Tag Archive for Italian Art

Exhibition Review | Italian Masterpieces from Spain’s Royal Court | Katrina Grant

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Italian Masterpieces from Spain’s Royal Court, Museo del Prado Reviewed by Katrina Grant The exhibition runs until until 31st August 2014 at the NGV International, St Kilda Rd. This exhibition tells two stories. The first is the story of Italian art from Raphael to Tiepolo and the second is the story of Spanish engagement with Italian art over this period. The exhibition highlights the close artistic relationship between Italy and Spain in the Early Modern period. It includes paintings that were directly commissioned by the Spanish Royal family from such…

Exhibition Review | Veronese: Magnificence in Renaissance Venice | David Packwood

Paolo Veronese (1528-1588) 'The Family of Darius before Alexander', 1565-7 Oil on canvas. 236.2 x 474.9 cm © The National Gallery, London

Veronese: Magnificence in Renaissance Venice David Packwood Veronese: Magnificence in Renaissance Venice is on at the National Gallery, London, 2014 until the 15th June 2014. It was written,  then, on my page in the Book of Fate that at two in the afternoon of the sixth day of June in the year 2014 that I, along with a friend, should attend an exhibition of Paolo Veronese for the first time within the hallowed halls of the London, National Gallery. “Veronese” is no longer just a name to me, or a…

Lecture and Discussion Series | Italian art and Spanish patronage, 1500-1800 | NGV Melbourne

Titian Italian 1485/90–1576 Philip II (Filippo II) 1551 oil on canvas 193.0 x 111.0 cm Museo Nacional del Prado, Madrid (P00411) Spanish Royal Collection © Museo del Prado 2009

In association with the  exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado’  the NGV is presenting a series of lectures on Italian art and Spanish patronage, 1500-1800. The lectures will touch on topics including art and patronage, Renaissance painting, the art of the Italian Baroque, and more. The Saturday lectures will be followed by Monday night Discussion Groups that will take place in the exhibition space. The lectures will be presented by local art historians who are recognised international experts on the history of Italian art and Spanish patronage…

Reminder | Italian Masterpieces from Spain’s Royal Court | Symposium and Opening Weekend Events

Andrea di Lione Italian 1610–1685 Elephants in a circus (Gli Elefanti in un circo) c.1640 oil on canvas 229.0 x 231.0 cm Museo Nacional del Prado, Madrid (P00091) Spanish Royal Collection

Symposium | Friday 16th May 1:30pm Delve into the main themes of the show with papers presented by key international and local speakers. Venue: NGV International, 180 St Kilda Road, Clemenger BBDO Auditorium, Ground Level Bookings: Ph +61 3 8662 1555, 10am-5pm daily, Booking Code P1454 Website: http://www.ngv.vic.gov.au/whats-on/programs/public-programs/symposium-italian-masterpieces-from-spains-royal-court,-museo-del-prado ‘The father of the Prado is Titian’: Italian Renaissance painting at the Museo del Prado | Speaker Miguel Falomir Faus, Head of Italian & French Painting Department (after 1700), Museo del Prado, and guest co-curator While the Prado opened its doors in 1819, and is thus contemporaneous with other…

Symposium | Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Raphael, Holy Family with Saint John or Madonna of the Rose (Sacra Famiglia con san Giovannino o Madonna della Rosa) c.1517 oil on canvas 103.0 x 84.0 cm  Museo Nacional del Prado, Madrid (P00302) Spanish Royal Collection

The National Gallery of Victoria is holding a public symposium to coincide with its upcoming exhibition Italian Masterpieces from Spain’s Royal Court, Museo del Prado. The symposium will include local and international experts on the art of the period. Each paper will delve into the main themes of the show. Date: 1:30 – 3:30pm, Friday 16th May, 2014 Venue: Clemenger BBDO Auditorium, NGV International, 180 St Kilda Road Bookings:  Ph +61 3 8662 1555, 10am-5pm daily or Cost $35 Adults / $28 Members / $30 C / $15 S (includes light refreshments,…

Exhibition Review | The Treasures of Naples | John Weretka

Fig. 3 Unknown Neapolitan Artist, St John the Baptist, 1695, Museum of the Treasury of S. Gennaro, Naples

Il Tesori di Napoli: I Capolavori del Museo di San Gennaro John Weretka Palazzo Sciarra, Rome 30th October 2013-16 February 2014 (now extended until March) Wowing enthusiastic crowds at the Palazzo Sciarra in Rome is a show entitled Treasures of Naples: Masterworks of the Museum of S. Gennaro. Although compact in size, this show brings together some of the prized objects of the Treasury of S. Gennaro, normally held at the Museum of the Treasury of S. Gennaro in Naples; this is the first time a collection of these objects…

Symposium | Piranesi and the Impact of the Late Baroque | Full Program

Giovanni Battista Piranesi, Remains of the aqueduct of Nero, 1760-78, etching, Baillieu Library Print Collection, the University of Melbourne.

Piranesi and the Impact of the Late Baroque Thursday 27th – Friday 28th February 2014 | University of Melbourne The Australian Institute of Art History, in collaboration with the University Library and the State Library of Victoria will host a conference on Piranesi and the Impact of the Late Baroque on 27 and 28 February 2014 at the University of Melbourne. The conference is conceived in relation to the exhibition, Rome: Piranesi’s vision, 22 February – 22 June, 2014, State Library of Victoria, and the related exhibition The Piranesi Effect,…

Exhibitions and Symposium | ‘Rome: Piranesi’s Vision’ at the SLV and ‘The Piranesi Effect’ at the Ian Potter

Giovanni Battista Piranesi, Remains of the aqueduct of Nero, 1760-78, etching, Baillieu Library Print Collection, the University of Melbourne.

