Events

Conferences, symposia, talks, walks and other art events in Melbourne and further afield.

Exhibition and Artist Talk | Gosia Wlodarczak – Found in Translation | Deakin University Art Gallery

Gosia Wlodarczak installing FOUND IN TRANSLATION, Interpretation Drawing #2: SIGNS, 2015
Deakin University Art Gallery
Photo: Longin Sarnecki

The exhibition, Found in Translation: Deakin University Art Gallery is a new site-specific project by Gosia Wlodarczak and is part of her ongoing Instruction Drawing project. It explores the notion that drawing and language are coded modes of communication. One mode of communication is language. Language is a code. When words are the mode of communication, each individual uniquely ‘remakes’, ‘interprets’, ‘translates’, ‘de-codes’ words. Another mode of communication is drawing. Drawing is a language. Like language, drawing is a code.  – Gosia Wlodarczak For the exhibition at Deakin, Wlodarczak has created a series of three site-specific wall drawings, each containing encoded texts ‘written’ from these pictorial alphabets. The first piece will be completed by the artist, the second by Deakin University Art…

Art Book Fair | National Gallery of Victoria

art book fair

The NGV is holding an art book fair this weekend (1–3 May) at NGV International. Several of the major events are already booked out but there are plenty of other talks, signings, rare book tours, readings and performances going on, as well the book fair to browse. It is free and open to the public but some events are ticketed so double check the event listing online. About the Art Book Fair Melbourne is a literary city, of readers and curious minds. Celebrating Melbourne’s diverse literary heritage and love of printed matter, and international recognition as one of only eleven worldwide UNESCO Cities of Literature, the NGV presents the Melbourne Art Book Fair in 2015. A new project of its kind in…

Workshop | My Sydney: Writing Workshop led by Cathy Craigie | Sydney

Photographer Carol Ruff, ‘Detail of the original mural on Lawson Street’, South Sydney Herald, 11 November 2013

PART I: WALK AND TALK The workshop will begin at the 40 000 Years mural at the Redfern railway bridge (designed by Carol Ruff 1983) where Cathy will talk about her knowledge of and involvement with the mural. She will also discuss the history of Redfern and its surrounds, including her own longstanding family history in the area; and will tell tales of the inner city focusing on its ‘hidden histories’ (such as old trade routes underlying some of Sydney’s major arterial routes; lakes and waterways beneath its urban infrastructure; little-known pasts of the Town Hall, to name a few). Discussion will take place on foot, with a walk that departs from the mural and ends up at 107 Projects…

Melbourne Portrait Group Seminar | Dr Vivien Gaston | Double Identity: William Orpen’s portrait of George C. Beresford (c. 1900)

William Orpen, ‘Portrait of George C. Beresford’, c. 1900. 135 x 76.8 cm. National Gallery of Victoria, Felton Bequest 1928.

The Melbourne Portrait Group Seminar is starting up again for 2015. The first paper will be given by Dr Vivien Gaston on ‘Double Identity: William Orpen’s portrait of George C. Beresford (c. 1900) in the National Gallery of Victoria’. Date: Thursday 30 April 2015, 6:45pm. Venue: University of Melbourne, Baillieu Library, Dulcie Hollyock Room. Website: http://melbourneportraitgroup.wordpress.com

Lecture | Gertrude–Discipline Lecture #3 | Timothy Moore

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The third Gertrude Contemporary–Discipline lecture for 2015 will be given by Timothy Moore on Tuesday the 28th of April, at 6pm for a 6.30pm start. Please N.B. the change of venue to Kalex at 166 Gertrude Street, Fitzroy. ABSTRACT Temporary architecture — that forms a community pavilion or event, a communal working space, artistic intervention, cultural platform or gastronomical destination — has had increased attention in wealthy economies in the twenty-first century. The pop-up project soon pops-down, however its effects are far from temporary. This is the screensaver, where a temporary project acts as a transition slide for a city yet to come. Screensaver architecture can be read cynically as low-cost aesthetic camouflage that may disguise speculative development to follow.…

Exhibition | Brook Andrew – Sanctuary: Tombs of the outcasts | Ian Potter Museum of Art

