Tag: Workshop

Workshop | Art and Translation: Ian Fairweather’s The Drunken Buddha | Ian Potter Museum of Art

Date: Tuesday 8 Aug 2017, 10.00- 5.00pm Venue: Ian Potter Museum of Art, University of Melbourne Website: http://www.art-museum.unimelb.edu.au/public-programs/current-events/prgm-date/2017-08-08/prgm/art-and-translation-ian-fairweather-s-the-drunken-buddha This international workshop will examine the translation of The Drunken Buddha (University of Queensland Press, 1965), from Chinese to English, by artist Ian Fairweather (1891-1974), and the accompanying illustrations. Scholars with backgrounds in Chinese language, literature and art history; artists and students of translation will come together to consider this rare example of a serious book-length translation by a practicing artist. How do we understand The Drunken Buddha in the context of literature, translation and creative practice? What was the relationship between Chinese language, translation and artistic practice for Fairweather, and what might that mean in an Australian context? Workshop participants include: Cai Tao, Associate Professor, Art History Research Institute, Guangzhou Academy of Fine Arts Nicholas Jose, Professor of English and Creative…

Workshop | Some Artists and Philosophers Walked into a Room | VCA

Some Artists & Philosophers Walked into a Room… Tuesday 11 July, 2017 – 9.30am-5.30pm Theme: A work might be experienced in numerous ways—in person, online, across multiple versions, as a record, diagram, report, description, witness account, podcast, video, plan, remix, or even as a scalable aggregate of elements. Perhaps, once we consider the world of a work of art as a constellation of elements, the indeterminacy of art is given a more conspicuous materiality. Where is a work of art? Is there an optimum or primary point of entry into a work of art? Chairs: Sean Lowry (VCA) and Jenny McMahon (Philosophy, Adelaide) Presenters: Barbara Bolt, Elizabeth Burns Coleman, Edward Colless, Cate Consandine, Claire Healy & Sean Cordeiro, Justin Clemens, Cynthia Freeland, Vanessa Godden, Andrew Goodman, Paul Guyer, Raafat Ishak, Kate Just, Tessa Laird, Claire Lambe, Sean Lowry, David Macarthur, Mohan Matthen,…

Workshops in Reflectance Transformation Imaging in Melbourne and Perth

The Australian Institute for the Conservation of Cultural Materials with generous support from the Gordon Darling Foundation and from the ADFAS Patricia Robertson Scholarship Fund, is presenting two four-day Reflectance Transformation Imaging (RTI) Workshops. These workshops, led by experts from Cultural Heritage Imaging (CHI) in San Francisco, will take place at the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne from 28 June to 1 July and at the Berndt Museum at the University of Western Australia from the 5 to 8 July 2016. RTI is a computational photographic method that captures a subject’s surface shape and color and enables the interactive re-lighting of the subject from any direction. RTI also permits the mathematical enhancement of the subject’s surface shape and color attributes. The enhancement functions of RTI reveal surface information that is not disclosed under direct empirical…

Performance and Workshop | Joe Banks – Disinformation | MUMA

MUMA and Liquid Architecture are pleased to present British sound artist and writer Joe Banks in Australia for the first time. At MUMA, Banks (under the pseudonym Disinformation) will perform as part of MUMA’s Sound Spaces. At Gertrude Contemporary, Banks will deliver a lecture entitled Rorschach Audio as part of the Theories and Histories of Sound series presented in association with Discipline. Sound Spaces: Disinformation Against the backdrop of the exhibition Believe not every spirit, but try the spirits, Liquid Architecture and MUMA present the first ever Australian concert performance by Disinformation. Disinformation will perform a one hour set in near complete darkness utilising sounds including (but not limited to) electromagnetic (radio) noise radiated by mains electricity, lightning, magnetic storms, high­ voltage plasma discharges, industrial, IT and laboratory hardware, railway and metro systems, and the sun. Comfy cushions and pay…

Workshop | My Sydney: Writing Workshop led by Cathy Craigie | Sydney

PART I: WALK AND TALK The workshop will begin at the 40 000 Years mural at the Redfern railway bridge (designed by Carol Ruff 1983) where Cathy will talk about her knowledge of and involvement with the mural. She will also discuss the history of Redfern and its surrounds, including her own longstanding family history in the area; and will tell tales of the inner city focusing on its ‘hidden histories’ (such as old trade routes underlying some of Sydney’s major arterial routes; lakes and waterways beneath its urban infrastructure; little-known pasts of the Town Hall, to name a few). Discussion will take place on foot, with a walk that departs from the mural and ends up at 107 Projects in Redfern. PART II After talking about ‘her Sydney’, Cathy will dedicate the second part of the workshop to participants…

Workshop | Finding Country | Sydney College of the Arts

Finding Country is an ongoing project initiated by Kevin O’Brien in 2006 and continuing as a pluralist contest between the idea of Aboriginal space (Country), and European space (property) in Australia. Aboriginal Country is excluded from the Australian city and even more so in the derivative architecture. Despite the 1992 landmark Mabo case High Court decision, a decision that struck down the doctrine of Terra Nullius (an empty land belonging to no-one), architecture in Australia continues its eighteenth-century European tradition of drawing on empty paper. The Finding Country position is that this paper is not empty, but is full of what can’t be seen. THE WORKSHOP – The workshop is focused on ways to empty the City in order to reveal a practical idea about Country. Drawing and sculpture will be the modes of inquiry.  Individual submissions will be assembled into one collective conceptual sculptural mapping…