Tag: Photography

Symposium | The Transit Lounge of Photography and Magic Lantern Performance | CCP Fitzroy

A symposium on the ever-changing states of photography from the invention of the medium to the digital present. From the magic lantern to Instagram and ‘connected photography’ this symposium unpacks a little history of the transmission of images. The Transit Lounge of Photography examines where the medium of record has been and asks: how is it travelling. The Transit Lounge of Photography is all about making connections with photographic images and reading their vapor trails, presenting a series of projections on images and ideas in the share-house of photography. Join us for an afternoon looking through photographs and at photography ending in a live magic lantern show in the evening. Coordinated by Patrick Pound (Deakin Motion Lab Centre for Creative Arts Research) and the CCP. Presented by Deakin Motion Lab Centre for Creative Arts Research Saturday 21 October, 3pm–7:30pm Bookings required,…

Call for entries | CCP Salon 2017

Australia’s largest open-entry photomedia exhibition and competition, CCP Salon, is back for its 25th year! CCP Salon entries are now open and will remain open until 6pm Friday 3 Nov 2017. CCP Salon is presented by Leica and Ilford and 28 national leaders in the photographic industry. CCP Salon provides an invaluable opportunity for both emerging and established photographers to exhibit their work in a high-profile context. In past years, digital, analogue, video, 3D works and self-published photobooks have filled the walls of CCP and this year we are excited to once again present a diverse snapshot of contemporary Australian practice. Industry professionals will judge all entrants’ work and over $20,000 worth of prizes across 32 categories will be awarded. We are delighted to announce as our 2017 judges: Phillip Virgo, Director, Colour Factory, Hoda Afshar, Artist, Pippa Milne, CCP Curator, Linsey Gosper, CCP Gallery Manager, Non-voting…

Panel Discussion | Is ethnographic photography still a thing?

Is ethnographic photography still a thing? Panel discussion | Australians in PNG Date: 2-3.30pm, 2 September 2017 Venue: Monash Gallery of Art Website: https://www.mga.org.au/event/view/event/568 Join our panellists Artist Lisa Hilli, Adjunct Research Fellow at the Monash Indigenous Studies Centre Dr Sharon Huebner and MGA Senior Curator Stephen Zagala as they explore the history of ethnographic photography and question its role in contemporary society. Book your FREE ticket here  About our speakers: Lisa Hilli Born in Rabaul, Lisa is a descendant of the Makurategete Vunatarai (clan) Tolai / Gunantuna people of Papua New Guinea. She received a Masters of Fine Art by Research degree from RMIT University. Through her practice Lisa references and prioritises Indigenous knowledge and matrilineal systems to subvert colonial and Western histories contained with ethnographic and archival material. Currently Lisa is a Museums Victoria 1854 Scholar undertaking a…

Entries open for this year’s Bowness Photography Prize

Entries are now open for the William and Winifred Bowness Photography Prize. This year the winner of the prize will take home $30,000 – which is $5,000 more than previous years. For the first time in the history of the prize, Monash Gallery of Art will acquire the winning entry. Established by MGA Foundation in 2006 to promote excellence in photography, the prize is open to any Australian photographer – established or emerging – and all genres of photography are eligible, as long as the work has been produced in the past year. There are no thematic restrictions. The exhibition of finalists also highlights some of the most interesting work being created by Australian photographers today. In this respect, the Bowness Photography Prize has become an important annual survey of contemporary photography in Australia. Previous winners include Valerie Sparks, Joseph McGlennon, Petrina Hicks and Pat Brassington. This year’s judge panel consists of…

Photography in Focus | National Gallery Victoria

Saturday 20 May, 10am – 4.30pm, Clemenger BBDO Auditorium, NGV International What photography trends are inspiring current photography practice and what can we expect to see in future? Explore key areas of photography including portraiture, performance and the role of the artist as curator in a series of talks and discussions. Program Introduction to NGV Festival of Photography Susan van Wyk, Senior Curator, Photography, NGV Eye of the Beholder: The Photographic Portrait (Session One) Dr Daniel Palmer, Associate Professor, Art Theory Program, Faculty of Art, Design & Architecture, Monash University David Rosetzky , artist Susan van Wyk, Senior Curator, Photography, NGV The Artist as Curator as Artist (Session Two) Dr Kyla McFarlane, Acting Curatorial Manager, Australian Art, Queensland Art Gallery | Gallery of Modern Art Patrick Pound, artist Maggie Finch, Curator, Photography, NGV  Photography and the Question of Making Visible…

Book Launch | Photography and Collaboration: From Conceptual Art to Crowdsourcing – Daniel Palmer | NGV