IMAGE: Brook Andrew, Tomb of the outcast I, 2015, photographic print. Courtesy the artist and Tolarno Galleries, Melbourne

A new exhibition at the Ian Potter Melbourne-based multi-disciplinary artist Brook Andrew explores an additional understanding of the ANZAC story, in a major new exhibition at the Ian Potter Museum of Art at the University of Melbourne. Sanctuary: Tombs of the outcasts challenges popular narratives around the ANZAC legend to reveal and highlight stories hidden over time. The exhibition seeks to give voice to other histories such as Indigenous and immigration that have become silent, and reveals Australia as a place of sanctuary.  It asks questions about what we remember, personally and collectively, and how we commemorate.The exhibition features new sculptural work from Andrew, as well as items selected by Andrew from his own archives and from the University of Melbourne Collections,…

Workshop | Finding Country | Sydney College of the Arts

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Finding Country is an ongoing project initiated by Kevin O’Brien in 2006 and continuing as a pluralist contest between the idea of Aboriginal space (Country), and European space (property) in Australia. Aboriginal Country is excluded from the Australian city and even more so in the derivative architecture. Despite the 1992 landmark Mabo case High Court decision, a decision that struck down the doctrine of Terra Nullius (an empty land belonging to no-one), architecture in Australia continues its eighteenth-century European tradition of drawing on empty paper. The Finding Country position is that this paper is not empty, but is full of what can’t be seen. THE WORKSHOP – The workshop is focused on ways to empty the City in order to reveal a practical idea about Country.…

Exhibition and Curator’s Talk | Duldig Studio

Karl Duldig, Under guard (3) c. 1940 pen and ink on paper, 300x210mm © The Duldig Studio

As part of the 2015 National Trust Heritage Festival, Melinda Mockridge, co-curator of the award-winning Art Behind the Wire exhibition, will be giving talks on the exhibition at the Duldig Studio on 21 and 23 April and 5 and 7 May from 2.30pm- 4pm.  Bookings are required for the tours only as numbers are limited. Tickets are priced at $25 for adult, $20 for concession. About the Exhibition During WWII, the British and Australian Governments interned many people considered a threat to security as ‘enemy aliens’. In Victoria one internment camp was purpose built with funding from the British Government at Tatura near Shepparton in country Victoria. Sculptor Karl Duldig, his wife artist inventor Slawa and their young daughter Eva were…

Exhibition | Believe Not Every Spirit, But Try the Spirits | Group exhibition at MUMA

Georgiana Houghton
The Portrait of the Lord Jesus Christ 1862
courtesy of the Victorian Spiritualist Union

Exhibition Dates: 21 April – 27 June 2015 Opening function: Wednesday 22 April 2015, 6-8pm The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian-era Spiritualist Georgiana Houghton (1814-1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies. Rarely seen outside a Spiritualist context since 1871, Houghton’s 25 abstract watercolours from the Victorian Spiritualist Union collection were produced as part of her Spiritualist practice, which saw Houghton use drawing as a way to channel communication with spiritual entities. The works were brought to Australia for an exhibition in 1910, during a period in which Spiritualism was especially popular.…

Boiler Room Lecture | Matt Mullican | Wheeler Centre

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MUMA, in association with Monash Art, Design and Architecture [MADA], present a keynote lecture by renowned artist Matt Mullican. The lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Lars Bang Larsen, co-curator of Believe not every spirit, but try the spirits. For the last 30 years Matt Mullican has experimented with hypnosis to create work that both examines his subconscious, and functions as a strategy to break from the patterns of everyday life. Mullican’s practice interrogates systems of knowledge, meaning and language through drawing, collage, video, sculpture, performance, and installation. His interest in modified states of awareness led him to work under hypnotically induced psychoses, and it was during his first…

Exhibition | Monumental Modernism: The Sculpture of Remembrance in Victoria | Tasma Terrace

