Tag Archive for Symposium

Symposium | Recasting the Question: Digital Approaches in Art History and Museums | University of Sydney

Image: Sinan Goknur (Art, Art History & Visual Studies, Duke University) in collaboration with the “Lives of Things” Team in the Wired! Laboratory (M. Olson, M. Tepper)

5 November, 2015, 8.45am – 5.00pm A day-long symposium presented by the Power Institute Foundation, University of Sydney, and the Research School of Humanities and the Arts, Australian National University, with support from the Asia Art Archive. The symposium will be followed by a keynote lecture by professor Caroline Astrid Bruzelius on Digital Thinking and Art History: Re-Imagining Teaching, Research, and the Museum. Please click here for details and how to register. Location: Level 6 Seminar Room, Charles Perkins Centre (D17), Johns Hopkins Drive, the University of Sydney Contact: Ira Ferris Email: ira.ferris@sydney.edu.au This is a free event, open to all with online registrations required. To register please click here – http://whatson.sydney.edu.au/events/published/power-institute-recasting-the-question Digital approaches occupy an increasingly important place in the…

Symposium | Asian Art Research in Australia and New Zealand: Past, Present, Future | University of Sydney

Ian Fairweather (1891-1974), Untitled (West Lake, Hangchow), 1941. Mixed media on paper, 41.6 x 42.6. National Gallery of Australia collection.

Date: 15 October 2015 A day-long symposium presented by the Power Institute and Department of Art History, at the University of Sydney ABSTRACT Since at least the 1940s, Asia has become an increasingly important point of orientation for Australia and New Zealand: politically, economically, demographically, and, of course, culturally. In this context, there has long been strong public interest in Asian art, sustaining dedicated galleries, significant original exhibitions, specialist organisations, arts festivals, and numerous exchange programmes. Nonetheless, the study of Asian art in Australia and New Zealand appears stubbornly diffuse. Australia and New Zealand boast successive generations of specialists working as educators, curators, researchers, artists, and ever growing numbers of students, yet we often remain separated by discipline, geography, institutional…

Symposium | Art Curatorship Now and Beyond | University of Melbourne

Image Credit: MA students on first Advanced Art Fieldwork: Contemporary China trip, 2015. Photograph courtesy of 
Ashlee Baldwin.

Art Curatorship Now & Beyond: A symposium celebrating 25 years of Art Curatorship at The University of Melbourne Thursday 17–Saturday 19 September 2015 This symposium celebrates 25 years since art curatorship was first offered as a degree at The University of Melbourne. As well as recognising this legacy through reflection and debate, the symposium program provides the opportunity to construct a new roadmap for contemporary curating through dynamic interaction and the exploration of new ideas. Engage with professional colleagues from a range of Australia’s leading art museums and visual arts institutions to examine past, present and future directions in art curatorial research, teaching, and the career development of visual arts professionals. The symposium welcomes academic colleagues, professional peers, art curatorship students and graduates…

Ballarat International Foto Biennale Symposium – Borderless Futures, Reimaging the Citizen

Alejandro Chaskielberg, Dark Passage,

Second Ballarat International Foto Biennale Symposium, Presented by Photography Studies College In the catalogue for the The photograph and Australia exhibition at the Art Gallery of New South Wales this year, Senior Curator Judy Annear wrote, ‘There is much at stake in what might constitute the nation state, which is as porous as photography is mutable’. Among its many ideas, the exhibition posited photography in Australia as a medium for the constant renegotiation of the nation. This symposium aims to continue the discussion generated by the most important exhibition of photography in Australia in 25 years, by looking beyond national borders to ask what it means to be a global citizen, with particular reference to the role of images. The…

Symposium and Concert | Goya and Spanish Music | NGV and VCAM

Anonymous, 'Portrait of Luigi Boccherini', c.1764-1767. Oil on canvas, 133.8 x 90.7 cm. National Gallery of Victoria, Everard Studley Miller Bequest, 1962.

The Melbourne Conservatorium of Music and National Gallery of Victoria are delighted to host a program of specialist talks and music performance, exploring music in the time of Spanish artist Francisco de Goya, and the impact of his art on the emergence of Hispanic musical modernity in the early twentieth century. Symposium: Goya and Spanish Music (9.30am – 2.45pm) Speakers: Convened by Michael Christoforidis the speakers include distinguished Spanish scholars Francesc Cortes* (Universitat Autònoma de Barcelona), Miguel Ángel Marín (Universidad de La Rioja), Luisa Morales (FIMTE), and local experts from the University of Melbourne and the NGV, including Michael Christoforidis, David Irving, Liz Kertesz, Geraldine Power, and Yolanda Acker. Download the full program here (pdf) Tickets: Free, no booking required Venue:…

