Buy Issue 7: The Italians

Melbourne Art journal Issue 7: ‘The Italians’

Issue 7

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Chapter 1:  Foreward and Preface

The Production of Art

Chapter 2: Richard Spear – What is an Original?

Chapter 3: John Gregory – The Colour of Mannerism: Some Exploratory Observations, Focusing on Jacopo Bassano’s Martyrdom of St Catherine

Chapter 4:  Christopher R. Marshall – Markets, Money and Artistic Manoeuvres: Reflections on Bernardo Cavallino and the Grand Manner

Chapter 5:  David R. Marshall – Carlevaris & Canaletto, Piranesi & Panini: The Paradoxes of the Serial Veduta

The Portrait

Chapter 6:  Mauro Lucco – Lorenzo Lotto and the Interpretation of Venetian 16th century Portraits

Chapter 7:  Jaynie Anderson – Bittersweet Love. Giorgione’s Portraits of Masculine Friendship

Chapter 8:  Lisa Beaven – Bernini’s Last Papal Portrait and its Audience: The Statue of Pope Clement X Altieri

Chapter 9:  Michael Hill – The Informality of Baciccio’s Portrait of Cardinal Spinola

Devotion and Martyrdom

Chapter 10:  Louise Marshall – Luxury and pathos in Romanino’s Christ Carrying the Cross

Chapter 11:  Susan Russell – Annibale Carracci’s St. Margaret and the Single-figure Altarpiece in Rome around 1600

Chapter 12:  Robert Gaston – The rhetoric of atrocity Guercino’s Martyrdom of St Lawrence

Virility, Magic and Memento Mori

Chapter 13:  Vivien Gaston – Virile Cittadino: Rosso Fiorentino’s Moses Defending the Daughters of Jethro

Chapter 14: Charles Zika – The Corsini Witchcraft Scene by Salvator Rosa: Magic, Violence and Death

Chapter 15: Luke Morgan – Guercino’s Et in Arcadia Ego and Eighteenth-Century Landscape Design

Chapter 16:  Contributors

Chapter 17:  Abstracts

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