Melbourne Art journal Issue 7: ‘The Italians’
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Contents
Chapter 1: Foreward and Preface
The Production of Art
Chapter 2: Richard Spear – What is an Original?
Chapter 3: John Gregory – The Colour of Mannerism: Some Exploratory Observations, Focusing on Jacopo Bassano’s Martyrdom of St Catherine
Chapter 4: Christopher R. Marshall – Markets, Money and Artistic Manoeuvres: Reflections on Bernardo Cavallino and the Grand Manner
Chapter 5: David R. Marshall – Carlevaris & Canaletto, Piranesi & Panini: The Paradoxes of the Serial Veduta
The Portrait
Chapter 6: Mauro Lucco – Lorenzo Lotto and the Interpretation of Venetian 16th century Portraits
Chapter 7: Jaynie Anderson – Bittersweet Love. Giorgione’s Portraits of Masculine Friendship
Chapter 8: Lisa Beaven – Bernini’s Last Papal Portrait and its Audience: The Statue of Pope Clement X Altieri
Chapter 9: Michael Hill – The Informality of Baciccio’s Portrait of Cardinal Spinola
Devotion and Martyrdom
Chapter 10: Louise Marshall – Luxury and pathos in Romanino’s Christ Carrying the Cross
Chapter 11: Susan Russell – Annibale Carracci’s St. Margaret and the Single-figure Altarpiece in Rome around 1600
Chapter 12: Robert Gaston – The rhetoric of atrocity Guercino’s Martyrdom of St Lawrence
Virility, Magic and Memento Mori
Chapter 13: Vivien Gaston – Virile Cittadino: Rosso Fiorentino’s Moses Defending the Daughters of Jethro
Chapter 14: Charles Zika – The Corsini Witchcraft Scene by Salvator Rosa: Magic, Violence and Death
Chapter 15: Luke Morgan – Guercino’s Et in Arcadia Ego and Eighteenth-Century Landscape Design
Chapter 16: Contributors
Chapter 17: Abstracts