Tag Archive for Symposium

Symposium | Technologies/Histories Symposium | University of Melbourne

Technologies Histories Symposium Image

Co-hosted by the Transformative Technologies Research Unit (University of Melbourne) & Flinders University, this symposium examines developments in various technologies and their relationship to history. The keynote speaker for the event is Lori Emerson, Associate Professor with a split appointment in the Department of English and the Intermedia Arts, Writing, and Performance Program at the University of Colorado at Boulder. She is also Director of the Media Archaeology Lab and writes about media poetics as well as the history of computing, media archaeology, media theory, and digital humanities. Lori Emerson will discuss her current book project titledOther Network – a network archaeology of the history of telecommunications networks that pre-date the Internet or exist outside of the Internet. Session titles…

Symposium | Degas: A New Vision | NGV International

Edgar Degas , Rehearsal hall at the Opéra, rue Le Peletier (Le foyer de la danse à l'Opéra de la rue Le Peletier) 1872, oil on canvas, 32.7 x 46.3 cm, Lemoisne 298
Musée d'Orsay, Paris (RF 1977) © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski

As part of the the NGV’s winter exhibition on Edgar Degas the gallery is hosting a symposium with international experts on the artist. From his paintings of ballerinas to the social world of Parisian nightlife, Degas’ works demonstrate great technical, conceptual and expressive skill and reveal his openness to experiment with a range of mediums. Date: 2-5pm, Friday 24th June 2016 Venue: Clemenger BBDO Auditorium, NGV International Bookings required – book online here. Tickets $35 A / $28 M / $30 C (includes light refreshment) Speakers Henri Loyrette, Exhibition Curator Henri Loyrette is a French arts administrator and historian who served as director of the Louvre Museum in Paris from 2001 to 2013 and is now president of Admical, a nonprofit organization involved in…

Symposium | Turning on Burn: A Reflective Conversation | VCA

ian burn symposium

A symposium presented by Art & Australia at VCA |Turning on Burn: A Reflective Conversation This symposium explores and speculates upon the work and legacy of Australian conceptual artist Ian Burn (1939–1993). After graduating from the National Gallery of Art School (now the VCA School of Art), Burn spent much of his career working in the avant-garde scenes of London and New York. He was a key member of Art & Language, a collaborative group who produced the ground-breaking publication  Art–Language and included artists Roger Cutforth, Joseph Kosuth and Mel Ramsden. Returning to Australia in 1977, Burn became involved in the Art Workers Union (AWU), a political and social platform that championed artists’ rights and helped change the landscape and…

Symposium | Future of Design for Publishing | NGV International

Eastside Projects Annual, graphic design by James Langdon, 2014–2015

There is a symposium at the NGV next Friday as part of the Melbourne Art Book Fair 2016. Presented by National Gallery of Victoria’s Melbourne Art Book Fair in conjunction with the RMIT Design Futures Lab, the International Symposium on the Future of Design for Publishing features leading international and local speakers discussing new genres in publishing. The Symposium is convened by Associate Professor Brad Haylock, Program Manager, Master of Communication Design, RMIT University. Speakers include Na Kim, designer (Korea); Freek Lomme, publisher and curator, Onomatopee (The Netherlands); David Blamey, publisher, Open Editions (United Kingdom); Sophy Williams, Senior Rights Executive, Black Inc.; James Langdon, designer/researcher, Eastside Projects (United Kingdom) and Fayen d’Evie, publisher, 3-ply (Melbourne). Symposium ticket includes VIP entry to the Melbourne…

Symposium | Photography.Ontology.Symposium | University of Sydney, June 2016

Symposium — Photographic Cultures

Based at the University of Sydney the Photographic Cultures Research Group partners with the Art and the Document Research Cluster at Sydney College of the Arts to profile research into the photographic. The Photography.Ontology.Symposium takes place on 2 and 3 June 2016 at the University of Sydney. Photography.Ontology.Symposium. engages in critical debate with international scholars and specialists on the photographic medium. It will explore the relationship between photography’s ontology, the camera as a human perceptual apparatus and the unconscious through themes of evidence, the archive, photographic practice and theory. Dates: 2-3 June 2016 Venue: University of Sydney Keynotes: Shawn Michelle Smith and Andrés Zervigón Plenary Address: Melissa Miles Speakers: Katherine Biber, Donna West Brett, Helen Grace, John di Stefano, Danie Mellor…

Call for Papers | AICCM – FRAME: Concept, History and Conservation – a symposium | Melbourne, August 2016

