Monthly Archives: August 2013

Short Course | The Age of Impressionism – France & Australia | Monet’s Garden

John Russell, Peonies and head of a woman, c. 1887, oil on canvas, NGV, Melbourne The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor

Presented by art and cultural historians this series of lectures will delve into the social and cultural world of the Impressionist era in Paris and will address how the Australian artists connected with their international contemporaries. In conjunction with Australian Impressionists in France exhibition.   Sat 3 Aug, 2pm From the Gare Saint Lazare to Giverny We will trace Claude Monet’s artistic and personal journey as he moved ever further from Paris via Argenteuil, Vetheuil to Giverny and became increasingly engrossed in the study of landscape and light. Speaker: Sylvia Sagona, Fellow, The University of Melbourne Sat 10 Aug, 2pm The word and the image Emile Zola, art critic and champion of the Impressionists, wrote a series of now famous…

Lecture | Richard Wilson at 300 with Paul Spencer-Longhurst

MENGS, Anton Raphael (1728 - 1779), Portrait of Richard Wilson c. 1752  National Museum of Wales

Richard Wilson at 300 Dr Paul Spencer-Longhurst The artist Richard Wilson RA was born 300 years ago on 1 August 2020 or 1714. He grew up to become not only the leading British landscapist of his generation but one of the great artistic pioneers of the Eighteenth Century. Fourteen years older than his more famous contemporary, Thomas Gainsborough (1727-1788), Wilson spent seven years in Italy and became highly popular in his own day – not least because he made of landscape painting something more than the merely topographical or descriptive. In his later years, however, for reasons that remain unclear, his reputation underwent a catastrophic decline, from which it recovered only slowly. Even today, how many of those who profess…

Seminar Series | How to Feel: The Promise of Emotion

how to feel

Presented by Centre for Contemporary Photography and the ARC Centre of Excellence for the History of Emotions, The University of Melbourne. Over three sessions this series will consider emotions from a range of disciplines, within the context of the exhibition True Self: David Rosetzky Selected Works. The Face (7 August) addresses crying and the expressed face in art and literature. Chair: Penelope Lee, CHE Melbourne Tom Whelan, Australian Catholic University      Stephanie Trigg, CHE, The University of Melbourne Christopher Chapman, National Portrait Gallery, Canberra         Public Space (14 August) presents three diverse approaches to emotion in public space, from the political, to the sacred and the performative. Chair: Kyla McFarlane, Centre for Contemporary Photography Jeff Kahn, Performance Space, Sydney Nikos Papastergiadis, School…