Saturday 18 March, 1.30PM NGV International Melbourne Art Book Fair Discussion Space Part of Melbourne Art Book Fair 2017 FREE ENTRY. No booking required. Website. Photography and Collaboration: From Conceptual Art to Crowdsourcing offers a fresh perspective on existing debates in art photography and on the act of photography in general. Offering new arguments about photographic practice and collaboration, Palmer’s work is an invaluable contribution to the history of photography and contemporary art writing. Published by Bloomsbury. SpeakersDaniel Palmer Daniel Palmer is Associate Dean of Graduate Research and Associate Professor in the Art History & Theory Program at MADA (Monash Art, Design & Architecture). His books include The Culture of Photography in Public Space (Intellect 2015), edited with Anne Marsh and Melissa Miles, and Twelve Australian Photo Artists (Piper Press, 2009), co-authored with Blair French. Charles Green Charles Green is Professor of…

CCP Lectures | Echo Chamber: Emerging Research on Photography

Thursday 2 March, 6pm | Centre for Contemporary Photography Gold-coin doantion, no bookings required. CCP’s Echo Chamber represents a series of occasional, ongoing public programs showcasing current emerging research in all areas of photography, including historical research, technology, communications and contemporary discussion. Chair | MICHELLE MOUNTAIN | Program Manager, Centre for Contemporary Photography Speakers Kate Golding | The camera obscura: past, present, future A precursor to photography as we know it today, the camera obscura is a naturally occurring optical phenomenon. Through her research, Golding has examined historical and contemporary applications of this “darkened chamber” from astronomical observation, seaside recreation, scientific and military uses through to art making. This research has extended to experimentations with the creation of several camera obscura both fixed and portable. However, the camera obscura is more than just a photographic apparatus or mechanical device, it…

Symposium | Agency and aesthetics: A symposium on the expanded field of photography | Auckland Art Gallery Toi o Tāmaki

With more photographs circulating than ever before, what do photographers want their images to do? How are artists retaining agency amongst the changing ontology of photography and its conventions and technologies? Does photography either in an art gallery or online still offer a democratic potential in its ability to alter or resist existing positions? As part of considering the shifting politics and aesthetics of photography the event is an opportunity to consider the current nature of subjectivity in image worlds. If the selfie is the “the first format of the new global majority” as Niholas Mirzoeff has stated, how has it continued to be an argument about who a person is and what they stand for? Where is the self situated in the convergence of images and multiple public personae online? This day-long symposium invites artists, writers, critics, academics and…

Symposium | Walker Evans: Reading the Magazine Work | CCP

Walker Evans: Reading the Magazine Work unpacks the inventor of documentary style photography, offering three new readings of this crucial figure and a lively discussion with visiting British photography historian and curator David Campany. Presented on the occasion of the exhibitions, Walker Evans The Magazine Work curated by David Campany and The Documentary Take curated by Naomi Cass. Presented by Deakin Motion Lab Centre for Creative Arts Research, Deakin University and MADA, Monash University, as part of the 2016 Melbourne Festival. Date: Friday 7 October, 2pm—6pm Venue: Centre for Contemporary Photography, 404 George Street, Fitzroy, VIC, 3065 Gold coin donation, bookings essential Keynote speaker: David Campany, University of Westminster, London Papers by: Patrick Pound, Deakin University, Melbourne and Donna West Brett, University of Sydney, Sydney Followed by a Panel discussion moderated by Daniel Palmer, Monash University, Melbourne. Website: http://www.ccp.org.au/news.php?id=301 David…

Symposium | Hidden Traces of Shared History: Rethinking Asia Pacific through 19th and early 20th century photographs | University of Melbourne

Hidden Traces of Shared History: Rethinking Asia Pacific through 19th and early 20th century photographs | Academic Symposium 29 August 2016, 9:30am-4:30pm, Japanese Room, MSD Building Register here for the Symposium and Keynote attendance Keynote Address: Professor Geoffrey Batchen, Victoria University of Wellington 29 August 2016, 5:30-7:00pm, Singapore Theatre, MSD Building Register here for the Keynote Address attendance only This symposium brings together leading researchers who are working on 19th and early 20th century collections of Asia Pacific photographs. Alongside a broader consideration of the significance of the history of photography in the region, explorations of visual and built traces of identity formations, globalised trading and agricultural industrialisation, and the envisioning of modernity and nationalism during the late colonial era will be highlighted. The projects featured in the symposium demonstrate different modes of archival research and interpretation methods and a spectrum…

