Tag Archive for Australian Art

Exhibition | Albert Tucker and the Mystery of H. D. | Heide Museum of Modern Art

H. Dearing
Approach to Princes Bridge
c.1925
oil on canvas on cardboard
46 x 75 cm
Heide Museum of Modern Art, Melbourne
Purchased from John and Sunday Reed 1980

The exhibition Albert Tucker and the Mystery of H. D. is on at Heide Museum of Modern Art until 15th February 2015. In 1944 Albert Tucker discovered two intriguing paintings in a bicycle shop in Swanston Street, Melbourne. Attracted by their naive artistry set about trying to identify the painter, the works were  unsigned. He was told that the pictures had belonged to Professor Alfred Henry Tipper, a travelling showman and trick cyclist who was depicted in the images, and who had died in April that year. After being told that the paintings…

2014 Joseph Burke Lecture | Thomas Woolner in Australia -Angus Trumble

Woolner, Thomas, 
Charles Joseph La Trobe, plaster medallion, 1853. State Library of Victoria.

Thomas Woolner (1825-1892), sculptor and poet, born 17 December 1825 at Hadleigh, Suffolk, England. In 1842 he gained admission as a student at the Royal Academy. In 1847 Woolner met D. G. Rossetti and became an original member of the Pre-Raphaelite Brotherhood. Woolner arrived Melbourne 23 October 1852. He was at the diggings in the Ovens Valley and in the Fryer’s Creek, Castlemaine and Sandhurst areas. Woolner found some gold but after six months sold his tools and returned to Melbourne. He began to model medallions but had to dig…

Lecture | Kenneth Clark and Australian Art – Simon Pierse

Sir Kenneth Clark and Sir Colin Anderson at the opening of 'Recent Australian Painting' at Whitechapel Gallery, June 1961.

In this lecture Simon Pierse sheds new light on the role that Sir Kenneth Clark (later Baron Clark of Saltwood) played in bringing Australian art to a new audience in Britain during the early 1950s. Pierse examines the crucial part that Joseph Burke, inaugural Herald Professor of Fine Arts at the University of Melbourne, had in directing Clark’s attention towards the work of Sidney Nolan and Arthur Boyd and attempts to discover what may have lain beneath Clark’s abiding passion for Australian art and life. Simon Pierse is Senior Lecturer…

Exhibition | Delinquent Angel: John Perceval’s Ceramic Angels | Shepparton Art Museum

awm-australian-war-memorial-listening-angel-john-perceval-art90099-1tif

The exhibition Delinquent Angel: John Perceval’s ceramic angels is on at Shepparton Art Museum (SAM) until 24 November 2014. John Perceval AO is one of Australia’s most celebrated and loved artists renowned for his radicalism, expressiveness and prolific output, along with his complex personal life. As a member of the Angry Penguins avante-garde movement that began in the 1940s, Perceval joined with other Australian art luminaries Arthur Boyd, Albert Tucker, Sidney Nolan, Danila Vassilieff and Joy Hester to rail against the insular conservatism of Australian society and push for new voices…

Exhibition Review | TarraWarra Biennial 2014: Whisper In My Mask | Denise M. Taylor

Tony Garifalakis, The Hills Have Eyes (detail) 2012, fabric collage, 170 x 130 cm. Courtesy of the artist

TarraWarra Biennial 2014 | Whisper In My Mask | AT TWMA until 16th November 2014 Reviewed by Denise M. Taylor Face masks of dough, wire and the Australian flag; portraits of royalty dripping with black paint; veils, dots and paper cut-outs masking memory and identity; videos hinting at masked abuses in Australia’s history—these are a few of the contemporary art works by approximately 20 Australian artists on display at the TarraWarra Museum of Art (TWMA) Biennial 2014 exhibition, ‘Whisper in my Mask’—a clever take on a line from Grace Jones’…

