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EVCS: Katrina Grant ‘Verdi prati, selve almene’: Theatres in the Italian Baroque Garden’

Katrina Grant ‘Verdi prati, selve almene’: Theatres in the Italian Baroque Garden The links between theatre and the garden have long been recognised. The theatre as a feature of garden design can be traced back to the fifteenth century and its peak period of popularity was the seventeenth century. It remained a common feature of gardens well into the eighteenth century, and even saw a revival in the early twentieth century. In modern scholarship these theatres are often explained simply as a symptom of the Baroque period’s obsessive ‘theatricality’. However, a closer look reveals that the theatre in the Baroque garden was, rather, a manifestation of a specific ideological approach to the space of the garden and its accompanying art forms. Date: Monday 28  February 2011 6:30 pm Venue: Room 150 Elisabeth Murdoch Building, University of Melbourne, Parkville All Welcome…

Funding: Postdoctoral Research Fellow – University of Warwick (UK)

Postdoctoral Research Fellow (5 posts) University of Warwick – Institute of Advanced Study Fixed Term Contract for 2 years, beginning October 2011 The Institute of Advanced Study (IAS) at the University of Warwick invites applications from outstanding researchers who are at the beginning of a promising academic career. Applications are welcome from across all Faculties and disciplines, and, in keeping with the ethos of Warwick’s IAS, interdisciplinary research applications are strongly encouraged. You will be based in the IAS but will have a strong presence in a home academic department. Therefore, all applications MUST be supported by a Warwick academic nominator and your proposed research project should closely complement your nominated academic department’s current research interests. Nominators will be required to make a strong case for the applicant’s strategic contribution to the research within their department. You will have been…

Funding: Mellon/Newton Interdisciplinary Post-doctoral Research Fellowships

Mellon/Newton Interdisciplinary Post-doctoral Research Fellowships Two 2-year posts based at CRASSH, Cambridge, UK – From 1 October 2020 – 30 September 2020 CRASSH (Centre for Research in the Arts, Social Sciences and Humanities) is delighted to announce the first year of a five-year programme of interdisciplinary postdoctoral research fellowships funded jointly by the Mellon Foundation and the Isaac Newton Trust. Applications are invited for two 2-year interdisciplinary Post-doctoral Research Fellowships aimed at researchers working in any field of the arts, social sciences or humanities, starting in October 2011. The fellowships will enable post-doctoral fellows to consolidate their research and publication record while developing a related project or initiative at CRASSH during their two-year fellowship. Applicants must have completed the PhD and should normally have been awarded it not more than three years prior to taking up their fellowship. Fellows would be expected…

Symposium: Digital Light – Technique, Technology, Creation

Digital Light: Technique, Technology, Creation Free symposium, 18–19 March 2011, Melbourne This interdisciplinary symposium invites leading international and Australian figures working with digital light-based technologies to consider the capacities and limitations of contemporary digital processes. How do contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices? Why do accidental artefacts of specific media become desirable outcomes in others? What role do artists and artisans play in redefining technologies through technique? Artists, curators and technologists will explore these questions from diverse angles, each exploring the techniques and technologies used in depicting, recording and projecting digital light. Confirmed speakers: Geoffrey Batchen (Art Historian, NZ) Victor Burgin (Artist, UK) Steve Dietz (Curator, US) Jon Ippolito (Artist/Curator, US) Stephen Jones (Artist/Historian, AUST) Alex Monteith (Artist, NZ) Christiane Paul (Curator, US) Jeffrey Shaw (Artist, HK) Alvy Ray Smith (Computer…

Lecture: The Primacy of Drawing

Lecture The Primacy of Drawing Professor Deanna Petherbridge CBE, artist and writer The Primacy of Drawing is written from the perspective of a practitioner and by juxtaposing contemporary and historical works. Author, Deanna Petherbridge investigates how thinking and making are linked within the linearity and immediacy of drawing, the strategies and materials artists employ and how drawing relates to other forms of visual practice. See this post for details of her other lectures in Sydney, Melbourne and Canberra https://melbourneartnetwork.com.au/2011/02/28/deanna-pethebridge-the-primacy-of-drawing/ http://www.deannapetherbridge.com/ Date: Monday 7th March, 6pm. Venue: NGV International, Clemenger BBDO Auditorium, NGV International (enter North Entrance, via Arts Centre forecourt). Cost $18 Adult / $12 NGV Member / $14 Concession & Student Bookings: Program bookings 03 8662 1555, 10am-5pm daily. Event code P1166.