Symposium | Medieval Moderns – The Pre-Raphaelite Brotherhood | NGV International

Edward Robert Hughes, 'The princess out of school', (c. 1901) 
gouache and watercolour with some scratching out
(52.0 x 95.3 cm) (sheet)
National Gallery of Victoria, Melbourne
Purchased, 1901

The National Gallery of Victoria has an outstanding collection of Pre-Raphaelite art (ranging from paintings and drawings to textiles and stained glass) – as is demonstrated by the current exhibition, Medieval Moderns: The Pre-Raphaelite Brotherhood. In conjunction with this exciting exhibition, various academics, curators and specialists will come together in a symposium to discuss the British Pre-Raphealite movement and its significance in Australia. The symposium will include a keynote lecture by visiting scholar Dr Barbara Bryant on Australia’s Pre-Raphaelite Collections: the People behind the Portraits. Full details here. Beginning with a guided tour of the exhibition Medieval Moderns: The Pre-Raphaelite Brotherhood with curator Laurie Benson on the Friday morning, the program includes six sessions of speakers over two days. A detailed program available…

Symposium | The Stardom and Celebrity of David Bowie | ACMI

Album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy.

The Australian Centre for the Moving Image (ACMI) will host a two-day symposium bringing together artists, academics and cultural commentators, in conversation and performance, to reflect upon the cultural and artistic significance of ‘David Bowie’ in rock, pop, film, art, fashion and performance. Coinciding with the exclusive Australasian season of the David Bowie is exhibition at ACMI, The Stardom and Celebrity of David Bowie, will take place on Friday 17 and Saturday 18 July 2015. The symposium brings together a range of international and local scholars and performers with keynote speakers including Dr Will Brooker, Professor of Film and Cultural Studies at Kingston University; Robert Forster, the Australian singer-songwriter best known for his work as a co-founder and songwriter of The Go-Betweens; Angela Ndalianis, Head of Screen and…

Symposium | The Legacy of Hugh Ramsay | National Gallery of Australia

File 19-03-2015 3 42 15 pm

Hugh Ramsay’s life was short but his impact endures. In celebration of the endowment of a chair in Australian art history at the University of Melbourne in his name, by his great niece Patricia Fullerton, the Australian Institute of Art History together with the National Gallery of Australia present this one day symposium reassessing his legacies. Date: Monday 30th March 2015, 9:00am – 5.00 pm Venue: James O Fairfax Theatre Free to attend but bookings are essential. Register here. Program 9.45 – 11.00am SESSION ONE Hugh Ramsay and philanthropy Gerard Vaughan, Director, National Gallery of Australia The life of Hugh Ramsay Patricia Fullerton  Hugh Ramsay in an Australian Context Mary Eagle 11.30am – 12.30pm SESSION TWO Hugh Ramsay and George Lambert Anna Gray The portraiture…

Symposium on art and creativity in Aboriginal communities to promote Healing Ways


The healing power of art made by Aboriginal and Torres Straight Islander peoples is the subject of a Symposium at The Dax Centre on 19 and 20 September. This is a new exploration of the significance of Aboriginal art. The symposium will address a range of urgent and relevant topics on Indigenous art including art as therapy, community art projects, the role of arts centres in healing and Australian Indigenous contemporary art practices. The inspiring two-day symposium titled Healing Ways: Art with Intent will be opened by Professor Ian Anderson, Foundation Chair of Indigenous Higher Education, Assistant Vice Chancellor and Director of Murrup Barak, University of Melbourne, and include three keynote addresses, 13 presentations, 25 speakers and an artists’ panel.…

Symposium | Rooms for Thought: Radical Uses of Museum Collections

MUM collections symposium

Rooms for Thought examines recent curatorial initiatives with collections, undertaken both by artists and curators alike. We are delighted to bring Dr Clémentine Deliss to Australia to discuss her groundbreaking work with ethnographic collections at Weltkulturen Museum, Frankfurt, as well as Jaroslaw Suchan, whose unconventional curatorial approach to the collections at Muzeum Sztuki has brought great attention to this artist-initiated regional museum in Lodz, Poland. These keynote speakers will be joined by Australian and New Zealand artists, academics and curators in a program designed to look at the movement away from defined roles and methodologies through a number of case studies. It is presented in parallel to Fiona Connor: Wallworks at MUMA, an exhibition which takes inspiration from the Monash University Collection. Speakers:…

