Category: Melbourne Exhibitions

Floor Talk Series | Redefining Whistler | NGV International

Starting this Sunday there are several floor talk from curators and other experts on aspects of the current ‘Whistler’s Mother’ exhibition at NGV. With his long mane of curly dark hair, monocle, tailored coat and French top hat, James McNeil Whistler was a showman and self-described ‘dandy’ Along with his theatrical public persona, he was an extraordinary painter and printmaker; creating some of the nineteenth century’s most radical and influential works. At a time when moral lessons and storytelling dominated British art, Whistler was an uncompromising aesthete. He believed in the visual and sensual qualities of art and design over practical, moral or narrative considerations. Hear contemporary voices and curators explore the mark made by Whistler on style, art and design in this floor talk series Redefining Whistler. Sun 10 Apr, 11am | Printmaking Past and Present Speakers Martin King, Senior…

Exhibition and Forum | 1969 The Black Box of Conceptual Art

1969 The Black Box of Conceptual Art Ian Burn, Roger Cutforth and Mel Ramsden. Curated by Ann Stephen. Opening Celebration: Thur 7 April, 5.30–7.30 PM There will be a lunchtime forum at the VCA on Thursday 7th April 12:30pm - 1:30pm where Ann Stephens with Raaf Ishak and guests will discuss the exhibition ‘1969: The Black Box of Conceptual Art’. The forum will be held in VCA’s Art Auditorium (more info here). Exhibition Dates: 8 April to 7 May 2021 1969 The Black Box of Conceptual Art reconstructs the first Conceptual art exhibition staged in Australia, held at Pinacotheca gallery in 1969, with work sent from New York by Ian Burn, Roger Cutforth and Mel Ramsden. The exhibition is accompanied by some video, journals, and other works made at the time to reveal both the broader context for the work, and how influential it became…

Exhibitions | Andrew Browne - shadow sites - Steve Carr | CCP

New exhibitions opening tonight at CCP, Thursday 31 March 6—8pm. Exhibition Dates 1 April 2021 until 22 May 2016, CCP Australia, 404 George Street, Fitzroy. GALLERY ONE Andrew Browne | Suddenly Slowly The installation Suddenly Slowly juxtaposes photographic notations, studies, unique images and series – virtually the artist’s taxonomy – to describe a greater landscape, abstracted and estranged from reality. Drawn from photographic imagery created over more than two decades this immersive field is derived from multiple disparate and happenchance encounters with the observed world. The images - to paraphrase Marc Auge - act as a brake on the fade of memories (and the descent into oblivion). But they also inevitably distort reality through sensibility, the privileging of particular moments and manipulation of formal devices including blurring, cropping and scaling. Colliding elements from varied peripheral sites and from across time, the work describes a…

Exhibition | If People Powered Radio: 40 Years of 3CR | Gertrude Contemporary

Old photo of 3CR billboard.

If People Powered Radio: 40 Years of 3CR is a collaboration between Fitzroy’s oldest community radio station, 3CR and one of Fitzroy’s oldest galleries and studio complexes, Gertrude Contemporary. Celebrating 40 years of 3CR, the exhibition will explore the station’s history of radical broadcasting and how it has thrived in its endeavour to foreground the often unheard voices of Aboriginal people, women, workers, ethnic and GLBTIQ communities, differently abled people, environmentalists, artists and musicians. The exhibition will present a combination of recordings, technological hardware, and photographic, written and graphic documents from the station’s vast historical archive.

Exhibitions | Lucina Lane - Yona Lee - Economy - Sofi Basseghi | West Space

New exhibitions opening tonight (Thursday 17th) at West Space. Exhibition Dates 18th March - 16th April 2016. loosen the earth Lucina Lane Working within the expanded concept of painting and its material structure, Lucina Lane’s new body of work beckons the audience to experience the painting as an object, putting pressure on the frame of the work and its edges. Employing both slight and unruly painterly gestures upon unstretched canvas, Lane teases out how a painting can behave when it is no longer beholden to the pictorial frame. Artist bio here: http://westspace.org.au/event/loosen-the-earth/   Line on display | Yona Lee Using the architectural features of the Front Space gallery as a guide, Yona Lee’s new installation Line on display responds to the spatial dynamics of this particular gallery. Often seen as a transient space, Lee connects this experience with that of the psychological journey one takes when walking…

Exhibition | Borders, Barriers, Walls | Monash University Museum of Art

Image: Tony Schwensen Border Protection Assistance Proposed Monument for the Torres Strait (Am I ever going to see your face again?) 2002 Image courtesy the artist and Sarah Cottier Gallery, Sydney