Opening Weekend Events for TarraWarra Biennial 2014 – Whisper in My Mask | Saturday 16th August

Sandra Hill
Home-maker #7 - Cake Making 2012
oil on linen
76 x 91 cm
Murdoch University Art Collection
Courtesy of the artist and Mossenson Galleries, Perth

This weekend (Saturday 16th August) is the opening weekend of the TarraWarra Biennial 2014: Whisper in My Mask will feature a premiere of a one act play and a series of talks by artists featured in the exhibition. About the Biennial 16 August 2014 – 16 November 2014 The TarraWarra Biennial was inaugurated in 2006 as a signature exhibition to identify new developments in contemporary Australian art practice under an experimental curatorial platform. The TarraWarra Biennial 2014: Whisper in My Mask, curated by Natalie King and Djon Mundine, is the…

Free Lunchtime Lecture at Homlesglen | Noël Skrzypczak

Screen Shot 2014-08-12 at 10.32.58 PM

Noël Skrzypczak (pronounced Scrip-jack) is a Melbourne artist whose work has consistently addressed the materiality of painting and surface. Her wall paintings, a major one of which was commissioned for the lobby of the Melbourne Crown Metropole Hotel, recall the expressive spontaneity of surrealism and the pour and drip of action painting. The Holmesglen Collection includes three early works by the artist – these are currently installed in the Information Commons, Moorabbin campus. Noël is represented in significant public and private collections throughout Australia and will be speaking at the…

Talk | Jason Smith on the correspondence of John Reed at Heide Museum of Modern Art

Detail of the Reed Christmas Card from 1955. Via Heide Website.

2014 marks eighty years since John and Sunday Reed purchased the property and named it Heide, after the nearby town of Heidelberg. As part of the celebrations of this milestone Heide is holding series of programs that reveal their unique history, the remarkable achievements of its founders John and Sunday Reed and the fascinating art, architecture and gardens that make Heide one of Melbourne’s best-loved public art museums. This Sunday Heide director & CEO Jason Smith looks back over the eighty-year history of Heide through the fascinating, thought-provoking and revealing correspondence of John Reed. Date:…

Exhibition | Gunter Christman: Now and Then | Heide Museum of Modern Art

GUNTER CHRISTMANNSmoke OZKAR (2001)
acrylic and mixed media on canvas
137 x 122cm
© The Estate of Gunter Christmann and Niagara Galleries, Melbourne

Gunter Christman: Now and Then is on now at Heide Museum of Modern Art until 16th November 2014. EVENT | This Saturday (2nd August 2:00pm) Artist Simon Barney, a friend and colleague of Gunter Christmann for thirty years, talks about Christmann’s inspirations, techniques and perspectives on art. Free with entry. About the Exhibition At the time of his death in 2013, Gunter Christmann was gathering anew the type of critical and public attention that surrounded his striking debut as an artist in the 1960s. Painting for himself rather than the market throughout…

Exhibition Review | Genius and Ambition. The Royal Academy of Arts, London, 1768–1918 | David R. Marshall

John Frederick Lewis, The Door of a Cafe in Cairo, 1865, Royal Academy of Arts, London

Genius and Ambition. The Royal Academy of Arts, London, 1768–1918 David R. Marshall   At the Bendigo Art Gallery 2 March–9 June 2014. (Closes 9 June; an exhibition of antique sculpture from the British Museum follows on 2 August.) The regional galleries have some interesting exhibitions on at the moment. At the Ballarat Art Gallery is Auld Lang Syne while at Bendigo, with only a few days to run, is Genius and Ambition, which consists largely of works from the Royal Academy, London and is an exhibition generated by Bendigo…

Talk | Why Being Real Matters: Art and Authenticity in Australia | Robyn Sloggett

