Tag Archive for Renaissance Art

New book series | Renaissance History, Art and Culture with AUP – Call For Proposals

The Marriage of the Virgin, Raphael Sanzio da Urbino 1504

General Editors: Christopher Celenza; Samuel Cohn, Jr.; Andrea Gamberini; Geraldine Johnson; and Isabella Lazzarini. This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. The series intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world.  It encourages engagement by scholars across disciplines —…

Lecture | Alpha and Omega, or The Boundary of Our Orient – Alexander Nagel | University of Melbourne

Image: Raphael, School of Athens (detail). Vatican Museum, Vatican City.

In this lecture Professor Nagel will present his recent research on ideas of Asia and America in Renaissance Europe. The decades after 1492 brought Asia closer to Europe than it had ever been. The art, cartography, and literature of the period we call the High Renaissance expanded to imagine a new convergence of worlds where East rejoined West and New neighboured Old. Alexander Nagel is Professor of Fine Arts at the Institute of Fine Arts in New York City. His research is focused on early-modern Italy, but he is also engaged with Modernist and contemporary art. His most recent books include Medieval Modern (2012), The Controversy of Renaissance Art (2011), and, with Christopher Wood, Anachronic Renaissance (2010). He is a…

Sydney Art History Lecture and Seminar | Alexander Nagel

alexander nagel lecture

Professor Alexander Nagel from New York University is giving a lecture and a special research workshop in Sydney next week. Lecture | The Renaissance Elsewhere 10 March, 2016, 6-7.30pm Co-presented by the Power Institute and Sydney Ideas Italian art in the period between ca. 1300 and ca. 1500 – what is called the Renaissance – is characterized by its extraordinary openness to the world. The Renaissance represented items and ideas not only in direct proximity to artists of the time, but also distant peoples and places known to artists only through textual accounts, oral reports, drawings, imported objects and other images. Western Christian art was oriented elsewhere due to its unique position at a distinct remove from the origins of…

Lecture | Patricia Simons at the University of Sydney

Image: Tintoretto, Susanna and the Elders. Circa 1555. Vienna, Kunsthistorsiches Museum.

Professor Patricia Simons will also be presenting her lecture on Susannah and the Elders at the University of Sydney. See the information for her Melbourne lecture here. 21 March, 2016, 6-7.30pm Jacopo Tintoretto’s ‘Susanna and the Elders’ is commonly read as a case of male voyeurism, in subject and purpose, or as mere moralizing allegory. This lecture moves away from each reductive extreme by re-examining the story’s history and visual effect. Patricia Simons is Professor of Art History, University of Michigan. Her field of study includes the art of Renaissance Europe (primarily Italy, France and the Netherlands) with a special focus on the representation of gender and sexuality. This is a free public lecture open to all with online registrations required. Register…

Lecture | The Pleasures of Allegory: Rethinking ‘Susanna and the Elders’ – Patricia Simons | University of Melbourne

Image: Tintoretto, Susanna and the Elders. Circa 1555. Vienna, Kunsthistorsiches Museum.

‘Susanna and the Elders’ is commonly read as a case of male voyeurism, in subject and purpose, or as mere moralizing allegory. This lecture moves away from each reductive extreme by re-examining the story’s history and visual effect. Professor Patricia Simons is Professor of Art History, University of Michigan. Her field of study includes the art of Renaissance Europe (primarily Italy, France and the Netherlands) with a special focus on the representation of gender and sexuality Date: Wednesday 9th March, 5:30–6:45PM Venue: Theatre 1, Alan Gilbert Building, University of Melbourne Free to attend. Registrations can be made on the university website.  

