Tag Archive for NGV Lectures

NGV Lecture | Nefertiti – The Real Story Speaker Marc Gabolde, Egyptologist

EGYPT, el-Amarna Head of Queen Nefertiti 1353 BC-1337 BC limestone 34.3 x 21.0 x 20.5 cm, National Gallery of Victoria, Melbourne Presented by N. de Garis Davies, 1907 616-D2

Nefertiti – The Real Story Marc Gabolde, Egyptologist In anticipation of the NGV’s Ancient World gallery opening in October, this lecture will look at one of the most famous queens in ancient Egypt – Nefertiti. Marc Gabolde is one of the world’s leading scholars on Nefertiti and in recent years has been excavating in the Royal Wadi at Amarna, Akhenaten and Nefertiti’s capital city. Based on cutting edge research, this lecture will look at Nefertiti’s life and role as royal consort to Akhenaten. What is her parentage? Did she rule…

Short Course | The Age of Impressionism – France & Australia | Monet’s Garden

John Russell, Peonies and head of a woman, c. 1887, oil on canvas, NGV, Melbourne The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor

Presented by art and cultural historians this series of lectures will delve into the social and cultural world of the Impressionist era in Paris and will address how the Australian artists connected with their international contemporaries. In conjunction with Australian Impressionists in France exhibition.   Sat 3 Aug, 2pm From the Gare Saint Lazare to Giverny We will trace Claude Monet’s artistic and personal journey as he moved ever further from Paris via Argenteuil, Vetheuil to Giverny and became increasingly engrossed in the study of landscape and light. Speaker: Sylvia…

Lecture | Richard Wilson at 300 with Paul Spencer-Longhurst

MENGS, Anton Raphael (1728 - 1779), Portrait of Richard Wilson c. 1752  National Museum of Wales

Richard Wilson at 300 Dr Paul Spencer-Longhurst The artist Richard Wilson RA was born 300 years ago on 1 August 1713 or 1714. He grew up to become not only the leading British landscapist of his generation but one of the great artistic pioneers of the Eighteenth Century. Fourteen years older than his more famous contemporary, Thomas Gainsborough (1727-1788), Wilson spent seven years in Italy and became highly popular in his own day – not least because he made of landscape painting something more than the merely topographical or descriptive.…

NGV Short Course | Visions of Paradise – The art and history of garden design

Temple of Ancient Virtue, Stowe

In conjunction with the  exhibition ‘Monet’s Garden’ the National Gallery of Victoria is running a short course on history of garden and landscape design. A series of nine lectures presented by art historians and academics in landscape architecture will explores the art and history of garden design from the Italian Renaissance to today. You can book for the whole course or individual lectures. See th full program below. Venue: Clemenger BBDO Auditorium, NGV International, St Kilda Rd Bookings: Ph +61 3 8662 1555 (10am-5pm daily), Event CodeP1341 Cost: $20 adult / $16…

Lecture | Matthew Martin ‘Music at the exiled Stuart Court in Rome’

Antonio David, The Baptism of Prince Charles Edward Stuart in Rome, 1725

Music at the exiled Stuart Court Dr Matthew Martin, Assistant Curator, International Decorative Arts and Antiquities The courts of exiled Stuart monarchs James II and James III were distinguished by their rich musical lives and both kings made music an important part of court ceremonial. James II’s court was of great significance in the introduction of a taste for Italian music at the French court, and James III and his musically talented sons influenced opera in Rome. Illustrated with recent musical recordings of period instruments. The lecture will be followed…

Lecture | Paul Hills ‘Varieties of Venetian Colour: Titian and Veronese’

Titian, Assumption of the Virgin, 1515-18, Basilica di Santa Maria Gloriosa dei Frari in Venice.

Varieties of Venetian Colour: Titian and Veronese Professor Paul Hills, The Courtauld Institute of Art Venetian painters of the Renaissance are celebrated above all others for their colour and for their handling of the medium of oil paint. This lecture explores how Titian embodied this aesthetic both in his religious images and in his mythological nudes. Typically his corporeal colour engages the sense of touch as well as sight. The younger master Paolo Veronese responded to Titian’s colorism but also departed from it. The son of stonecutter from Verona, he…

Lecture | Unlocking the Story Behind Kimberley Rock Art: New Perspectives – Archaeology, chronology and rock art in the north west Kimberley – Dr June Ross

Kimberley_041

Dr June Ross gives us the next chapter in the story begun by Grahame Walsh when he recognised the significance of the ancient rock art in the Kimberley.

The Change & Continuity project aims to establish a chronology and social context for the production of rock art in the region. The project has involved 23 researchers across a range of disciplines and two Indigenous communities.

