicolas Poussin, The Crossing of the Red Sea, 1632-34, o/c, 155.6 × 215.3 cm., National Gallery of Victoria, Melbourne; Felton Bequest, 1948 (1843-4). Frame corner of French Régence frame, c.1710

Update: Please  note that the CFP deadline is now the 13th May. A symposium on the picture frame AICCM – FRAME: Concept, History and Conservation, Melbourne 2016, will be convened on 24-26 August 2016 at the National Gallery of Victoria, Melbourne, Australia. Convenors: Louise Bradley (AICCM), Barbara Dabrowa (Senior Conservator of Frames at Art Gallery of NSW) and Holly McGowan-Jackson (Senior Conservator of Framing, NGV) Call for Papers The Australian Institute for the Conservation of Cultural Material, Conservation Framing and Gilded Objects (special interest groups) will hold this international symposium, encompassing both traditional framing as well as broader concepts of framing for the presentation of modern and contemporary art and design. This wide-ranging theme will appeal to many potential speakers and delegates…

Floor Talk Series | Redefining Whistler | NGV International

James McNeill Whistler, Nocturne: Palaces, (1880-1886); printed 1886, plate from A set of twenty-six etchings (or The second Venice set), 1886

Starting this Sunday there are several floor talk from curators and other experts on aspects of the current ‘Whistler’s Mother’ exhibition at NGV. With his long mane of curly dark hair, monocle, tailored coat and French top hat, James McNeil Whistler was a showman and self-described ‘dandy’ Along with his theatrical public persona, he was an extraordinary painter and printmaker; creating some of the nineteenth century’s most radical and influential works. At a time when moral lessons and storytelling dominated British art, Whistler was an uncompromising aesthete. He believed in the visual and sensual qualities of art and design over practical, moral or narrative considerations. Hear contemporary voices and curators explore the mark made by Whistler on style, art and…

Artist Talk | Lee Mingwei | NGV International

Photo of Lee Mingwei

Born in Taiwan and currently living in Paris, Lee Mingwei creates participatory installations that explore trust, intimacy, and self-awareness. His open-ended scenarios and one-on-one interactive works invite audiences to play a role and use everyday interactions, like eating, sleeping and walking in powerful ways. In a lunchtime lecture, Lee Mingwei shares insights into his work. The talk will be followed by a Q&A with Simon Maidment, Curator, Contemporary Art. Lee Mingwei | Born in Taiwan in 1964 and currently living in Paris, Lee Mingwei creates participatory installations, where strangers can explore issues of trust, intimacy, and self-awareness, and one-on-one events, where visitors contemplate these issues with the artist through eating, sleeping, walking and conversation. Lee’s projects are often open-ended scenarios for…

Student Night At NGV’s Ai Weiwei and Andy Warhol Exhibition

image001

Apologies for the short notice. The NGV is holding a student night TONIGHT Monday 29th Feb. Anyone with a student card is invited to view the exhibition tonight at a discount price. Website. Warhol/Weiwei Student Night Mon 29 Feb, 5.30pm–9pm NGV International An exclusive evening for VCE and tertiary students. Enjoy pop up talks, drawing with artist Kenny Pittock, pop art selfies in Studio Cats and music provided by local DJ. Refreshments available from Gallery Kitchen and exhibition pop up shop will also be open. All for the student friendly price of $13 (with valid student card).

Lecture Series | A Tale of Three Cities – Ai Weiwei and Andy Warhol | NGV International

Christopher Makos Andy Warhol in Tiananmen Square 1982 © Christopher Makos 1982, makostudio.com, Ai Weiwei Chinese 1957– Williamsburg, Brooklyn 1983 from the New York Photographs series 1983‒93 silver gelatin photograph Ai Weiwei Studio © Ai Weiwei

Two artists, three cities. Journeying through similar times and places, though never crossing paths, Andy Warhol’s and Ai Weiwei’s work and life have been shaped by the cities of Beijing, Pittsburgh and New York. How have time and place shaped Andy Warhol, Ai Weiwei and their artworks? What legacy have these artists had on the cities they called home? Each week guest speakers explore these questions through the lens of the city: Pittsburgh, New York and Beijing, sharing illustrated insights into Andy Warhol and Ai Weiwei’s artistic practice and revealing the impact of the city, time and place on these two influential artists. Purchase series here. Or purchase tickets to individual lectures here. Sat 13 Feb, 2pm – A Tale…