Nicolas Poussin, The Crossing of the Red Sea, 1632-34, o/c, 155.6 × 215.3 cm., National Gallery of Victoria, Melbourne; Felton Bequest, 1948 (1843-4). Frame corner of French Régence frame, c.1710

Update: Please  note that the CFP deadline is now the 13th May. A symposium on the picture frame AICCM – FRAME: Concept, History and Conservation, Melbourne 2016, will be convened on 24-26 August 2016 at the National Gallery of Victoria, Melbourne, Australia. Convenors: Louise Bradley (AICCM), Barbara Dabrowa (Senior Conservator of Frames at Art Gallery of NSW) and Holly McGowan-Jackson (Senior Conservator of Framing, NGV) Call for Papers The Australian Institute for the Conservation of Cultural Material, Conservation Framing and Gilded Objects (special interest groups) will hold this international symposium, encompassing both traditional framing as well as broader concepts of framing for the presentation of modern and contemporary art and design. This wide-ranging theme will appeal to many potential speakers and delegates…

Symposium | Art and the Connected Future | NGV International

art and connected future banner

‘The blog is the modern drawing… It gives the most information: it shows my complete surroundings’ – Ai Weiwei ‘I want to be a machine’ – Andy Warhol Our worldview is increasingly mediated by digital technology. How do leading innovators think it might also impact on our creativity? Andy Warhol and Ai Weiwei innovators of their age, push boundaries between culture and technology – Warhol through film, television and publishing, and Ai through social media networks that use art to engage with global social and political issues. Inspired by the artistic practices of Andy Warhol and Ai Weiwei, share in the discussion of how we make and experience art alongside rapid changes in technology. What might the future of art…

Lecture, Symposium and Exhibition | Gerard Byrne ‘Museums for playback!’ | MADA, Monash University

Gerard Byrne - Museums for Playback

Irish artist Gerard Byrne will present a special keynote lecture to mark the closing of MADA’s Master of Fine Art graduate exhibition (12-18 February) and as part of MADA’s Fine Art Postgraduate Symposium. In his address Irish artist Gerard Byrne’s lecture will focus on his moving-image practice, using the analogy of playback as a way of delimiting the function of the exhibition and highlighting the recuperative and recall dimensions of his projects within the context of the museum. Byrne explores the themes of image and time, performativity, mediation, and the “museum” itself as an embodiment of historical discourse. Byrne has made a significant contribution to contemporary video, photography and live art since 1991. He has exhibited extensively including the Tate Gallery,…

Symposium| Apps, Maps and Models: Digital Pedagogy and Research in Art History, Archaeology and Visual Studies

Digital Mapping image for Symposium

Organized by the Wired! Group @ Duke University Department of Art, Art History & Visual Studies 8:30 AM – 6:30 PM, February 22, 2016, Nasher Museum of Art at Duke University Free and open to the public. Registration requested.   This one-day symposium will examine how digital tools prompt new approaches to teaching and research in art and architectural history, as well as in archaeology and visual studies. Databases, mapping, modeling, animations, and websites are also transforming the ways in which scholars and museums can communicate information to the public. Above all, digital tools stimulate entirely new types of research questions on the production and dissemination of works of art and material culture, the construction of buildings and cities, and issues of…

Symposium | Recasting the Question: Digital Approaches in Art History and Museums | University of Sydney

Image: Sinan Goknur (Art, Art History & Visual Studies, Duke University) in collaboration with the “Lives of Things” Team in the Wired! Laboratory (M. Olson, M. Tepper)

5 November, 2015, 8.45am – 5.00pm A day-long symposium presented by the Power Institute Foundation, University of Sydney, and the Research School of Humanities and the Arts, Australian National University, with support from the Asia Art Archive. The symposium will be followed by a keynote lecture by professor Caroline Astrid Bruzelius on Digital Thinking and Art History: Re-Imagining Teaching, Research, and the Museum. Please click here for details and how to register. Location: Level 6 Seminar Room, Charles Perkins Centre (D17), Johns Hopkins Drive, the University of Sydney Contact: Ira Ferris Email: ira.ferris@sydney.edu.au This is a free event, open to all with online registrations required. To register please click here – http://whatson.sydney.edu.au/events/published/power-institute-recasting-the-question Digital approaches occupy an increasingly important place in the…

Symposium | Asian Art Research in Australia and New Zealand: Past, Present, Future | University of Sydney

Ian Fairweather (1891-1974), Untitled (West Lake, Hangchow), 1941. Mixed media on paper, 41.6 x 42.6. National Gallery of Australia collection.

