Tag Archive for NGV International

Conversation | Andy Warhol’s Jewish Geniuses | NGV International

Andy Warhol (American, 1928 – 1987), Sarah Bernhardt, from Ten Portraits of Jews of the Twentieth Century, 1980, screenprint on paper, 40 x 32 in. (101.6 x 81.3 cm). The Jewish Museum, New York. Gift of Lorraine and Martin Beitler, 2006-64.9 ©2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / Courtesy Ronald Feldman Fine Arts, New York / feldmangallery.com

Held in conjunction with The Jewish Museum’s exhibition Andy Warhol’s Jewish Geniuses (20 Nov 2014-24 May 2015), join the Director of the Jewish Museum of Australia Rebecca Forgasz in conversation with the Director of the Jewish Museum Vienna Danielle Spera. Danielle Spera was appointed Director of the Jewish Museum Vienna in 2010. From 1978 till 2010 she worked as a journalist, correspondent, reporter, and anchorwoman at ORF-TV Austrian Broadcasting Cooperation. She is the author of numerous books and articles on contemporary art, Jewish topics, and for the magazine NU. Since…

Talks | The Colourful History of the Stripe | NGV International

Chapan/khalat (coat) 
(late 19th century-mid 20th century), Uzbek, yellow and purple striped silk, cotton, dyes, braid, printed Russian cotton,
National Gallery of Victoria, Melbourne
Purchased, NGV Asian Art Acquisition Fund with the assistance of Graham and Vivien Knowles, Charles Good AC and Cornelia Goode, 2013

In the Middle Ages the stripe was a religious symbol; during the French and American revolutions it represented freedom; and in the twentieth century a cast of abstract artists reduced their work to stripes. Delve deeper into the social, cultural and historical significance of the stripe, as well as its fascinating relationship to art, architecture and fashion in this series of insightful talks. Time: 1pm on Saturdays – see dates below. Venue Clemenger BBDO Auditorium, NGV International Cost $20 Adult / $16 Members / $18 Concession / $10 Student Sat 25 October | The…

Lecture | Art, Nature and Living in the Contemporary World | John Wolseley

John Wolseley, The Language of Lizards (detail) 2007-08. Found charcoal, graphite, watercolour on paper, 90.7 x 306cm, Bendigo Art Gallery, The Gift of Grace and Alec Craig of Bendigo, Victoria 2008. Photo: Terence Bogue

Since moving from England to Australia in 1978, John Wolseley has immersed himself in the landscape. His large scale works on paper, watercolours and installations are often based around scientific themes like the movement of tides or sand-dunes or even the forces of continental drift and evolution. John’s lecture will focus on Henry David Thoreau’s dictum – “In wildness is the preservation of the world”. John’s work can be found in all state galleries in Australia and numerous public and private collections. In 2005 he was awarded an honorary Doctor of Science by…

Lecture | OLAF OSSMANN Deprivation of art work by the Nazi regime in Europe – Consequences for art collectors today | NGV

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In this special event, hear Swiss-based lawyer Olaf Ossmann speak about the art collection of Jewish industrialist Richard Semmel and its fate. Ossmann will discuss the Nazi policy on art and Jews from 1933 to 1945, the subsequent policy of the Allied Forces, and the post-Second World War developments that led to the 1998 Washington Conference on Holocaust Era Assets. Olaf Ossmann specialises in international law and the restitution of art works. Most recently he has worked with the NGV as the legal representative to the heirs of Richard Semmel…

Symposium | Patronage, poetry and the art of William Blake

Wiliam Blake, Vala, Hyle and Skofeld
plate 51 from Jerusalem c. 1804 – c. 1820, c. 1820
relief etching and white-line etching printed in orange ink, and finished with watercolour, pen and ink and gold paint, Felton Bequest, 1920, 1026-3

  A symposium exploring William Blake’s poetry, his acclaimed Divine Comedy watercolours and John Linnell’s patronage of the artist. Speakers Professor Gerard Vaughan, The University of Melbourne; Professor Peter Otto, The University of Melbourne; and Associate Professor Jennifer Jones-O’Neill, Federation University (formerly University of Ballarat) Date: Saturday 23rd AUgust, 2pm Venue:NGV International, 180 St Kilda Road, Ground Level, Clemenger BBDO Auditorium Ticketing Information: Cost $25 A / $20 M / $22 C, Bookings essential Information & bookings: Ph +61 3 8662 1555, 10am-5pm daily, Booking code P1480

Event | Italian Masterpieces Student Night | NGV


The NGV is holding a special student night for the Italian Masterpieces from Spain’s Royal Court exhibition. Special student concession price of $13 Pop up talks in the exhibition including Auslan Interpreted and Audio describing options. Figure drawing with Juan Ford in the foyer. Food and drink available for purchase from the Gallery Kitchen. Tickets available on the night at the door (Student ID required) Group Bookings for 8 or more available ahead of time Ph. 8620 2340 12-5pm weekdays. Email edu.bookings@ngv.vic.gov.au

Floor Talks | Italian Masterpieces at the NGV

Mengs and Batoni

See the NGV’s permanent collection in a new light as curators and conservators take visitors through the permanent displays, making connections with artists and works featured in the Italian Masterpieces. Please note these talks are not in the Italian Masterpieces exhibition but held in NGV’s permanent collection. Friday 1 August Renaissance portraiture & personalities: Lucrezia Borgia | Speaker Carl Villis, Conservator of European Paintings before 1800 Friday 8 August Love and marriage in the Italian Renaissance | Speakers Dr Matthew Martin, Curator, Decorative Arts & Antiquities and Sophie Matthiesson, Curator,…