News, Writing and Reviews on Art and Art History | March 21st 2014

Is that a cockatoo I see? Andrea Mantegna,1496, Tempera on canvas, Louvre Museum, Paris

News, Writing and Reviews on Art and Art History Katrina Grant Ron Radford, director of the National Gallery of Australia, has announced his plans to retire. He will step down from the role in September. He has been director since 2005. More here. An article in The Guardian about the work of Heather Dalton from the University of Melbourne that proposes that there is a sulphur-crested cockatoo in Mantegna’s Madonna della Vittoria (1496). I think I am keeping my sceptical hat on for this one – though I am intrigued and would like to read the full research. One commenter on The Guardian seems to have solved it though saying – “All this proves, is that the Italian cockatoo is extinct.”…

Lecture | Charting Cultural Transformation through Renaissance Preaching – Peter Howard

St Dominic and St Francis  by Angelo Lion  Basilica dei Santi Giovanni e Paolo, Venice

Charting Cultural Transformation through Renaissance Preaching Associate Professor Peter Howard from Monash University   How did the artists of the Sistine Chapel wall frescoes develop and execute a complex programme in an amazingly short period of time? How do we explain the configuration of public space in early Renaissance Italy? Who authorised the magnificent display that characterises Renaissance Florence? These are just some of the questions on which light is shed if an expansive role is assigned to preaching in late medieval and early Renaissance Italy. This argument is a reversal of the image of the mendicant “penitential preachers” that Burckhardt constructed a century and a half ago but that still prevails, even among some scholars. Most commonly, the historiography…

Lecture | Dr Arvi Wattel – Ferrarese Metamorphoses: sixteenth-century artistic transformations

Dossi, Dosso 'Aeneas and Achates on the Libyan Coast ' c. 1520 painted for Alfonso I d'Este via National Gallery of Art, Washington

Ferrarese Metamorphoses: sixteenth-century artistic transformations Dr Arvi Wattel, University of Western Australia The artistic output of the Ferrarese painter Dosso Dossi’s decreased markedly after the death of his main employer, Duke Alfonso I. This reduction has long attracted comment, starting with Vasari, who suggested that Dosso had been able to retire in his old age as he enjoyed a pension provided by the Este duke. More recently, the decline in Dosso’s production has been credited to a change of taste at the court of Alfonso’s son, Ercole II, who apparently tended towards the classical as exemplified in the work of Giulio Romano at the neighbouring court of Mantua. This talk will focus on the often cited “paradigm shift” in Ferrarese art in the era…

Update | Paul Hills Varieties of Venetian Colour at the NGV

Update: The NGV has advised that this lecture is now free to attend, for full details see the previous post here Varieties of Venetian Colour: Titian and Veronese Professor Paul Hills, The Courtauld Institute of Art Venetian painters of the Renaissance are celebrated above all others for their colour and for their handling of the medium of oil paint. This lecture explores how Titian embodied this aesthetic both in his religious images and in his mythological nudes. Typically his corporeal colour engages the sense of touch as well as sight. The younger master Paolo Veronese responded to Titian’s colorism but also departed from it. The son of stonecutter from Verona, he responded to the new fashion for whiteness in the…

Joseph Burke Lecture | Possessions and sacred signs in the art of Lorenzo Lotto (1480-1556) | Paul Hills

Lorenzo Lotto, Portrait of Andrea Odoni, 1527, Oil on canvas, 104 x 117 cm Royal Collection, Hampton Court

Possessions and sacred signs in the art of Lorenzo Lotto (1480-1556) Paul Hills, Courtauld Institute of Art Active in northern Italy in a period when the function of sacred images was challenged by reformers, Lorenzo Lotto (c.1480-1556/7) was a painter who was inventive in recasting religious imagery. This lecture will argue that Lotto’s career sheds a vivid light on the shifting relation between authorship, ownership and devotion in Early Modern Italy. Moving between religious subjects and portraiture, Lotto suggests an enfolding of the self within the dwelling place of garments. All manner of textiles, including fashionable clothes and furnishings, are displayed as tokens personal possession, yet at the same time Lorenzo Lotto discovers domestic equivalents ­– in towels, handkerchiefs, and…

Symposium | ‘Of Loves and Ladies, Knights and Arms’: The Renaissance Effect

Parade Shield, late 15th century AD, Flanders or Burgundy, London: British Museum

The Power institute is proud to present in partnership with the Italian Cultural Institute, Sydney, the forthcoming free symposium titled ‘Of Loves and Ladies, Knights and Arms’: The Renaissance Effect.

