Tag: General

Volunteering opportunity at the Johnston Collection of Fine and Decorative Arts

The Johnston Collection, Museum of Fine and Decorative Arts in East Melbourne is inviting applications from anyone interested in becoming a voluntary guide. Successful applicants will be required to take part in an intensive 12 session training programme to be held on 12 successive Mondays commencing 19 July 2010. For further information and an application form contact The Johnston Collection. Telephone: 9416 2515 email: wrjohnston@bigpond.com Website: http://www.johnstoncollection.org/

Forum: The Keith Haring mural – yesterday, today, tomorrow

Yarra Talking Arts Forum: The Keith Haring mural – yesterday, today, tomorrow Time: Thursday 29 April Venue: Collingwood Neighbourhood Justice Centre, 241 Wellington St Collingwood Free entry. All Welcome. In 1984 American artist Keith Haring visited Australia and painted a mural on the side of the Collingwood Technical College on Johnston Street. Since then, Haring has been internationally recognised as an artist of great significance and subsequently the Collingwood mural has been placed on the Victoria Heritage Register. A legacy of Haring’s visit to Melbourne and his life’s work, this mural has become a local icon. This forum is an opportunity to find out more about this work and discuss the mural’s history and its future. The forum will feature a special presentation of information from the Haring Foundation. CHAIR: Megan Evans PANEL: Hannah Mathews – Freelance Curator, Ted Gott…

CFP: ‘World, Knowledge, Power. Encyclopaedic pictorial programmes from the thirteenth to the fifteenth century

World, Knowledge, Power. Encyclopaedic pictorial programmes from the thirteenth to the fifteenth century Summer School of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut 3 – 11 September 2020 Deadline for application: 14 June 2020 Concept and organization: Manuela De Giorgi, Susanne Pollack, Gerhard Wolf Academic guest: Dieter Blume The thirteenth century was a ‘century of encyclopaedias’. Learned compilations of knowledge were then produced, and iconographic programmes formulated, with the claim to present all fields of available knowledge in a comprehensive and systematic way. To be able to present knowledge as ‘Summa’, and represent it in encyclopaedic pictorial  programmes, thematic groups were defined and used in a strikingly constant way; they comprised, for example, such recurrent elements as the planets, the months of the year and the work associated with each, the virtues or the liberal arts. Within this vocabulary uniqueness…

The Joseph Burke Lecture 2010: Dr Lucy-Anne Hunt on Eastern Christian Art

The Fine Arts Network in collaboration with Art History, School of Culture and Communication, The University of Melbourne, present: The Joseph Burke Lecture 2010 Dr Lucy-Anne Hunt Professor and Head of Art, Faculty of Art & Design, Manchester Metropolitan University, England Eastern Christian Art and Culture: Convergence between Jerusalem, Greater Syria and Egypt between the 12th-14th Centuries Lucy-Anne Hunt’s interests and publications focus on cross-cultural analysis between Byzantine and Islamic, and Christian and Muslim art and culture in the Middle Ages through the study of Byzantine, Eastern Christian – especially Coptic and Syrian – as well as Crusader art. Date: Thursday 13 May 2010,  6.30pm Venue: Elisabeth Murdoch Theatre, University of Melbourne (Parkville). Free Public Lecture All Welcome.   Bookings not required Enquires: registrar@hildas.unimelb.edu.edu.au

New Perspectives on Cubism & Australian Art

New Perspectives on Cubism & Australian Art A forum, co-presented by Heide Museum of Modern Art and the University of Melbourne, to critically discuss the exhibition Cubism & Australian Art. Time: Monday 29 March 2010, 5:30pm – 8pm Cost: FREE (discounted exhibition admission available when booking) Venue: Laby Theatre, David Caro Building, University of Melbourne Bookings: 9850 1500 PDF flyer Speakers · Associate Professor Rex Butler, School of English, Media Studies and Art History, University of Queensland · Dr Ann Stephen, Senior Curator, University of Sydney Art Gallery and Art Collection · Dr Anthony White, Lecturer, School of Culture & Communication, University of Melbourne · Sue Cramer and Lesley Harding, Curators, Cubism & Australian Art, Heide Museum of Modern Art Chaired by Associate Professor Alison Inglis, School of Culture and Communication, University of Melbourne. Sue Cramer and Lesley Harding -…

New Book ‘The Possessions of a Cardinal Politics, Piety, and Art, 1450–1700′

The Possessions of a Cardinal: Politics, Piety, and Art, 1450–1700 Edited by Mary Hollingsworth and Carol M. Richardson Cardinals occupied a unique place in the world of early modern Europe, their distinctive red hats the visible signs not only of impressive careers at the highest rank the pope could bestow, but also of their high social status and political influence on an international scale. Appointed for life, these princes of the Church played a key role in the dramatic events during a period in which both the power and the authority of the papacy were challenged. Cardinals crossed the ambiguous boundaries then existing between religious and secular power. Granted unparalleled access to Church and private property, they spent considerable time, money, and effort on making the best collections of art and antiquities. Some commissioned artworks in churches that advertised their…

Expressions of interest for opportunity as emaj Sub-Editor issue 5, 2010

Applications now open www.melbourneartjournal.unimelb.edu.au/E-MAJ Masters and Art History PhD candidates are encouraged to apply Deadline: 15 April 2021 emaj (electronic Melbourne art journal) is the only online, refereed art history journal published in Australia. emaj aims to provide an international forum for the publication of original academic research in all areas and periods of art history. emaj welcomes monographic articles about specific artists or art collectives as well as thematic or theoretical analyses on aspects of art history. emaj is published annually by the Fine Arts Network and is edited by art history graduates and post-graduates from the University of Melbourne. Our aim for the position of Sub-Editor is to provide an emerging editor / art historian with the opportunity to expand their editorial skills and professional development in the production of a high quality, online, academic publication. The Sub-Editor…

Art History PhD Scholarship opportunity at The University of Melbourne: ‘Medieval and Renaissance Manuscripts in Australia.’

Expressions of Interest – PhD Scholarship in Medieval and Renaissance Manuscripts. Deadline 22 February 2010. Expressions of Interest are called for, for a three year full-time Ph.D scholarship at The University of Melbourne in connection with an ARC Linkage Grant administered by the University of Melbourne and to be conducted in partnership with the State Library of Victoria. The grant: Medieval and Renaissance Manuscripts in Australia: researching and relating Australia’s manuscript holdings to new technologies and new readers will begin in March, 2010. It involves research on the manuscripts in Australian collections, the digitisation of the Victorian holdings and research findings. The successful applicant for the Ph.D scholarship related to this project will be required to research a doctoral topic that is related to the objective of the grant.  Ideally they should have some training and experience in medieval manuscript…

emaj (electronic melbourne art journal) Call for Papers 2010

ART HISTORY CALL FOR PAPERS: EMAJ ISSUE 5 2010 www.melbournartjournal.unimelb.edu.au/E-MAJ SUBMISSIONS DEADLINE: 31 March 2021 emaj (electronic Melbourne art journal) is one of the only online, refereed art history journals in Australia. Published annually in association with the University of Melbourne, emaj aims to provide an international forum for the publication of original academic research in all areas and periods of art history. For the 2010 edition of emaj, the editors now seek submissions from researchers investigating the history of art. emaj welcomes monographic articles about specific artists or art collectives as thematic or theoretical analyses of art history from any historical period. Established and emerging researchers working within the fields of art history, architectural history, curatorship, politics and aesthetics, visual culture, philosophy, historiography and museum studies are encouraged to submit. Manuscripts must be submitted by email to emaj.editors@gmail.com, as word…