Funding: State Library of Victoria Fellowships (Melbourne)

State Library of Victoria Fellowships (Melbourne) The State Library of Victoria invites applications from Australian writers, academics, artist, composers and researchers for the 2011-12 Creative Fellowships. The State Library of Victoria offers several Creative Fellowships annually to artists and scholars who propose thoughtful and innovative ways to use the Library’s collection. Applicants may be individuals or be working in collaborative partnerships. They may include artists practising in any art form (such as the visual arts, new media, dance, musical performance or composition), and writers and scholars in any discipline or subject. The 2010-11 Creative Fellowships are for periods of three, six months and 12 months. Grants range from $12,500 for three months to $50,000 for 12 months. Research projects can be in any area of the Library’s collections and are open to all Australian residents. ‘The Creative Fellowships represent the…

Funding: Newton International Fellowships

Newton International Fellowships A new round of Newton International Fellowships – an initiative to fund research collaborations and improve links between UK and overseas researchers – has now opened. The Newton International Fellowships are funded by the British Academy and the Royal Society and aim to attract the most promising early-career post-doctoral researchers from overseas in the fields of the humanities, the natural, physical and social sciences. The Fellowships enable researchers to work for two years at a UK research institution with the aim of fostering long-term international collaborations. Newton Fellows will receive an allowance of £24,000 to cover subsistence and up to £8,000 to cover research expenses in each year of the Fellowship. A one-off relocation allowance of up to £2,000 is also available. In addition, Newton Fellows may be eligible for follow-up funding of up to £6,000 per…

Funding: Lemmerman Foundation Scholarship (Rome)

Lemmerman Foundation Scholarship (Rome) The Lemmermann Foundation offers scholarships in the classical studies and humanities to masters and doctoral students. Fields of study include Archaeology, History, History of Art, Italian, Latin, Musicology, Philosophy, Philology, etc. Applicants must provide evidence for their need to study and carry out research in Rome. Topic of research must be related to Rome or the Roman culture of any period, from the Pre-Roman period to the present day time. To be eligible applicants must: 1) be enrolled in a recognized University program; 2) have a basic knowledge of the Italian language. The next deadline for sending applications is March 15, 2011. The monthly scholarship amount is established in 750 euro. For further information and for the online application visit the website http://lemmermann.nexus.it/

Panel Discussion: Photography killed performance art

Panel Discussion at Monash Gallery of Art Photography killed performance art Join us for a panel discussion on the changing relationship between photography and performance art. Our stellar panel includes Professor Anne Marsh, Theory of Art & Design, Monash University, artist Mike Parr and AFTERGLOW curator Stephen Zagala. The panel will respond to the question ‘Does photography kill performance art?’ come and join the discussion! Date: Saturday 26 February, 2.00pm Venue: Monash Gallery of Art, 860 Ferntree Gully Road, Wheelers Hill Victoria 3150. Seats limited, booking essential: Telephone +61 3 8544 0500 or mga@monash.vic.gov.au Website – http://www.mga.org.au/event/view/event/109

Lecture: Ted Gott ‘Salome and Sirens, Severed Heads and Damsels in Distress’

Dr Ted Gott Senior Curator, International Art Salome and Sirens, Severed Heads and Damsels in Distress: The Unique World of Gustave Moreau Gustave Moreau inhabited an imaginative world that set his art, and himself, apart in fin-de-siecle Paris. While his art became ever more liberated and independent, his own lifestyle became ever more reclusive. Join Ted Gott as he retraces Moreau’s compelling journey from his optimistic student years in Italy, through the public setbacks and personal tragedies that shaped his utterly unique aesthetic. Date: Wednesday, 23 February 2011, 6pm for 6.30pm Venue: Clemenger BBDO Auditorium, NGV International, 180 St Kilda Road (enter North entrance, via the Arts Centre forecourt). Cost: Friends of the Gallery Library – Free, Guest – $15. Bookings essential, includes refreshments on arrival. Bookings deadline 16 February 2011, 03 8620 2258 OR email: jessemyn.schippers@ngv.vic.gov.au