When we think of Renaissance art, we may think of individual examples of great painting and sculpture, but these works were often planned within complex decorative ensembles.

Event | The Italian Renaissance in Australia – a tribute to Villa I Tatti

copy_of_andrea_s_italian_image

The Italian Renaissance in Australia – a tribute to Villa I Tatti This public and free event brings together for the first time Australian scholars who have, over the previous years, held fellowships at the prestigious Harvard Center for Renaissance Studies at Villa I Tatti in Florence. This year marks the fiftieth anniversary of this extraordinary institution and these scholars wish to pay tribute to the contribution it has made to their research by presenting their own work as well as that of some of their American I Tatti colleagues. The event begins on the afternoon of Thursday 19 July with a seminar by two American scholars and former Tattiani, Elizabeth Horodowich and Timothy McCall, who will discuss their latest…

Call for Papers | Renaissance Society of America Conference, 2013, San Diego

RSA

Call for Papers The 59th Annual Meeting of the Renaissance Society of America 4–6 April 2013, San Diego Call for Papers: Submission Deadline: 15 June 2012 The Program Committee welcomes submissions for individual papers or panels on any aspect of Renaissance studies, or the era ca. 1300–1650. You need not be a member of RSA to submit a proposal, but if your paper is accepted you must become a member and register for the conference. Proposals will be evaluated by the Program Committee for their original scholarly contribution to an aspect of the field. For full details on how to submit a paper see the RSA San Diego webpage General principles 1. Each proposed paper must include: author’s name, email, and affiliation;…

Lecture | The People’s Doge: The Cultural Milieu of the Grand Chancellors of Venice – Deborah Howard

Titian, 'Madonna and Child in a landscape', c.1507  oil on wood panel, Accademia Carrara, Bergamo Legacy of Guglielmo Lochis 1866 Photo via NGA website.

The People’s Doge: The Cultural Milieu of the Grand Chancellors of Venice Professor Deborah Howard, The University of Cambridge and Macgeorge Fellow at the University of Melbourne This lecture explores the cultural significance of the Grand Chancellors of  Venice in the age of Titian. The Grand Chancellor was the head of the  chancery, or professional civil service, in the Doge’s Palace – the one  occupation strictly reserved for members of the cittadino class. Yet  surprisingly, unconventional family set-ups were no embarrassment, because success as a cittadino rested on individual merit rather than pure lineage. Educated, wealthy and ambitious, these high-ranking figures in the Venetian Republic used art and architecture ostentatiously for their personal  self-advancement . Professor Howard is Professor of Architectural History in…

Symposium on Italian Renaissance Art at The University of Melbourne

Raphael, Saint Sebastian, c.1501-02  oil and gold on wood panel, Accademia Carrara, Bergamo Legacy of Guglielmo Lochis 1866. Image via NGA website.

Symposium on Italian Renaissance Art at The University of Melbourne A symposium is to be held on 9th and 10th of March 2012 on recent research on Italian Paintings in the exhibition Renaissance currently at the National Gallery of Australia, from the Accademia Carrara, Bergamo on to be held in the Public Lecture Theatre, Old Arts Building at the University of Melbourne. Morning Session Chaired by Dr Christopher Marshall, The University of Melbourne 10.00 – 10.20am  Professor Jaynie Anderson, The University of Melbourne ‘Why and what did Giovanni Morelli collect in Renaissance Art?‘ One of the major collectors, whose works are in Canberra for the Renaissance exhibition, is the politician, writer and connoisseur Giovanni Morelli (1816-1891).  Morelli is celebrated for the fact…