Lecture | Hugh Belsey ‘Gainsborough in Melbourne’

Thomas Gainsborough, An officer of the 4th Regiment of Foot  (c. 1776-1780), National Gallery of Victoria, Melbourne, Felton Bequest, 1922

Gainsborough in Melbourne Hugh Belsey Thomas Gainsborough was the only eighteenth-century British artist to give equal weight to the painting of portraits and landscapes and both are represented in Melbourne. The NGV has the most comprehensive collection of the artist’s work in Australia. Recent research has questioned some of the traditional identities given to the portraits and the seascape is a particularly rare example of his work as a landscapist. Presented by Hugh Belsey, Senior Research Fellow at the Paul Mellon Centre for Studies in British Art in London, who…

Lecture and Floortalk | ‘The Neo-Impressionists’

Maximilien LUCE French 1858–1941 The port of Saint-Tropez 1893 (Le Port de Saint-Tropez) oil on canvas 73.7 x 91.4 cm  Private collection

The Neo-Impressionists Lecture by Marina Ferreti Bocquillon and floortalk by Anthea Callen Lecture | Enjoy this exclusive opportunity to hear insights by the international guest curator of the exhibition Radiance: The Neo-Impressionists, Marina Ferretti Bocquillon Director scientifique, Musée des impressionisms, Giverny. This lecture is presented in association with Friends of the Gallery Library. Marina Ferretti Bocquillon A specialist in the history of Impressionism and Neo-Impressionism, Marina Ferretti Bocquillon is in charge of Curatorial Direction at the Musée des Impressionnismes (Museum of Impressionisms) in Giverny and also manager of the Signac Archives.…

Richard Haese | Rediscovering the Australian Landscape 1940 – 1980: Nolan, Drysdale and Williams

Russell Drysdale, Tree Form, 1945. National Gallery of Victoria, Melbourne The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004

Rediscovering the Australian Landscape 1940 – 1980: Nolan, Drysdale and Williams Dr Richard Haese – Honorary Associate, Faculty of Humanities, La Trobe University Beginning in the 1940s Sidney Nolan and Russell Drysdale began the rediscovery of the Australian landscape from a modernist perspective, beginning a journey that would take them to the very centre of this arid continent. The challenge of rendering the experience of this so called ‘dead heart’ produced among the most radical paintings in Australian art – a challenge met only by the equally radical landscape painting…

Lecture | Sandy Nairne ‘Art Theft and the Case of the Stolen Turners’

Shade and Darkness - the Evening of the Deluge exhibited 1843 by Joseph Mallord William Turner 1775-1851

Art Theft and the Case of the Stolen Turners In 1994 two paintings by J.M.W Turner were stolen from a public gallery in Frankfurt while on loan from the Tate in London. Sandy Nairne will speak on the complex story of the theft including the return of the pictures in 2002. Sandy Nairne is the Director of the National Portrait Gallery in London. Date: Tuesday 2nd October, 6 for 6.30pm Venue: Clemenger BBDO Auditorium (enter North Entrance via Arts Centre forecourt), Information and Bookings: Ph 8662 1555, 10am–5pm daily, Code P12146. Cost: $25 A / $20…

Lecture | Isobel Crombie – Shadow Catchers: The history of the photogram

Simone Douglas, 'Surrender (collision) 111, 1998, Type C photograph, 49 x 67cm.

Shadow Catchers – The history of the photogram This lecture explores the intriguing history of photograms and the resurgence of interest in these camera-less images by contemporary photographers. Speaker Dr Isobel Crombie, Assistant Director, NGV Cost $18 Adult / $12 NGV Members / $14 Concession / FREE for tertiary students just present student card at entrance to theatre. Date: Friday 14th September, 2pm Venue: Clemenger BBDO Auditorium, Level G, NGV International Information & bookings Ph +61 3 8662 1555, 10am-5pm daily, Event Code P1282 ngv.vic.gov.au/whats-on  

Bastille Day at the NGV

FRANCE The storming of the Bastille prison and the arrest of its governor, Bernard-René de Launay, 14 July 1789 (Prise de la Bastille et arrestation du gouverneur M. de Launay, le 14 juillet 1789) (1789) oil on canvas 57.0 x 73.0 cm	 Versailles, musée national du château (MV 5517) © RMN (Château de Versailles) - Gérard Blot

Bastille Day at the NGV To celebrate Bastille Day this Saturday, July 14th, the NGV International will be open until midnight with all tickets to the current winter masterpiece exhibition Napoleon: Revolution to Empire only $10 each from 5pm till midnight (until sold out more details here). As well as the Napoleon exhibition there are a range of programs. Some highlights include: Tours of the NGV Heroes and Legends Volunteer Guided Tours at 5.30pm, 6pm, 6.30pm, 7pm, 7.30pm & 8.30pm - Free, Meet Foyer, Ground Level NGV Collection Highlights Volunteer Guided…

Public Lecture | Modelling liberty – Clay sculptures in the prisons of the French Revolution Sophie Matthieson

2012 Duldig Lecture Modelling liberty – Clay sculptures in the prisons of the French Revolution Sophie Matthieson This lecture is associated with the 2012 Melbourne Winter Masterpieces exhibition Napoleon: Revolution to Empire. Sophie Matthiesson, curator and art historian of the French Revolution presents a little-known body of aesthetic artefacts from the French Revolution and examines it, for the first time, in terms of its wider significance. This lecture focuses on a group of highly accomplished clay sculptures modelled by artists imprisoned during the Terror and asks three questions: Who made them? How were…