Tag: The University of Melbourne

The Joseph Burke Lecture 2010: Dr Lucy-Anne Hunt on Eastern Christian Art

The Fine Arts Network in collaboration with Art History, School of Culture and Communication, The University of Melbourne, present: The Joseph Burke Lecture 2010 Dr Lucy-Anne Hunt Professor and Head of Art, Faculty of Art & Design, Manchester Metropolitan University, England Eastern Christian Art and Culture: Convergence between Jerusalem, Greater Syria and Egypt between the 12th-14th Centuries Lucy-Anne Hunt’s interests and publications focus on cross-cultural analysis between Byzantine and Islamic, and Christian and Muslim art and culture in the Middle Ages through the study of Byzantine, Eastern Christian – especially Coptic and Syrian – as well as Crusader art. Date: Thursday 13 May 2010,  6.30pm Venue: Elisabeth Murdoch Theatre, University of Melbourne (Parkville). Free Public Lecture All Welcome.   Bookings not required Enquires: registrar@hildas.unimelb.edu.edu.au

Gandioli Fumagalli Foundation Milan Internship: Closing Soon

Gandioli  Fumagalli Foundation Milan Internship Discipline: Art History, Art Conservation, Italian, Classics and Archaeology at University  of Melbourne Eligibility: Academic Staff, Honorary associates, PG students in Research or Coursework in Faculty of Arts, Universtiy of Melbourne (Must be Australian Citizens or an Australian Permanent Resident) Closing Date:  Extended to FRIDAY 30TH APRIL, 2010 Approximate Value:   Between $5,000 and $10,000 Further information:  Contact the Faculty’s  Scholarships and Prizes officer artsprizes-info@unimelb.edu.au

New Perspectives on Cubism & Australian Art

New Perspectives on Cubism & Australian Art A forum, co-presented by Heide Museum of Modern Art and the University of Melbourne, to critically discuss the exhibition Cubism & Australian Art. Time: Monday 29 March 2010, 5:30pm – 8pm Cost: FREE (discounted exhibition admission available when booking) Venue: Laby Theatre, David Caro Building, University of Melbourne Bookings: 9850 1500 PDF flyer Speakers · Associate Professor Rex Butler, School of English, Media Studies and Art History, University of Queensland · