Tag: Sydney

Public Program | barrangal gyara (skin and bones) | Royal Botanic Gardens Sydney

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Kaldor Public Art Projects has announced an expansive public program of free talks and events as part of the 32nd project barrangal dyara (skin and bones) created by Sydney-based Wiradjuri/Kamilaroi artist Jonathan Jones. The program is an integral part of the overall project that includes a vast sculptural installation of thousands of white shields presented over 20,000 square-metres of the Royal Botanic Garden in Sydney from 17 September until 3 October 2016. The dynamic on-site public program – presented entirely free of charge to the public over 17 days – is designed to foster critical dialogues with a range of leading Indigenous…

Lectures | David Solkin and Mark Hallett on British Eighteenth-Century Art | University of Sydney

Joshua Reynolds, John Manners, Marquess of Granby (detail), 1766, oil on canvas, 247.5 x 210.2 cm, Collection of John and Mable Ringling Museum of Art, Sarasota, Florida

The Power Institute is pleased to present two lectures on British art of the eighteenth century, by Professors David Solkin and Mark Hallett. David Solkin – English or European? Portraiture and the Politics of National Identity in Early Georgian Britain Professor Solkin’s lecture examines a fundamental shift in British portraiture during the reign of George II, which saw painters and patrons turn away from the established native heritage of Van Dyck, Lely, and Sir Godfrey Kneller, in favour of embracing the latest trends in Continental art practice. Spearheading this development were several immigrant European portraitists, led by Jean-Baptiste Van Loo, who…

Seminar | SUPERCONNECTIVITY – Korean contemporary art | Sydney

Sanghyun Lee, First Tales of Korean Made ICBM, 2014, digital C print. Courtesy the artist

The Korean Cultural Centre in association with the launch of Artlink magazine’s new issue on Korean contemporary art, presents SUPERCONNECTIVITY, a free seminar on Korean contemporary art in Sydney. Renowned Korean and Australian curators and art writers explore connections and differences in a rare opportunity to hear from experts on Korean art in Australia. With a focus on cutting edge contemporary visual arts and in partnership with respected publications Artlink (Australia) and TheArtro (Korea), SUPERCONNECTIVITY is the first contemporary art seminar at the Korean Cultural Centre. Founding Editor of Artlink and co-editor of the Artlink KOREA issue, Stephanie Britton says…

Conference | Grounding the Sacred through Literature and the Arts | Sydney July 2015

© Shirley Purdie, Gurragurrag, 120x120 cm, natural ochre and pigment on canvas, 2013, courtesy Warmun Art Centre.

The conference will bring together writers, artists, musicians, academics, researchers, religious and members of the public to discuss where creativity sits in relation to religion and the search for meaning. Invited speakers and performers include Imam Afroz Ali, Carmel Bird, Kathleen Deignan (Iona Spirituality Institute), Kevin Hart (Virginia), David Jasper (Glasgow), Vivien Johnson, Dr Rachael Kohn, Dr Genevieve Lacey, David Malouf, Michael McGirr, and Thaddeus Metz (Johannesburg). An exhibition of paintings by Papunya Tula Artists and the Warlayirti Artists of Balgo will be shown at the McGlade Gallery during the Conference. Date: Thursday 23 July to Sunday 26 July, 2015…

News | Mikala Tai appointed new director of 4A Centre for Contemporary Asian Art in Sydney

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Mikala Tai has been announced as the new director of 4A Centre for Contemporary Asian Art in Sydney. She currently lectures and tutors at RMIT and University of Melbourne in Contemporary Art and Contemporary Asian Art in both the undergraduate and masters programs. She is the founding director of Supergraph – Australia’s Contemporary Graphic Art Fair and has also worked with the Melbourne Fashion Festival, Council of Textile and Fashion Industries of Australia and the National Gallery of Victoria. She has recently submitted her PhD at UNSW Art & Design examining how the social and economic character of major Chinese cities have…

Lecture and Symposium | Tim Barringer Lecture and Gallipoli Gelibolu Symposium | Sydney

Image: George W. Lambert, Cartoon for The Charge of the 3rd Light Horse Brigade at the Nek, 1920 (detail).

On Sunday 25 April 1915, Anzac troops began landing on the Turkish coast at Gallipoli (Turkish name, Gelibolu) in what has become a defining campaign of World War I. The Power Institute is proud to be supporting a special symposium with the Art Gallery of New South Wales, which brings together leading Turkish and Australian academics to explore the impact of that event on Australian and Turkish art, architecture and material culture and to critically assess the role of visual culture in mediating the conflict’s significance within both polities. By creating a dialogue between Turkish and Australian scholars, Gallipoli Gelibolu aims to…

Workshop | My Sydney: Writing Workshop led by Cathy Craigie | Sydney

Photographer Carol Ruff, ‘Detail of the original mural on Lawson Street’, South Sydney Herald, 11 November 2013

PART I: WALK AND TALK The workshop will begin at the 40 000 Years mural at the Redfern railway bridge (designed by Carol Ruff 1983) where Cathy will talk about her knowledge of and involvement with the mural. She will also discuss the history of Redfern and its surrounds, including her own longstanding family history in the area; and will tell tales of the inner city focusing on its ‘hidden histories’ (such as old trade routes underlying some of Sydney’s major arterial routes; lakes and waterways beneath its urban infrastructure; little-known pasts of the Town Hall, to name a few).…

Workshop | Finding Country | Sydney College of the Arts

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Finding Country is an ongoing project initiated by Kevin O’Brien in 2006 and continuing as a pluralist contest between the idea of Aboriginal space (Country), and European space (property) in Australia. Aboriginal Country is excluded from the Australian city and even more so in the derivative architecture. Despite the 1992 landmark Mabo case High Court decision, a decision that struck down the doctrine of Terra Nullius (an empty land belonging to no-one), architecture in Australia continues its eighteenth-century European tradition of drawing on empty paper. The Finding Country position is that this paper is not empty, but is full of what can’t be seen. THE…

News | New Museum for the University of Sydney

An announcement from the Power Institute at the University of Sydney that a new museum will be built to display the University’s collections of art, archaeology and science. From the Power Institute Power is delighted to announce that plan to develop and build a new museum to unify and display the University’s rich collections in art, science and archaeology, has been officially approved. This will be a transformational project for all of us who research and teach art history, curating and museum studies here on campus. For Power, we believe it is a significant step forward for improving public access and engagement…

Curating Feminism | A Contemporary Art and Feminism Event | Sydney

Image: Alice Lang Originals (2014).

Curating Feminism, a Contemporary Art and Feminism event is co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney. The event will run over Thursday 23 October to Sunday 26 October, and will include an exhibition, masterclasses, conference and wikithon. See events for specific times and venues. Collectively, the event seeks to ask the following key questions: How can curating be an activist practice, especially in the realm of gender? What does it mean to be a feminist curator, or to adopt a feminist curatorial method? How does an emphasis on process,…

Sydney Event | Jennifer Ferng on Jean-Jacques Lequeu’s Maison gothique (1777-1814)

Jean-Jacques Lequeu, Section perpendiculaire d'un souterrain de la maison gothique

Sensuality and the Subterranean: Jean-Jacques Lequeu’s Maison gothique (1777-1814) during the late Enlightenment Dr Jennifer Ferng, Lecturer Faculty of Architecture, Design and Planning As one of the French utopian designers of the late Enlightenment, Lequeu is regarded by many architectural historians as having an enigmatic inventory of unbuilt work. He envisioned Grecian-Egyptian temples, Masonic grottoes, and neoclassical tombs and civic monuments. Enhanced by his training as a draughtsman, his studies of human anatomy verged on the edge of explicit prurience. This lecture surveys some of his fanciful imagery in relation to the intellectual discourses surrounding the subterranean, focusing on how myth…