Opening Weekend | Andy Warhol and Ai Weiwei | NGV International

Andy Warhol   Ai Weiwei   NGV

The NGV has organised a series of talks and lectures to celebrate the opening of their summer exhibition Andy Warhol and Ai Weiwei. Saturday 12th and Sunday 13th at 11am | Curatorial Introduction to the exhibition . Learn more about the artistic practices of Andy Warhol and Ai Weiwei with a curatorial introduction by Max Delany, Senior Curator, Contemporary Art Cost $8 M / $12 A / $10 C. Bookings here. Saturday 12th December 3pm | Lecture – Andy Warhol: The Man and the Artist | Eric Shiner, Director, The Andy Warhol Museum Opening to the public only seven years after the artist’s death, The Andy Warhol Museum is the largest museum in the United States dedicated to a single artist. Located in his hometown…

Conversation | Ai Wei Wei and Virginia Trioli at the NGV International

Gao Yuan, Ai Weiwei 2012, ©Gao Yuan

The NGV’s Summer blockbuster Andy Warhol | Ai Weiwei will explore the mutual conceptual interests of Andy Warhol and Ai Weiwei. More than 300 works will be presented, including rare and never-seen-before works by Andy Warhol, new commissions by Ai Weiwei, immersive installations and a wide representation of painting, sculpture, film, photography, music, publishing and social media. One of China’s most provocative artists, Ai has become a cultural figure of note, his work encompassing diverse fields including visual art, architecture, cultural criticism, social media and activism. Ai’s work addresses some of the most critical global issues of the early twenty-first century, including the relationship between tradition and modernity, the role of the individual and the state, questions of human rights,…

News | NGV announces ‘Degas’ as the 2016 Melbourne Winter Masterpieces Exhibition

Edgar Degas
Family portrait also called The Bellelli family 1858–69
oil on canvas
201 x 249.5 cm
Musée d'Orsay, Paris
Lemoisne 79 (RF 2210)
© Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

The NGV today announced that next year’s Melbourne Winter Masterpieces exhibition would be Degas: A New Vision. The major retrospective is being developed by both the National Gallery of Victoria and the Museum of Fine Arts, Houston, it will open in June 2016 in Melbourne and then travel to Houston in October 2016. After two winter exhibitions based around collections (the Prado in 2014 and the Hermitage in 2015) the NGV is returning to an exhibition based around a single artist. The last such exhibition was Monet in 2013, though single artist exhibitions have been few and far between in the NGV’s winter programming. At the same time they are returning to familiar (and typically popular) territory with nineteenth-century French…

WAYLA | Marie-Anne Collot’s Bust of Diderot | Katrina Grant

IMG_0071.JPG

This weekend is the final weekend of the NGV’s Masterpieces from the Hermitage: The Legacy of Catherine the Great. There are talks, drawing and music events over the weekend (see more here http://www.ngv.vic.gov.au/whats-on/programs-events/). I gave a talk at the first Friday Late event on Marie-Anne Collot’s bust of Diderot and thought I would share some of my thoughts on this portrait as a final farewell to the exhibition. In the current exhibition at the NGV of ‘Treasures from the Hermitage’ we enter the exhibition face-to-face with Catherine the Great’s formal royal portrait by Alexander Roslin, a portrait that embodies her position as an autocratic ruler. She is flanked by marble busts of two of France’s leading Enlightenment thinkers, Voltaire and…

Lecture | The Robert Wilson Annual Decorative Arts Lecture: Amarna Palace Ware – decorated ceramics of Egypt’s Golden Age – Colin Hope | NGV International

EGYPT, Malqata, Palace of Amenhotep III, Blue-painted ibex amphora, New Kingdom, 18th Dynasty, reign of Amenhotep III, c. 1390–1353 BCE, Nile silt, white slipped and decorated, 39.5 x 21.0 cm diameter, Rogers Fund, 1911 (11.215.460), Metropolitan Museum of Art, New York

The study of ancient Egyptian decorative arts tends to focus upon manufactures in glass, precious stones and glazed composition, such a jewellery, containers and sculptures. Ceramics, which were generally undecorated, are viewed as utilitarian and often ignored. Yet during the New Kingdom – Egypt’s Golden Age – elaborately decorated pottery was produced for use on festive occasions within palaces, temples and the homes of the elite. The best quality was made in the period of King Akhenaten and Queen Nefertiti, their likely son Tutankhamun and the king’s father Amenhotep III (1390-1327 BCE), in the royal workshops using a pale blue cobalt pigment and with a wide range of other techniques. It was distributed around the country and has been found…

Lecture | Design and Violence – Paola Antonelli | NGV International

Paola Antonelli. Copyright Robin Holland. Image via http://www.ngv.vic.gov.au/program/design-and-violence-2/?