Call for Papers: Imagining Imagination

Call for Papers Imagining Imagination International Conference, 10 & 11 June 2011, Royal College of Art, Kensington Gore, London CFP deadline: 15 March 2021 Conference organizers: Dr. Michael Schwab, Royal College of Art, London Dr. Sabine Flach, SVA – School of Visual Arts, New York City Dr. Aikaterini Fotopoulou, King’s College London Imagination, central to art history, art theory, philosophy, artistic practice and research, has again become an important topic in a number of fields outside the arts, including medicine and the sciences. Significantly, all these fields of knowledge-production are currently re-addressing imagination beyond romantic conceptions, as a complex thinking process. The transdisciplinary conference Imagining Imagination investigates different conceptualizations of imagination, the capacities through which imagination can be imagined, and images of imagination that are being produced as part of research on the subject. As the conference title suggests, an extraordinary reflexive position is required to appreciate the phenomenon: the complex mental process…

Symposium: The Naked Face at the NGV

Symposium The Naked Face: self-portraits: Art, emotion, identity What can self-portraits tell us about the human mind, body and identity? One of the liveliest current debates concerns the nature of human consciousness. How do we acquire and maintain individual identity? How is art subject to memory, emotion, historical and cultural circumstance? Does art expand the mind and can our neurological structures change? Join philosophers, critics and artists to discuss the creative process. Speakers Prof John Sutton, Macquarie Centre for Cognitive Science Assoc. Prof, Adrian Martin, film and cultural critic Julie Rrap, artist Lewis Miller, artist De Christopher Marshall, art historian Dr Vivien Gaston, curator Venue: Clemenger BBDO Auditorium, NGV International Date: Saturday 19 February 1.30-4.30pm Cost: $54 Adult / $50 NGV Member / $52 Concession / $50 Student (includes afternoon tea, bookings essential). Bookings essential: Program bookings 03 8662 1555, 10am-5pm daily.

Lecture – The final cut: Unmasking the artist

The final cut: Unmasking the artist Dr Vivien Gaston, Curator Curator of The Naked Face: self-portraits Dr Vivien Gaston will illustrate and discuss the six themes of this current major exhibition at the National Gallery of Victoria Australia and position the works in the wider context of the history of self-portraits. She will also consider the current controversy surrounding this innovative exhibition. Venue: Clemenger BBDO Auditorium, NGV International Date: Saturday 12 February 2-4pm Cost:  $32 Adult / $27 NGV Member / $29 Concession / $16 Student (includes afternoon tea, bookings essential) Program bookings 03 8662 1555, 10am-5pm daily

Funding: CASVA fellowships

CASVA Visiting Senior Fellowship Program, 2011–2012 Applications for visiting senior fellowships at CASVA (Centre for Advanced Studies in the Visual Arts) in Washington DC are due soon. Deadline – March 21st, 2011. The Center for Advanced Study in the Visual Arts announces its program for Paul Mellon and Ailsa Mellon Bruce Visiting Senior Fellowships. Fellowships are for full-time research, and scholars are expected to reside in Washington and to participate in the activities of the Center throughout the fellowship period. Lectures, colloquia, and informal discussions complement the fellowship program. Visiting senior fellows are provided with studies. Those who relocate to Washington will be provided with housing in apartments near the Gallery, subject to availability. They have access to the notable resources represented by the collections, the library, and the photographic archives of the National Gallery of Art, as well as…

Review ‘Venice: Canaletto and His Rivals’

Venice: Canaletto and His Rivals The exhibition finished at the National Gallery, London, on 16 January 2011. It runs at the National Gallery, Washington, from 20 February to 30 May 2011. Reviewed by David R. Marshall Canaletto is synonymous with Venetian view painting, and when you enter this exhibition you can see why: it looks like room after room of Canalettos. But gradually this impression resolves itself into several different painters and manners. Some have lamented the lack of the chronological organisation that informs most recent Canaletto and Bellotto exhibitions, but that would miss the point: this is an exhibition about comparisons, and the curator, Charles Beddington, has set up many interesting ones. However, when I saw it, on a Sunday morning near the end of its run, the crowds made it hard to see many of them: you were…