Tag Archive for Victorian Art

Lecture | ‘Broken Pastoral and the English Folk’ Professor Tim Barringer

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‘Broken Pastoral and the English Folk’ Professor Tim Barringer, Paul Mellon Professor of Art History, Yale University This paper examines the revived interest in folk culture in late-Victorian and Edwardian Britain, exploring the relationships between ethnography, musicology and the study of historical arts and crafts. It places within this matrix the work of photographers, painters and composers, who derived both motifs and models for avant-garde artistic identity from the study of the rural poor. Professor Tim Barringer contends that the aesthetic potency of visual and musical compositions drawing on folk sources…

Call for Papers: Dickens and the Visual Imagination, July 2012, UK

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Call for Papers ‘Dickens and the Visual Imagination’ 9-10 July 2012 An international two-day conference to celebrate the bicentenary of Charles Dickens in 2012. This conference, hosted by the Paul Mellon Centre in London and the University of Surrey in Guildford, will explore the interfaces between art history and textual scholarship through the work of Charles Dickens. The conference programme will also feature a reception at the Watts Gallery in nearby Compton, Surrey, to coincide with the gallery’s exhibition Dickens and Art. Plenary speaker: Professor Kate Flint (Rutgers University). Other…

Review – Pioneering Painters – Glasgow Boys: 1880-1900

James GUTHRIE, Miss Helen Sowerby, 1882.  National Gallery of Scotland, Edinburgh.

Review by Kim Clayton-Greene of Pioneering Painters: The Glasgow Boys 1880– 1900 Pioneering Painters – The Glasgow Boys: 1880-1900 Royal Academy, London 30 October 2010—23 January 2011 Reviewed by Kim Clayton-Greene Presenting a relatively modest selection of works, the exhibition Pioneering Painters: The Glasgow Boys: 1880-1900, which recently closed at the Royal Academy, London (the version reviewed here), after an earlier run in Glasgow, still provided much to delight.  The works were rich and varied, at times pale and restrained and then bold and vibrant.  The exhibition, the first showing…