Podcast | PHOTOGRAPHY.ONTOLOGY

The Photography.Ontology Symposium held earlier this year in Sydney has made the keynote talks available as podcasts. Download or listen via this link http://www.photographiccultures.com/podcasts/ Professor Shawn Michelle Smith Looking Forward and Looking Back: Rashid Johnson and Frederick Douglass on Photography This talk was a key note address for the 2016 Photography.Ontology symposium that took place at the University of Sydney on 2 June 2016. Professor Smith considers Frederick Douglass’s propositions about the social power of photography. Looking back at Douglass’s lecture “Pictures and Progress” through the lens of contemporary artist Rashid Johnson’s homage to the nineteenth-century orator, the talk examines Douglass’s surprising celebration of photography as an objectifying medium. Douglass saw the persistence of photographs as both a conserving and a conservative force, and Johnson’s self-portrait after Douglass testifies to that doubled dynamic. But Douglass also found progressive power in the…

Forum | Max and Olive | Ian Potter Museum of Art

Olive Cotton Max after surfing 1937 gelatin silver photograph 38 x 30 cm National Gallery of Australia, Canberra Purchased 2006

Olive Cotton and Max Dupain are key figures in twentieth century Australian photography. Champions of modernism, they were an important and influential part of a generation of Australian photographers during the 1930s and ‘40s, engaged in international debates on the role of photography in modern Australian life. Through their images they explored the ways that form, technology and the properties of photography come together. Working separately, but often alongside each other they created a sense of a ‘contemporary Australian photography’ for the first time. Max and Olive: the photographic life of Olive Cotton and Max Dupain is the first exhibition to bring together Dupain and Cotton’s work in a comprehensive way. Join us for an illuminating forum discussing these two luminaries of Australian photography. Speakers Dr Isobel Crombie, Assistant Director, National Gallery of Victoria and author of Body Culture: Max…

Public Program | The Social Contract: Photography, Theory, Practice and Emotions | CCP

A collaboration between Centre for Contemporary Photography and ARC Centre of Excellence for the History of Emotions. Short presentations and a panel discussion by Dr Spencer Jackson, Dr Joseph Browning, Dr Fran Edmonds, Associate Professor Anne Maxwell, Dr Angus Frith will explore social contract theory through the lens of photography, philosophy, law and music. To be chaired by CCP Curator, Pippa Milne. This event is affiliated with the exhibition CCP Declares: On The Social Contract, curated by Pippa Milne. CCP Declares: On the Social Contract draws together emerging and mid-career artists working at the forefront of Australian photography and video in its expanded field. The subtitle to this second iteration of CCP Declares acknowledges that these works examine or extend the idea of social contract theory; the idea that moral and political obligations and rights are bound upon an intrinsic agreement amongst the various…

Exhibition | Max and Olive: the photographic life of Olive Cotton and Max Dupain | Ian Potter Museum of Art

Exhibition Dates: Tuesday 31 May 2016 to Sunday 24 Jul 2016 A National Gallery of Australia Exhibition Olive Cotton and Max Dupain are key figures in Australian visual culture. They shared a long and close personal and professional relationship. This exhibition looks at their work made between 1934 and 1945, the period of their professional association; this was an exciting period of experimentation and growth in Australian photography, and Cotton and Dupain were at the centre of these developments. This is the first exhibition to look at the work of these two photographers as they shared their lives, studio and professional practice. The exhibition includes 71 photographs from the collection of the National Gallery of Australia and focuses on the key period in each of their careers, when they made many of their most memorable images. Keenly aware of international…

Exhibitions | CCP Declares: On the Social Contract – Gordon Bennett: Moving Images, Part One | CCP

Exhibition Dates: 27th May 2016 to 10th July 2016. Opening: 26th May 6-8pm. GALLERY 1 | CCP DECLARES: ON THE SOCIAL CONTRACT Artists: Mohini Chandra, Miriam Charlie, Cherine Fahd, Katrin Koenning, Pilar Mata Dupont, Tom Nicholson and Elvis Richardson Curated by Pippa Milne CCP Declares: On the Social Contract draws together emerging and mid-career artists working at the forefront of Australian photography and video in its expanded field. The subtitle to this second iteration of CCP Declares acknowledges that these works examine or extend the idea of social contract theory; the idea that moral and political obligations and rights are bound upon an intrinsic agreement amongst the various constituents of a society. GALLERY 4 | GORDON BENNETT AND JOHN CITIZEN – GORDON BENNETT: MOVING IMAGES, PART ONE Curated by Helen Hughes and Chiara Scafidi This two-part exhibition explores the role of moving-image…