Tag: Photography

CCP Lectures | Echo Chamber: Emerging Research on Photography

Thursday 2 March, 6pm | Centre for Contemporary Photography Gold-coin doantion, no bookings required. CCP’s Echo Chamber represents a series of occasional, ongoing public programs showcasing current emerging research in all areas of photography, including historical research, technology, communications and contemporary discussion. Chair | MICHELLE MOUNTAIN | Program Manager, Centre for Contemporary Photography Speakers Kate Golding | The camera obscura: past, present, future A precursor to photography as we know it today, the camera obscura is a naturally occurring optical phenomenon. Through her research, Golding has examined historical and contemporary applications of this “darkened chamber” from astronomical observation, seaside recreation,…

Symposium | Agency and aesthetics: A symposium on the expanded field of photography | Auckland Art Gallery Toi o Tāmaki

With more photographs circulating than ever before, what do photographers want their images to do? How are artists retaining agency amongst the changing ontology of photography and its conventions and technologies? Does photography either in an art gallery or online still offer a democratic potential in its ability to alter or resist existing positions? As part of considering the shifting politics and aesthetics of photography the event is an opportunity to consider the current nature of subjectivity in image worlds. If the selfie is the “the first format of the new global majority” as Niholas Mirzoeff has stated, how has…

Symposium | Walker Evans: Reading the Magazine Work | CCP

Walker Evans: Reading the Magazine Work unpacks the inventor of documentary style photography, offering three new readings of this crucial figure and a lively discussion with visiting British photography historian and curator David Campany. Presented on the occasion of the exhibitions, Walker Evans The Magazine Work curated by David Campany and The Documentary Take curated by Naomi Cass. Presented by Deakin Motion Lab Centre for Creative Arts Research, Deakin University and MADA, Monash University, as part of the 2016 Melbourne Festival. Date: Friday 7 October, 2pm—6pm Venue: Centre for Contemporary Photography, 404 George Street, Fitzroy, VIC, 3065 Gold coin donation,…

Symposium | Hidden Traces of Shared History: Rethinking Asia Pacific through 19th and early 20th century photographs | University of Melbourne

Hidden Traces of Shared History: Rethinking Asia Pacific through 19th and early 20th century photographs | Academic Symposium 29 August 2016, 9:30am-4:30pm, Japanese Room, MSD Building Register here for the Symposium and Keynote attendance Keynote Address: Professor Geoffrey Batchen, Victoria University of Wellington 29 August 2016, 5:30-7:00pm, Singapore Theatre, MSD Building Register here for the Keynote Address attendance only This symposium brings together leading researchers who are working on 19th and early 20th century collections of Asia Pacific photographs. Alongside a broader consideration of the significance of the history of photography in the region, explorations of visual and built traces of…

Podcast | PHOTOGRAPHY.ONTOLOGY

The Photography.Ontology Symposium held earlier this year in Sydney has made the keynote talks available as podcasts. Download or listen via this link http://www.photographiccultures.com/podcasts/ Professor Shawn Michelle Smith Looking Forward and Looking Back: Rashid Johnson and Frederick Douglass on Photography This talk was a key note address for the 2016 Photography.Ontology symposium that took place at the University of Sydney on 2 June 2016. Professor Smith considers Frederick Douglass’s propositions about the social power of photography. Looking back at Douglass’s lecture “Pictures and Progress” through the lens of contemporary artist Rashid Johnson’s homage to the nineteenth-century orator, the talk examines Douglass’s…

Forum | Max and Olive | Ian Potter Museum of Art

Olive Cotton Max after surfing 1937 gelatin silver photograph 38 x 30 cm National Gallery of Australia, Canberra Purchased 2006

Olive Cotton and Max Dupain are key figures in twentieth century Australian photography. Champions of modernism, they were an important and influential part of a generation of Australian photographers during the 1930s and ‘40s, engaged in international debates on the role of photography in modern Australian life. Through their images they explored the ways that form, technology and the properties of photography come together. Working separately, but often alongside each other they created a sense of a ‘contemporary Australian photography’ for the first time. Max and Olive: the photographic life of Olive Cotton and Max Dupain is the first exhibition…

Public Program | The Social Contract: Photography, Theory, Practice and Emotions | CCP

A collaboration between Centre for Contemporary Photography and ARC Centre of Excellence for the History of Emotions. Short presentations and a panel discussion by Dr Spencer Jackson, Dr Joseph Browning, Dr Fran Edmonds, Associate Professor Anne Maxwell, Dr Angus Frith will explore social contract theory through the lens of photography, philosophy, law and music. To be chaired by CCP Curator, Pippa Milne. This event is affiliated with the exhibition CCP Declares: On The Social Contract, curated by Pippa Milne. CCP Declares: On the Social Contract draws together emerging and mid-career artists working at the forefront of Australian photography and video in its…

Exhibition | Max and Olive: the photographic life of Olive Cotton and Max Dupain | Ian Potter Museum of Art