What are you looking at? | John Weretka on Music and Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Master S.B. active, Rome 1633–1655 Kitchen still life (Natura morta di cucina) 1640s oil on canvas 78.0 x 151.0 cm Museo Nacional del Prado, Madrid (P01990) Spanish Royal Collection Museo Nacional del Prado

John Weretka on a musical mystery in a painting by Master S.B. in the Museo del Prado Masterpieces exhibition at the NGV Amigoni’s group portrait of Farinelli, Teresea Castellini, Metastasio and Amigoni himself and Master S.B.’s Kitchen still life are both currently on display in the Museo del Prado exhibition at the National Gallery of Victoria. Music features reasonably often in paintings and other art works and, as someone who works between musicology and art history, my eye is often drawn to these kinds of representations. Artists often take real…

Lecture | 2014 Duldig Lecture – Matthew Martin on Spanish Sculpture | NGV International

Guido Reni Italian 1575–1642 Saint Sebastian (San Sebastiano) 1615–20 oil on canvas 170.5 x 133.0 cm Museo Nacional del Prado, Madrid (P00211) Spanish Royal Collection

Blood and Tears: Seventeenth-century Spanish sculpture Dr Matthew Martin, Curator, Decorative Arts & Antiquities at the NGV The Counter-reformation saw the rise of a new, more intense kind of realism in seventeenth-century Spanish art. Painters and sculptors sought to create images of Christ, the Virgin, and saints which were as lifelike and accessible as possible. This realism was starkly austere, emotionally gripping, and even gory, intended to shock the senses and stir the soul. While the painters of this period, like Diego Velázquez and Francisco de Zurbarán, are ranked amongst…

Lecture | For Auld Lang Syne – The exhibition: A curator’s perspective

Keeley Halswelle The Heart of the Coolins 1886 oil on canvas National Gallery of Victoria

“For Auld Lang Syne”: A curator’s perspective Associate Professor Alison Inglis, The University of Melbourne Associate Professor Alison Inglis, co-curator of the exhibition, For Auld Lang Syne: Images of Scottish Australia from First Fleet to Federation will talk about the development of this ground-breaking presentation of Scottish visual culture in colonial Australia.  The exhibition brings together over 300 objects from public and private collections across Australia and from England, and is currently on view at the Art Gallery of Ballarat (until 27 July 2014). The lecture will discuss the themes…

Study Day | A Day of Dante and William Blake | NGV International

William Blake illustration 'Dante running from Three Beasts'

Study Day: A Day of Dante Delve into Dante’s Divine Comedy and William Blake’s acclaimed series of watercolours inspired by the text. The NGV owns thirty-six of the 102 watercolours Blake executed in the 1820s to illustrate Dante’s Divine Comedy, which are regarded as among the artist’s finest and most impressive creations. The watercolours are currently on display at the NGV (along with other works by Blake) in the NGVs William Blake exhibition.  Due to the material’s light sensitivity, these works are only infrequently exhibited and the exhibition provides the rare…

What are you looking at? | Giuseppe Bonito’s The Turkish Embassy to the Court of Naples in 1741

Figure 2 Giuseppe Bonito (1707-1789), The Turkish Embassy to the Court of Naples in 1741  (1741) Madrid: Museo del Prado Oil on canvas, 207 x 170cm

What are you looking at? | Giuseppe Bonito’s The Turkish Embassy to the Court of Naples in 1741 John Weretka The Turkish Embassy to the Court of Naples in 1741 currently on display at the Museo del Prado exhibition at the National Gallery of Victoria. Giuseppe Bonito’s name is not one that anyone other than the most enthusiastic lover of late Baroque art is likely to know. This Neapolitan painter was born in 1707 and was a student of Solimena. From the 1740s, he was engaged as a portraitist to…

Exhibition Review | Italian Masterpieces from Spain’s Royal Court | Katrina Grant

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Italian Masterpieces from Spain’s Royal Court, Museo del Prado Reviewed by Katrina Grant The exhibition runs until until 31st August 2014 at the NGV International, St Kilda Rd. This exhibition tells two stories. The first is the story of Italian art from Raphael to Tiepolo and the second is the story of Spanish engagement with Italian art over this period. The exhibition highlights the close artistic relationship between Italy and Spain in the Early Modern period. It includes paintings that were directly commissioned by the Spanish Royal family from such…

Lecture | Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson | NGV International

Jar  (17th century)  from Delft,  Medium earthenware, National Gallery of Victoria, Melbourne Felton Bequest, 1939

The Robert Wilson Annual Decorative Arts Lecture Delffse Porceleyne: Dutch Delftware of the 17th Century – Robert Aronson  The lecture will provide an overview of 250 years (1600-1850) history of ceramic production in the town of Delft and a focus on the second half of the seventeenth century when the small town of Delft became the centre of ceramic production in Europe, with production influenced by events from Europe to China. During this time potteries began selling to the nobility and royal courts all over Europe and their products in…

Lecture and Discussion Series | Italian art and Spanish patronage, 1500-1800 | NGV Melbourne

Titian Italian 1485/90–1576 Philip II (Filippo II) 1551 oil on canvas 193.0 x 111.0 cm Museo Nacional del Prado, Madrid (P00411) Spanish Royal Collection © Museo del Prado 2009

In association with the  exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado’  the NGV is presenting a series of lectures on Italian art and Spanish patronage, 1500-1800. The lectures will touch on topics including art and patronage, Renaissance painting, the art of the Italian Baroque, and more. The Saturday lectures will be followed by Monday night Discussion Groups that will take place in the exhibition space. The lectures will be presented by local art historians who are recognised international experts on the history of Italian art and Spanish patronage…