Workshops | Enlightenment Cosmopolitanisms and Sensibilities and Cosmopolitan Moments: Instances of Exchange in the Long Eighteenth Century Emerging Scholar Workshop | Sydney

Anicet Charles Gabriel Lemonnier, French, 1812, Salon de Madame Geoffrin, Oil on canvas, 51 x 77.2 in. MM 59.3.1

Two workshops on ideas of cosmopolitanism June 11-12 in Sydney. Enlightenment Cosmopolitanisms and Sensibilities The character of practiced cosmopolitanism during the Enlightenment often appears to amount to little more than an extension of early modern courtly internationalism infused with a new language of ideas. Further investigation reveals the desire on the part of Enlightenment cosmopolites to open borders in the name of economic, political, intellectual and artistic progress. This workshop explores cosmopolitanism in practice during the long eighteenth century in Europe and, through circulation, beyond its borders. It seeks out lived experiences of cosmopolitanism in the evidence of visual, social…

Update and Reminder | CFP for David Nichol Smith Seminar in Eighteenth-Century Studies XV

The Fountain of Love; Francois Boucher, French, 1703 - 1770; 1748; Oil on canvas

David Nichol Smith Seminar in Eighteenth-Century Studies XV 10-13 December 2014, The University of Sydney, Sydney, Australia Keynotes are now confirmed and a reminder of the June 15 abstract deadline. Keynote Speakers John Dixon Hunt (University of Pennsylvania) | Sophia Rosenfeld (University of Virginia) | Michael McKeon (Rutgers University) | Erika Naginski (Harvard University) The Sydney Intellectual History Network and ‘Putting Periodisation to Use’ Research Group at the University of Sydney invite you to the Fifteenth David Nichol Smith Seminar (DNS), with the theme ‘Ideas and Enlightenment’. Inaugurated and supported by the National Library of Australia, the DNS conference is the leading forum for eighteenth-century studies in Australasia.…

Call for Papers | ‘Ideas and Enlightenment’ The Long Eighteenth Century (Down Under) | David Nichol Smith Seminar in Eighteenth-Century Studies XV

The Fountain of Love; Francois Boucher, French, 1703 - 1770; 1748; Oil on canvas

‘Ideas and Enlightenment’ – The Long Eighteenth Century (Down Under) David Nichol Smith Seminar in Eighteenth-Century Studies XV 10-13 December 2014, The University of Sydney, Sydney, Australia Call for Papers The Sydney Intellectual History Network and ‘Putting Periodisation to Use’ Research Group at the University of Sydney invite you to the Fifteenth David Nichol Smith Seminar (DNS), with the theme ‘Ideas and Enlightenment’. Inaugurated and supported by the National Library of Australia, the DNS conference is the leading forum for eighteenth-century studies in Australasia. It brings together scholars from across the region and internationally who work on the long eighteenth century…

Lecture | Dr Barbara Gaehtgens on Rembrandt’s Abduction of Ganymede | Sydney Intellectual History Network

Rembrandt van Rijn, The abduction of Ganymede, 1635, Gemaldegalerie, Dresden

Looking Closely: Interpreting Rembrandt’s Abduction of Ganymede Dr Barbara Gaehtgens An ‘Undoing the Ancient’ FASS Collaborative Research Group Event Special Lecture by Dr Barbara Gaehtgens The abduction of Ganymede 1635 – an early work by Rembrandt van Rijn – has puzzled many generations of Rembrandt scholars. The painting illustrates the classical Greek myth of the abduction of Ganymede, most beautiful of male mortals, by an eagle-guised Zeus, who desires the beautiful youth as his cup bearer. The theme was not new in art and had been represented by many other artists, including Michelangelo and Peter Paul Rubens. Rembrandt’s representation is…