Category: General

Call for Papers: In the Wake of the ‘Global Turn’ – Practices for an Exploded Art History without Borders

Call for Papers In the Wake of the ‘Global Turn’ – Practices for an Exploded Art History without Borders Organised by the Clark Institute, Williamstown, Massachusttes on Friday, October 28 and Saturday, October 29, 2011 Convened by Jill Casid and Aruna D’Souza. Conference website – http://clarkart.edu/research/content.cfm?ID=378 Deadline January 15th 2011. This Clark conference on art history in the wake of the “global turn” takes up, and yet departs from, decades of the critique of Eurocentric priorities and presumptions of the discipline of art history. What would it mean to understand the global turn as something that does not merely expand but potentially explodes the borders between fields and even the discipline itself? The conference, then, aims to address methodologies, research practices, and models for not just a de-centered but also a reoriented practice of the global, one that reckons with…

Lecture: Dr Elisabeth Taburet-Delahaye on ‘France 1500: Between the Middle Ages and the Renaissance’

Dr Elisabeth Taburet-Delahaye Director of the Cluny Museum, Paris ‘France 1500: Between the Middle Ages and the Renaissance’ Dr Taburet-Delahaye, visiting Hancock Fellow at the Australian Tapestry Workshop, is the principal curator of the exhibition France 1500 which opened at the Grand Palais in  Paris on 6 October 2010. This exhibition explores a time of unprecedented artistic contact and creative effervescence in France, and takes a close look at various aspects of the art of the time. The exhibition encompasses painting, sculpture, stained glass, tapestry, gold work and the art of the book. It will travel to the Art Institute of Chicago in February 2011. This lecture is the second of a three-part series to be presented in Melbourne by Dr Taburet-Delahaye, sponsored by the Australian Tapestry Workshop, the National Gallery of Victoria and the Academic Centre.  Please see each…

Reopening: Grainger Museum at Melbourne University

Grainger Museum Re-opens Sunday 17 October The long-anticipated reopening of the Grainger Museum to the public will take place on Sunday 17 October at 1:00. Visitors can once again tour the rich and extensive collection that documents the life and times and interests of the remarkable Percy Grainger. The museum’s curators have put together a compelling new suite of exhibits that promise to fascinate and intrigue. The Grainger Museum reopens following a period of major works to preserve the historic building and upgrade its facilities for visitors, staff and the collection. Percy Aldridge Grainger (1882-1961) was an internationally renowned Australian-American composer and pianist. His extraordinarily full life also included pioneering work as a folk music collector and arranger, educator, social and musical commentator, clothing designer, painter and Free Music inventor. He was a skilled linguist and became known, in addition…

Lecture: Jon Cattapan ‘Night Visions’

Holmesglen TAFE Art Talks Free Public Lecture Night Visions Jon Cattapan Jon Cattapan is one of Australia’s foremost artists. He is well known for his rich, luminous cityscapes that explore the interrelationship and intersection of human activity and the increasingly pervasive networks of digital exchange. In  2008, the  artist was commissioned by the Australian War Memorial to complete a body of work based on his experiences as a guest of the Australian peace keeping forces in Timor Leste. Cattapan will be speaking about his most recent exhibition – inspired significantly by his time with the forces – and his life as a practising artist. Refreshments will follow the lecture. Date: 6.30pm, Thursday 28 October 2010 Venue: Latitude Theatre, Hemisphere Conference Centre and Hotel, Holmesglen Moorabbin Campus, 488 South Road, Moorabbin 3189 – Melway Ref: 77 G5 Bookings are essential T:…

Funding – The Anne van Biema Fellowship

Funding The Anne van Biema Fellowship The Anne van Biema Fellowship was established by bequest to promote excellence in research and publication on the Japanese visual arts. Fellowships support research at the Freer Gallery of Art and Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, DC. Research proposals are evaluated in terms of merit, originality, methodology, and potential for significant publication that will advance scholarly and public understanding of the Japanese visual arts. Interdisciplinary proposals with a primary focus on Japanese visual arts are considered. Awards are made to scholars at the post-doctoral or equivalent professional level for periods of two to twelve months, and are not renewable. The maximum stipend of $42,000 per annum will be prorated for shorter terms. Additional support not to exceed $5,000 may be provided to cover round-trip travel at U.S. government rates…

News: Online books and a guide to some online databases

Gutenberg-e online books Columbia University Press has a new site where it is publishing e-monographs. Gutenberg-e (not to be confused with Project Gutenberg) is an open access site that publishes award-winning dissertations as e-books. It appears that Gutenberg-e aims to “offer elements that cannot be conveyed in print: extensive documentation, hyperlinks to supplementary literature, images, music, video, and links to related web sites”. Of interest to art historians is Robert Kirkbride’s Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro, which can be read here. The book has also been recently reviewed by Saundra Weddle on H-net. __________ JISC Collections JISC (Joint Information Systems Committee) recently launched a page that acts as an introduction to their online resources. From here you can search across collections and browse the different collections. The collections have a UK focus but are likely…