Exhibition Dates: 30 April - 2 July 2016  CURATOR: Francis E. Parker ARTISTS: Lawrence Abu Hamdan (LBN), Allora & Calzadilla (USA & CUB), Karen Black (AUS), Gunter Christmann (AUS), Jin Chul Kyu (KOR), Shilpa Gupta (IND), Guan Wei (CHN), Khaled Hourani (PSE), Raafat Ishak (AUS), Isaac Julien (UK), Sonia Leber & David Chesworth (AUS), Kai Löffelbein (DEU), Ricky Maynard (AUS), Carlos Motta (USA), Tony Schwensen (AUS), Amy Spiers & Catherine Ryan (AUS), Danae Stratou (GRC), Judy Watson (AUS) Borders, barriers and walls delineate this group exhibition of Australian and international artists. It reflects on how these contested and complex forms shape the world, producing situations of separation, isolation or thwarted passage across the globe. Whether they be physical constructions, psychological constructs or natural defences, the exhibition considers the forces by which these divides are either upheld or breached. Borders, Barriers, Walls features…

Exhibitions | Marcin Wojcik - Anna Horne - Paula Hunt - David Attwood and Clare Peake - Carla Adams | Bus Projects

  Exhibition Dates: Opening Wednesday 16 6-8pm until April 2nd. Malleable Scenario. Marcin Wojcik. Gallery 1. Reaching ‘the scene’ attempts to manifest the elusive state available only to those who commit themselves to a moment’s endurance. Going alone with eyes set on some enigmatic endpoint on a set course / line / road. In this body of work, the re-constructed scenario’s pits the solitary athlete (a cyclist) against multiple horizons (the scene) in a perpetual pursuit. Here the cast cyclist peddles endlessly forward around a velodrome, up a mountain as well as attempting to chase the unattainable. The aim of the task is to commit and give everything – to practice and exercise through the pain and the zen of repetition. Further, each scenario gestures a depth of the horizon we all chase but what is given instead are abstracted clues, some…

Exhibition | Panorama | TarraWarra Museum of Art

(in two parts) 12 March - 31 July 2020 CURATED BY: ANTHONY FITZPATRICK AND VICTORIA LYNN Image: Fred Williams Red trees 1963 oil and tempera on composition board 121 x 127.2 cm Gift of Eva Besen AO and Marc Besen AO 2001, TarraWarra Museum of Art collection

Part One: 12 March – 15 May 2020 Part Two: 19 May – 31 July 2020 Part one of a new exhibition opens this weekend at TarraWarra Museum of Art curated by Anthony Fitzpatrick and Victoria Lynn. A panorama is a wide angle view or representation of a physical space, whether in painting, drawing, photography, film or seismic images. For this exhibition, the term panorama will create a context for how artists see the landscape – not simply as a depiction of it, but also an evocation of the layers of history within it. The term panorama will also be used to understand the broader question of TarraWarra Museum of Art itself – its panoramic views, and its site ‘Panorama’ will draw on the collection of the TarraWarra Museum of Art to explore the ways in which artists have represented the Australian…

Exhibition | MYTHO-POETIC - Glen Skien | Deakin University Art Gallery

Glen Skien, Archive of the Unfamiliar, 2013, altered postcards, thread, ink, encaustic, dimensions variable. Courtesy of the artist.

Exhibition Dates: 25 February - 31st March A new exhibition of artist books, collages, and etching by Queensland artist Glen Skien has recently opened at Deakin University Art Gallery. Open until 31 March, MYTHO-POETIC interrogates the human condition with assemblages and installations that bring to life social histories and vexing questions of Australian identity, place, and myth. Dr Jess Berry, Lecturer at the Queensland College of Art, explained that Skien is highly respected in the national printmaking community and the delicacy and sensitivity of his images spark immediate affinity. She observes that, ‘As with atlas cartographers, Skien’s images of the past are fleeting, recuperated from lost and forgotten sources. In their reconfigured state, the original images become almost unrecognisable, echoing the way memory plays the game of Chinese whispers, obscured by what we know and see later. Thus, Skien mobilises his ghostly atlas of images,…

Exhibition | Judy Watson - the scarifier | TarraWarra Museum of Art

Judy Watson mt riddell 2016, pencil and acrylic on canvas, 240 x 148 cm, Courtesy of the artist and Milani Gallery, Brisbane

Exhibition Dates: 12 March – 31 July 2020 Indigenous artist Judy Watson’s installation, the scarifier, at TarraWarra Museum of Art in the Yarra Valley, responds to the history of the Coranderrk Aboriginal Station near Healesville (1863-1924), which was located not far from where the exhibition is being held. Exhibition curator and TarraWarra Museum of Art Director Victoria Lynn said the Museum commissioned Judy Watson to create the installation to coincide with itsPanorama exhibition, which presents a suite of landscape paintings from the Museum’s collection. ‘In this context it was important to provide audiences with a self-reflexive understanding of the Museum’s location on Indigenous Country. Judy’s evocative and deeply moving installation brings Indigenous and non-Indigenous memories of the local landscape to life. In combination with the Museum’s Panorama exhibition, Judy Watson’s installation of paintings, bones, soil, saplings and clothing provides a creative perspective…