Why Being Real Matters: Art & Authenticity in Australia Robyn Sloggett In this talk, Associate Professor Robyn Sloggett presents an outline of the history of art and cultural heritage fraud in Australia. She examines the ways in which scholarship intersects (or does not intersect) with art fraud investigations and what is at stake when art fraud goes unreported. With the Australian indigenous art market estimated at around $500 million and with estimates for the amount of problematic art in the market at about 10%, the issue is significant in both economic and social terms. This talk looks at these issues and…

Exhibition | From the Home of Mirka Mora | Heide Museum of Modern Art

Mirka Mora in her studio Photograph: Fred Kroh (2014)

‘To me, painting and drawing are natural, I’ve done them for as long as I can remember’. Mirka Mora About the Exhibition | Mirka Mora is one of Melbourne’s best-loved artists and most colourful personalities. This special exhibition, drawn from the treasure trove that is her home studio spans her entire practice, from her first surviving painting through her most recently completed works and includes paintings, drawings, soft sculptures, tapestries, sketchbooks and ceramics. Rarely seen in public before, the works will be displayed in the former home of Mirka’s close friends…

Public Lecture | Wreckage and Reclamation: Politics and Art in Brisbane 1987-1997 | Doug Hall

TYNDALL, Peter, Australia b.1951, detail A Person Looks At A Work Of Art/ someone looks at something... QLD: 1979 (PUPPET CULTURE FRAMING SYSTEM), 1979 A Person Looks At A Work Of Art/ someone looks at something... CULTURAL CONSUMPTION PRODUCTION Oil on canvas and enamel on wood with braided nylon cord 177 x 56.6cm, Acc. 2002.115 Gift of the artist through the Queensland Art Gallery Foundation 2002. Donated through the Australian Government’s Cultural Gifts Program Collection: Queensland Art Gallery, © The artist

“The greatest thing that could happen to this State – and the Nation – is when we can get rid of the media. Then we could live in peace and tranquility, and no one would know anything.”  Sir Joh Bjelke-Petersen, former Queensland Premier, the Spectator, London, 12 December 1987. “This, December 2, 1989, is the end of the Bjelke-Petersen era.” Wayne Goss, election victory speech, 2 December, 1989. The one-liner, ‘it could only happen in Queensland’, is now but a well-worn and a meaningless cliché. The conduct that it supposedly…

Exhibition | Being Human: The Graphic Work of George Baldessin | Heide Museum of Modern Art

George Baldessin, Seated Figure, 1973, colour etching and aquatint plate 56.2 x 50.5 cm Heide Museum of Modern Art, Melbourne Gift of Tess, Gabriel and Ned Baldessin 2010 © Estate of George Baldessin

Being Human: The Graphic Work of George Baldessin Heide Museum of Modern Art until Sunday 19 October 2014 About the Exhibition | In a short but intensive career as a painter, sculptor and printmaker, George Baldessin attracted critical acclaim from peers and audiences alike, admired for his expertise in intaglio printing (etching) and his radical figurative style during the 1960s and 70s when abstraction was dominant. Being Human: The Graphic Work of George Baldessin, focuses on Baldessin’s powerful prints and drawings, created between the artist’s exhibition debut in 1964 and his untimely…

Update | Program now available for Scottish Australia Symposium

Thomas WATLING Scottish, b.1762, Australia 1792–1797, d. c.1814 Scarlet and Green Parrot (1792-1797) watercolour on paper 21.7 x 20.1 cm Natural History Museum, London

Scottish Australia Symposium | Art Gallery of Ballarat The Scottish Australia Symposium will take place from the 9-11 May in Ballarat. It will bring together a range of speakers on topics related to the exhibition and on the relationship between Scotland and Australia. Keynote Lecture ‘A country of enchantments’: Scottish Observations of Colonial Australia by Dr Lizanne Henderson, University of Glasgow is at 6:30pm, Friday 9th May 2014 at the University of Melbourne, Parkville – full details here. The full Symposium Program is now available here. Parallel sessions through both days, commencing at 9.30am and…