Symposium | Recent Research on Prints | University of Melbourne


Research on prints: students give presentations on their recent research into aspects of print culture You are invited to attend a half-day symposium at the University of Melbourne, as part of the public program accompanying the current exhibition – Radicals, Slayers, Villains: Prints from the Baillieu Library. The symposium showcases recent research undertaken by postgraduate students in the School of Culture and Communication into prints and print culture. Date: Tuesday  27 May 2014, 9.00 am – 1.00 pm Venue: Leigh Scott Room, First Floor, Baillieu Library This event is free, but you are requested to register your attendance at: http://events.unimelb.edu.au/events/4061-research-on-prints-students-give-presentations-on-their-recent-research Program Louise Box (MA Art Curatorship) | Print production, profit and the market for woodcuts: Albrecht Dürer and the ‘marketing mix’ Kathleen Kiernan…

Reminder | Italian Masterpieces from Spain’s Royal Court | Symposium and Opening Weekend Events

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Symposium | Friday 16th May 1:30pm Delve into the main themes of the show with papers presented by key international and local speakers. Venue: NGV International, 180 St Kilda Road, Clemenger BBDO Auditorium, Ground Level Bookings: Ph +61 3 8662 1555, 10am-5pm daily, Booking Code P1454 Website: http://www.ngv.vic.gov.au/whats-on/programs/public-programs/symposium-italian-masterpieces-from-spains-royal-court,-museo-del-prado ‘The father of the Prado is Titian': Italian Renaissance painting at the Museo del Prado | Speaker Miguel Falomir Faus, Head of Italian & French Painting Department (after 1700), Museo del Prado, and guest co-curator While the Prado opened its doors in 1819, and is thus contemporaneous with other leading European museums, it did not share their encyclopaedic vocation. It was, instead, a home for the Royal Collection. The Prado’s holdings of Italian art was largely formed by the…

Symposium | Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Raphael, Holy Family with Saint John or Madonna of the Rose (Sacra Famiglia con san Giovannino o Madonna della Rosa) c.1517 oil on canvas 103.0 x 84.0 cm  Museo Nacional del Prado, Madrid (P00302) Spanish Royal Collection

The National Gallery of Victoria is holding a public symposium to coincide with its upcoming exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado. The symposium will include local and international experts on the art of the period. Each paper will delve into the main themes of the show. Date: 1:30 – 3:30pm, Friday 16th May, 2014 Venue: Clemenger BBDO Auditorium, NGV International, 180 St Kilda Road Bookings:  Ph +61 3 8662 1555, 10am-5pm daily or Cost $35 Adults / $28 Members / $30 C / $15 S (includes light refreshments, bookings essential) Website: http://www.ngv.vic.gov.au/whats-on/programs/public-programs/symposium-italian-masterpieces-from-spains-royal-court,-museo-del-prado  Program ‘The father of the Prado is Titian': Italian Renaissance painting at the Museo del Prado | Speaker Miguel Falomir Faus, Head of Italian & French Painting Department…

Public Lecture and Symposium | Scottish Australia | Art Gallery of Ballarat and University of Melbourne

Thomas WATLING Scottish, b.1762, Australia 1792–1797, d. c.1814 Scarlet and Green Parrot (1792-1797) watercolour on paper 21.7 x 20.1 cm Natural History Museum, London

Public Lecture ‘A country of enchantments’: Scottish Observations of Colonial Australia Dr Lizanne Henderson, University of Glasgow This public lecture will focus on the observations, perceptions and representations of the natural world by Thomas Watling (1762-c.1814), the Scottish born artist and engraver who was transported to Botany Bay for forgery in 1792. This will be done by investigating the late eighteenth-century intellectual and artistic contexts surrounding Watling’s life and works and the ways in which these influences might have shaped his opinions of Australia. Taking a multi- and interdisciplinary perspective, the lecture will ask, and attempt to answer, whether or not Watling should be regarded as an artist or an illustrator? Though not always flattering in his written descriptions of…

Call for Papers | ‘Ideas and Enlightenment’ The Long Eighteenth Century (Down Under) | David Nichol Smith Seminar in Eighteenth-Century Studies XV

The Fountain of Love; Francois Boucher, French, 1703 - 1770; 1748; Oil on canvas

‘Ideas and Enlightenment’ – The Long Eighteenth Century (Down Under) David Nichol Smith Seminar in Eighteenth-Century Studies XV 10-13 December 2014, The University of Sydney, Sydney, Australia Call for Papers The Sydney Intellectual History Network and ‘Putting Periodisation to Use’ Research Group at the University of Sydney invite you to the Fifteenth David Nichol Smith Seminar (DNS), with the theme ‘Ideas and Enlightenment’. Inaugurated and supported by the National Library of Australia, the DNS conference is the leading forum for eighteenth-century studies in Australasia. It brings together scholars from across the region and internationally who work on the long eighteenth century (1688-1815) in a range of disciplines, including history, literature, art and architectural history, philosophy, the history of science, musicology, anthropology,…