Design has a history of violence. Aside from commercial and aesthetic successes, many design objects have ambiguous relationships with violence, challenging us with moral ambiguities and inconsistencies. MoMA curator Paola Antonelli explores how design can provide extraordinary insight into society and human nature, uncovering the dark side of the world’s ‘second oldest’ profession. Paola Antonelli is Senior Curator, Architecture and Design and Director of Research and Development at New York’s Museum of Modern Art (MoMA). Antonelli’s work investigates design’s influence on everyday experience, advocating for often overlooked objects and practices. Antonelli recently began adding to the MoMA Collection a range of important contemporary designs – videogames, the @ symbol and Google Map drop pin. Speaker Paola Antonelli, Senior Curator, Architecture…

Lectures on The Origins and Development of Ceramic Design – Leslie B. Grigsby | NGV

The Netherlands
Garniture 1680–1700
earthenware (tin-glazed)
(a) 64.3 x 29.5 x 29.2 cm (vase)
(b-c) 65.1 x 39.1 x 38.6 cm (overall) (covered vase)
(d) 64.6 x 28.9 x 29.5 cm (vase)
National Gallery of Victoria, Melbourne
Felton Bequest, 2015

John Kenny Memorial Lectures | The Origins and Development of Ceramic Design | Saturday 26th September from 10am at NGV International Speaker Leslie B. Grigsby, Senior Curator of Ceramics and Glass, Winterthur Museum, Delaware, USA Book online here – $75 members/ $85 full Explore the development of design in glass and earthenware in these three special lectures by Leslie B. Grigsby, Senior Curator of Ceramics and Glass, Winterthur Museum, Delaware, USA .Presented by The Ceramics and Glass Circle of Australia. 10am: “An Adoration of the Orient: The Chinese Taste Reflected in Western Ceramics” Focussing on Chinese ceramics and selected other Asian artwork such as lacquer ware, in this lecture Grigsby will explore important inspirations for Western ceramic design from the 17th to the early 19th centuries. English and Continental European…

Review | Masterpieces from the Hermitage: The Legacy of Catherine the Great at the NGV | Katrina Grant

Anthony van DYCK (Flemish 1599–1641), Portrait of Philadelphia and Elizabeth Wharton, 1640, oil on canvas, 162.0 х 130.0 cm, The State Hermitage Museum, St Petersburg (Inv. no. ГЭ-533), Acquired from the collection of Sir Robert Walpole, Houghton Hall, 1779

Masterpieces from the Hermitage: The Legacy of Catherine the Great at the National Gallery of Victoria International until the 8th November 2015. We enter the exhibition face-to-face with Catherine the Great in a portrait by Swedish artist Alexander Roslin. The Empress was not altogether impressed by the portrait, declaring that Roslin had made her look like ‘a Swedish cook, coarse and simple.’ Despite Catherine’s reservations, the portrait (which shows the Empress in ‘Slavonic’ dress, fastened with a diamond buckle and pointing toward a bust of Peter the Great) proved to be a successful representation and was copied numerous times. The painting is flanked by two busts of the philosophes Voltaire and Diderot by the little-known French sculptor Marie-Anne Collot. On some…

Floor Talks | From Russia with Love – Russian Art, Architecture and Culture | NGV International

Anthony van DYCK
Flemish 1599–1641
Portrait of Philadelphia and Elizabeth Wharton 1640
oil on canvas
162.0 х 130.0 cm
The State Hermitage Museum, St Petersburg (Inv. no. ГЭ-533)
Acquired from the collection of Sir Robert Walpole, Houghton Hall, 1779

Three floor talks at the National Gallery of Victoria from Melbourne-based art historians as part of the current Masterpieces from the Hermitage Exhibition. Floor talks will take place in the exhibition, they are free but you need to pay the exhibition entrance fee. No bookings are required, for further details see the website. Sunday 13th September 1pm | Italy, the North, and 18th Century Taste in Russia The large royal collections that were assembled, arranged and exhibited across Europe during the second half of the eighteenth century now act as documents of taste from the time. Among other things, a strong taste for Baroque art, in particular from Italy and the Northern countries was ever-present in Catherine the Great’s collection in St Petersburg,…