1951 c WWII memorial Max Lyle 1

Modernist war memorials can create as much dissent as the conflicts they commemorate. While stonemasons and sculptors produced solemn ANZAC diggers and cenotaphs for many Victorian towns, few professional sculptors were commissioned to produce original WWI memorials. After WWII such commissions became even scarcer, as civilians opted for utilitarian ‘living memorials’ – community halls, hospitals, parks and pools. Nevertheless, sculptors did produce a number of WWI and WWII memorials. The Public Art Committee of the National Trust of Australia (Vic.) presents rare archival photographs of these sculptural memorials, surveying the range of approaches taken, from naturalism to art deco stylization, exploring different approaches to monumental modernism. Exhibition Opening: Wednesday 22nd April 2015, 6pm. Guest Speaker Ken Scarlett OAM. RSVP for…

Book Launch | Kate Beynon, An Li: A Chinese Ghost Tale | TarraWarra Museum of Art

Beynon book

Kate Beynon’s new works have been commissioned by Art and Australia for a new publication, An-Li: A Chinese Ghost Tale (2015). In their vivid retelling of the supernatural narrative of two young spirits, Laura Murray Cree and Kate Beynon engage in the longstanding practice of reinventing ancient Chinese myths for contemporary times. Join us at the Museum as artist Lindy Lee officially launches the book An-Li: A Chinese Ghost Tale, surrounded by Beynon’s vivid and evocative works which bring this story to life. Free with Museum entry. Date: Sunday 19th April 4pm Venue: TarraWarra Museum of Art, 311 Healesville-Yarra Glen Road,Healesville, Victoria, Australia Website: http://www.twma.com.au/events/book-launch/  

Launch | EMAJ 8 | Gertrude Contemporary

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The editors are pleased to announce the launch of EMAJ (e-Melbourne art journal) vol. 8. The 2015 volume marks ten years since EMAJ was founded. Date: 6-8pm, Tuesday 14th April 2015 Venue: Gertrude Contemporary, 200 Gertrude St, Fitzroy, www.gertrude.org.au There will be a pay bar operating to purchase drinks on the night. Enquiries: emaj.editors@gmail.com EMAJ 8 will be launched by Dr Anthony White, Senior Lecturer in the School of Culture and Communication at The University of Melbourne and president of the Art Association of Australia and New Zealand. Please come along and celebrate ten years of online, open-access art history publishing in Melbourne! Contents Rex Butler and ADS Donaldson, War and Peace: 200 Years of Australian-German Artistic Relations Toby Juliff and…

Exhibition | Medieval Moderns: The Pre-Raphaelite Brotherhood | National Gallery of Victoria

Edward BURNE-JONES
The garden of Pan (1886-1887) 
oil on canvas
152.5 x 186.9 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1919
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An exhibition, which opens this weekend at the NGV International, will focus on the NGV’s impressive collection of Pre-Raphaelite art. Opening weekend talks On Sunday 12th April there will be two free introductory talks to the new exhibition 2pm Explore the role of the Pre-Raphaelite Brotherhood in the Arts and Crafts movement in Britain, their place in the development of the illustrated book and their profound influence on later generations of artists with International Art Curator, Laurie Benson. Speaker Laurie Benson, Curator, International Art 3pm Capturing a sitter’s likeness was not central to the portraits by Sir Edward Burne-Jones. Join Emily Wubben, University of Melbourne, as she explores Burne-Jones’ portrait of Baronne Madeleine Deslandes and provides fresh insights into the sitter. Speaker Emily Wubben, Scholar,…

News | NGV winter exhibition ‘Masterpieces from The Hermitage: The Legacy of Catherine the Great’

Alexander Roslin
Swedish 1718–1793
Portrait of Catherine II 1776–77
oil on canvas
271.0 x 189.5 cm
The State Hermitage Museum, St Petersburg
Acquired, 1918 (Inv. № ГЭ-1316)

The NGV has announced this year’s Melbourne Winter Masterpiece exhibition will be ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’. From one great empire to another – last year we took in the Royal Collection of the Hapsburg’s of Spain in ‘Italian Masterieces from the Prado‘, this winter we look to Russia and the  collection of Catherine the Great. The Hermitage holds one of the most important collections of European Art and one of the largest collections of art anywhere in the world. This exhibition will highlight the collection as it was drawn together by Catherine the Great. She founded the Hermitage in 1764, but she had begun to collect pictures from the moment she ascended to the…