In February 2014 two exhibitions on the eighteenth-century Italian artist Giovanni Battista Piranesi will open in Melbourne. The State Library of Victoria will host ‘Rome: Piranesi’s Vision’ – an exhibition of Piranesi’s prints, with a particular focus on his Vedute di Roma. This exhibition will draw on the collections of the State Library of Victoria and the University of Melbourne. It will also include illustrated books and paintings by his contemporaries. More information and details of related events on the SLV website. The exhibition is free and will run from Saturday…

Lecture | Pat Simons ‘The Crone, the Witch and the Library in Renaissance Italy’

Giott

The Crone, the Witch and the Library in Renaissance Italy Professor Pat Simons, University of Michigan This paper examines ways in which renewed attention to antiquity during the Renaissance re-invigorated misogynist stereotypes of old women as well as bringing new evidence to the emerging discourse about witches, hence shaping for the hag a vivid pictorial presence. Proof for the threatening female figure was drawn from the humanist’s library of classical authors, many cited in Giovanfrancesco Pico della Mirandola’s Stryx (1523), which stated that witches were ‘ancient in essence and new…

EVCS | Angelo Lo Conte, ‘Landscapes & Garlands of Flowers: an example of naturalistic Lombard devotion’.

Breughel_Procaccini_small

Angelo Lo Conte Landscapes & Garlands of Flowers: an example of naturalistic Lombard devotion. This paper explores the invention and the development of the garland of flowers in European art, characterizing it as an example of mutual synergy between Italian philosophy and Flemish art. During the second half of the sixteenth century, Christian philosophy was strongly influenced by figures such as Filippo Neri, Agostino Valier and Federico Borromeo, who introduced a second wave of Counter-Reformational thought based on an innovative, optimistic idea of the world and of mankind’s role in…

News | NGV 2014 Winter Masterpieces Revealed

Raphael (Italian, 1483–1520), 'Holy Family with Saint John' or 'Madonna of the Rose' ('Sacra Famiglia con San Giovannino' o 'Madonna della Rosa'), c. 1516. Oil on canvas, 103 x 84 cm. Museo del Prado, Madrid (P00302). Image courtesy Museo del Prado, Madrid.

Italian Masterpieces from Spain coming to Melbourne Mark Shepheard The National Gallery of Victoria today announced the 2014 Melbourne Winter Masterpieces exhibition: Italian Masterpieces from Spain’s Royal Court, Museo del Prado. This follows hot-on-the-heels of last year’s Portrait of Spain exhibition at the Queensland Art Gallery, Brisbane (and also at the Museum of Fine Arts, Houston) and again reflects the Museo del Prado’s new—and very welcome—initiative to broaden access to its holdings and strengthen its international profile. Another Prado show, then, but completely different from the Queensland/Houston exhibition, and exclusive…

EVCS | Anne McComish ‘Myths and Reality: Mosaics from the Vatican Studio, 1900-32′

Anne McComish Myths and Reality: Mosaics from the Vatican Studio, 1900-32 The Vatican Mosaic Studio has been producing mosaic artworks of the highest quality since 1727. Some of its finest works take pride of place in the decorative-arts collections of the world’s major galleries, while others are regularly offered for sale by the world’s leading auction houses. Naturally, the finest works are the most valuable, and it is frequently also assumed that the finest works are necessarily the oldest. However, are all of the works on display or offered for…

Lecture | Charting Cultural Transformation through Renaissance Preaching – Peter Howard

St Dominic and St Francis  by Angelo Lion  Basilica dei Santi Giovanni e Paolo, Venice

Charting Cultural Transformation through Renaissance Preaching Associate Professor Peter Howard from Monash University   How did the artists of the Sistine Chapel wall frescoes develop and execute a complex programme in an amazingly short period of time? How do we explain the configuration of public space in early Renaissance Italy? Who authorised the magnificent display that characterises Renaissance Florence? These are just some of the questions on which light is shed if an expansive role is assigned to preaching in late medieval and early Renaissance Italy. This argument is a…

Lecture | Dr Arvi Wattel – Ferrarese Metamorphoses: sixteenth-century artistic transformations

Dossi, Dosso 'Aeneas and Achates on the Libyan Coast ' c. 1520 painted for Alfonso I d'Este via National Gallery of Art, Washington

Ferrarese Metamorphoses: sixteenth-century artistic transformations Dr Arvi Wattel, University of Western Australia The artistic output of the Ferrarese painter Dosso Dossi’s decreased markedly after the death of his main employer, Duke Alfonso I. This reduction has long attracted comment, starting with Vasari, who suggested that Dosso had been able to retire in his old age as he enjoyed a pension provided by the Este duke. More recently, the decline in Dosso’s production has been credited to a change of taste at the court of Alfonso’s son, Ercole II, who apparently tended towards the…

Art History Seminars at Melbourne University | Semester 2

Art Hist seminars.jpg

The program for art history seminars at the University of Melbourne for semester 2  is below. All seminars are held in The Linkway, John Medley Building, 4th floor (running between the East and West Towers), between 1-2 pm. All welcome. August 7              Anthony White | University of Melbourne Folk Machine: Fortunato Depero’s Cloth Pictures 1920-1925   August 21            Susanne Meurer | University of Western Australia Johann Neudörffer’s “Nachrichten” (1547): calligraphy and historiography in early modern Nuremberg   September 11   Gerard Vaughan | Professorial Fellow, University of Melbourne Museum…