Date: 15 October 2015 A day-long symposium presented by the Power Institute and Department of Art History, at the University of Sydney ABSTRACT Since at least the 1940s, Asia has become an increasingly important point of orientation for Australia and New Zealand: politically, economically, demographically, and, of course, culturally. In this context, there has long been strong public interest in Asian art, sustaining dedicated galleries, significant original exhibitions, specialist organisations, arts festivals, and numerous exchange programmes. Nonetheless, the study of Asian art in Australia and New Zealand appears stubbornly diffuse. Australia and New Zealand boast successive generations of specialists working as educators, curators, researchers, artists, and ever growing numbers of students, yet we often remain separated by discipline, geography, institutional…

Symposium | Art Curatorship Now and Beyond | University of Melbourne

Image Credit: MA students on first Advanced Art Fieldwork: Contemporary China trip, 2015. Photograph courtesy of 
Ashlee Baldwin.

Art Curatorship Now & Beyond: A symposium celebrating 25 years of Art Curatorship at The University of Melbourne Thursday 17–Saturday 19 September 2015 This symposium celebrates 25 years since art curatorship was first offered as a degree at The University of Melbourne. As well as recognising this legacy through reflection and debate, the symposium program provides the opportunity to construct a new roadmap for contemporary curating through dynamic interaction and the exploration of new ideas. Engage with professional colleagues from a range of Australia’s leading art museums and visual arts institutions to examine past, present and future directions in art curatorial research, teaching, and the career development of visual arts professionals. The symposium welcomes academic colleagues, professional peers, art curatorship students and graduates…

Ballarat International Foto Biennale Symposium – Borderless Futures, Reimaging the Citizen

Alejandro Chaskielberg, Dark Passage,

Second Ballarat International Foto Biennale Symposium, Presented by Photography Studies College In the catalogue for the The photograph and Australia exhibition at the Art Gallery of New South Wales this year, Senior Curator Judy Annear wrote, ‘There is much at stake in what might constitute the nation state, which is as porous as photography is mutable’. Among its many ideas, the exhibition posited photography in Australia as a medium for the constant renegotiation of the nation. This symposium aims to continue the discussion generated by the most important exhibition of photography in Australia in 25 years, by looking beyond national borders to ask what it means to be a global citizen, with particular reference to the role of images. The…

Symposium and Concert | Goya and Spanish Music | NGV and VCAM

Anonymous, 'Portrait of Luigi Boccherini', c.1764-1767. Oil on canvas, 133.8 x 90.7 cm. National Gallery of Victoria, Everard Studley Miller Bequest, 1962.

The Melbourne Conservatorium of Music and National Gallery of Victoria are delighted to host a program of specialist talks and music performance, exploring music in the time of Spanish artist Francisco de Goya, and the impact of his art on the emergence of Hispanic musical modernity in the early twentieth century. Symposium: Goya and Spanish Music (9.30am – 2.45pm) Speakers: Convened by Michael Christoforidis the speakers include distinguished Spanish scholars Francesc Cortes* (Universitat Autònoma de Barcelona), Miguel Ángel Marín (Universidad de La Rioja), Luisa Morales (FIMTE), and local experts from the University of Melbourne and the NGV, including Michael Christoforidis, David Irving, Liz Kertesz, Geraldine Power, and Yolanda Acker. Download the full program here (pdf) Tickets: Free, no booking required Venue:…

Symposium | Medieval Moderns – The Pre-Raphaelite Brotherhood | NGV International

Edward Robert Hughes, 'The princess out of school', (c. 1901) 
gouache and watercolour with some scratching out
(52.0 x 95.3 cm) (sheet)
National Gallery of Victoria, Melbourne
Purchased, 1901

The National Gallery of Victoria has an outstanding collection of Pre-Raphaelite art (ranging from paintings and drawings to textiles and stained glass) – as is demonstrated by the current exhibition, Medieval Moderns: The Pre-Raphaelite Brotherhood. In conjunction with this exciting exhibition, various academics, curators and specialists will come together in a symposium to discuss the British Pre-Raphealite movement and its significance in Australia. The symposium will include a keynote lecture by visiting scholar Dr Barbara Bryant on Australia’s Pre-Raphaelite Collections: the People behind the Portraits. Full details here. Beginning with a guided tour of the exhibition Medieval Moderns: The Pre-Raphaelite Brotherhood with curator Laurie Benson on the Friday morning, the program includes six sessions of speakers over two days. A detailed program available…