Exhibitions | Richard Bell - Elizabeth Gower - Mithu Sen and Pushpa Rawat | RMIT Gallery

Richard Bell | Imagining Victory Opening Night: Thursday 10 March | 6-8pm Exhibition Dates: 11 March - 23 April Opening Speaker | Professor Paul Gough, Pro Vice-Chancellor and Vice President, College of Design and Social Context, RMIT University Acting Deputy Vice-Chancellor Academic and Vice-President, RMIT University Drawing heavily upon the mechanisms of activism, this significant solo exhibition by leading Australian artist Richard Bell is centred on a trilogy of recent video projects that attempts to dig beneath the veneer of cultural integration to expose how racism can be deeply embedded and passed on to future generations. An Artspace exhibition toured by Museums & Galleries of NSW. Curator: Alexie Glass-Kantor | Artist: Richard Bell Public Program - Wednesday 16 March, 1-2 pm Discussion | Dr Greg Creek RMIT: The use of narrative and satire in video art Dr Greg Creek is…

Exhibition | Photography goes Poof! Mathew Jones’ lost photoworks 1989-94 and Rennie Ellis: Gay Pride | Monash Gallery of Art

Two new exhibitions opening today at the Monash Gallery of Art. Photography goes Poof! Mathew Jones’ lost photoworks 1989-94 3 March 2021 to 10 April 2021 Between 1989 and 1994 the Australian artist Mathew Jones made a number of photographic works about gay identity. For both political and artistic reasons, these works were ephemeral, strategic interventions. Some photographs were only circulated as photobooks or as artist’s pages in magazines. Others took the form of site-specific installations that depended on a live audience. As a consequence, these works were like Molotov cocktails of contemporary art, exploding in the face of specific problems and then evaporating into the ether. MGA has worked with Mathew Jones to re-create these important historical artworks a quarter of a century later. These works capture the pathos and desperation of Queer politics at the height of the AIDS…

Exhibition | Eighteenth-Century Porcelain Sculpture | NGV International

A new exhibition at the NGV will celebrate the gallery’s excellent collection of eighteenth-century porcelain sculpture. The exhibition opens this weekend and will offer a window into eighteenth-century life in Europe. The collection is the largest of its kind in Australia and holds examples of many rare porcelain sculptures, such as one of only three examples of the Chelsea Porcelain Factory’s Pietà (you can read more about the Pietà in an article by NGV curator Matthew Martin here). Eighteenth-Century Porcelain Sculpture will showcase over eighty exquisite examples from famed European factories including the German Meissen, French Sèvres and English Derby factories, of intricately modelled porcelain figures, large-scale sculptural works and celebrity portraits. Whilst today porcelain sculptures are often considered ‘decorative’ items, in the eighteenth century many of the finest artists of the time were drawn to the novel medium. The exhibition will…

Exhibition | Shaun Peoples, Spencer Lai | TCB

Two new exhibitions opening next week at TCB. Exhibition Dtaes: 2nd March - 19th March 2016. Opening Wed 2nd March 6-8pm. FRONT SPACE | ALIEN ANTIQUE | SEAN PEOPLES “Allow me to describe a most marvelous phenomenon as witnessed by myself and family on Wednesday evening from half past 6 o’clock until about 8 o’clock. I was sitting at the time at my back door… …through a rift or opening in the trees planted in the street in which I live, my eye was suddenly arrested by the appearance, apparently of numberless vehicles in the shape of ladies hats, which were in quick succession following one another on the top of the hill and going down towards Belgrave. I am aware that strange things are sometimes seen, caused by the refraction of the sun’s rays, but that must be, I suppose, while…

Lecture, Symposium and Exhibition | Gerard Byrne ‘Museums for playback!’ | MADA, Monash University

Irish artist Gerard Byrne will present a special keynote lecture to mark the closing of MADA’s Master of Fine Art graduate exhibition (12-18 February) and as part of MADA’s Fine Art Postgraduate Symposium. In his address Irish artist Gerard Byrne’s lecture will focus on his moving-image practice, using the analogy of playback as a way of delimiting the function of the exhibition and highlighting the recuperative and recall dimensions of his projects within the context of the museum. Byrne explores the themes of image and time, performativity, mediation, and the “museum” itself as an embodiment of historical discourse. Byrne has made a significant contribution to contemporary video, photography and live art since 1991. He has exhibited extensively including the Tate Gallery, London, Sydney Biennale, Documenta, Kassel, Whitechapel Art Gallery, London, Venice Biennale, Italy and The Institute of Contemporary Art, Boston, USA.…