Exhibition Dates: Tuesday 31 May 2016 to Sunday 24 Jul 2016 A National Gallery of Australia Exhibition Olive Cotton and Max Dupain are key figures in Australian visual culture. They shared a long and close personal and professional relationship. This exhibition looks at their work made between 1934 and 1945, the period of their professional association; this was an exciting period of experimentation and growth in Australian photography, and Cotton and Dupain were at the centre of these developments. This is the first exhibition to look at the work of these two photographers as they shared their lives, studio and…

Exhibitions | CCP Declares: On the Social Contract – Gordon Bennett: Moving Images, Part One | CCP

Exhibition Dates: 27th May 2016 to 10th July 2016. Opening: 26th May 6-8pm. GALLERY 1 | CCP DECLARES: ON THE SOCIAL CONTRACT Artists: Mohini Chandra, Miriam Charlie, Cherine Fahd, Katrin Koenning, Pilar Mata Dupont, Tom Nicholson and Elvis Richardson Curated by Pippa Milne CCP Declares: On the Social Contract draws together emerging and mid-career artists working at the forefront of Australian photography and video in its expanded field. The subtitle to this second iteration of CCP Declares acknowledges that these works examine or extend the idea of social contract theory; the idea that moral and political obligations and rights are…

Symposium | Photography.Ontology.Symposium | University of Sydney, June 2016

Based at the University of Sydney the Photographic Cultures Research Group partners with the Art and the Document Research Cluster at Sydney College of the Arts to profile research into the photographic. The Photography.Ontology.Symposium takes place on 2 and 3 June 2016 at the University of Sydney. Photography.Ontology.Symposium. engages in critical debate with international scholars and specialists on the photographic medium. It will explore the relationship between photography’s ontology, the camera as a human perceptual apparatus and the unconscious through themes of evidence, the archive, photographic practice and theory. Dates: 2-3 June 2016 Venue: University of Sydney Keynotes: Shawn Michelle Smith…

Exhibitions | Andrew Browne – shadow sites – Steve Carr | CCP

New exhibitions opening tonight at CCP, Thursday 31 March 6—8pm. Exhibition Dates 1 April 2016 until 22 May 2016, CCP Australia, 404 George Street, Fitzroy. GALLERY ONE Andrew Browne | Suddenly Slowly The installation Suddenly Slowly juxtaposes photographic notations, studies, unique images and series – virtually the artist’s taxonomy – to describe a greater landscape, abstracted and estranged from reality. Drawn from photographic imagery created over more than two decades this immersive field is derived from multiple disparate and happenchance encounters with the observed world. The images – to paraphrase Marc Auge – act as a brake on the fade of memories (and the…

News | Horsham Regional Art Gallery to re-open after redevelopment

Images from Horsham Regional Art Gallery's collection

The redeveloped Horsham Regional Art Gallery will reopen this weekend, as part of the new visual and performing arts hub located at the Horsham Town Hall. A $20 million construction project was undertaken in 2014 to create a new arts and performance hub for Horsham, co-locating the city’s visual and performing arts venues. The official opening of the Horsham Town Hall will take place in mid-February, the new Horsham Regional Art Gallery will open on Saturday 30 January. The special retrospective exhibition Smiling when I wake will celebrate the best of the gallery’s photography collection. It includes work from Australian…

Exhibition | Ronnie Van Hout; Martine Corompt and Philip Brophy | CCP

Exhibition Dates: 2nd October 2015 to 15th November 2015. CCP Australia, 404 George Street, Fitzroy New exhibitions have opened at CCP in Fitzroy. Official opening next weekend with talks from the artists. Saturday 10 October 2015 | Opening: 12pm | Free Artist Floor Talks: 1pm Gallery 1 | Ronnie van Hout | The Dark Pool Presented by Centre for Contemporary Photography in association with Melbourne Festival. In his latest exhibition, New Zealand artist Ronnie van Hout considers the point where art crosses a line—and society turns against it. In 1971, successful American toy company Aurora and acclaimed film director Stanley Kubrick…

Talks | Echo Chamber: Emerging Research on Photography | CCP

CCP’s Echo Chamber represents a series of occasional, ongoing public programs showcasing current emerging research in all areas of photography, including historical research, technology, communications and contemporary discussion. Date: Wednesday 7 October, 6pm Venue: Centre for Contemporary Photography, 404 George Street, Fitzroy Applications to present research for future Echo Chamber public programs are welcome. CHAIR Michelle Mountain, Gallery Manager, Centre for Contemporary Photography SPEAKERS HUGH HUDSON | The Backwards Glance: Art History and Australian Photography Taking as its point of departure Helen Ennis’ 2011 article ‘Other histories: photography and Australia’, this presentation will look at how Art History as a discipline has…

News | Finalists for the 2015 Bowness Photography Prize Announced

Two of Australia’s most notable figures have selected 47 finalists for this year’s Bowness Photography Prize. Bill Henson and Karen Quinlan were joined by MGA Senior Curator, Stephen Zagala to shortlist the record number of entries this year. Established in 2006 to promote excellence in photography, the annual non-acquisitive William and Winifred Bowness Photography Prize is an initiative of the MGA Foundation.   The 2015 competition attracted 696 entrants, the largest number received in the history of the prize. Stephen Zagala, MGA Senior Curator observed, on behalf of the judges, ‘This year the judging panel looked at over 2600 images and…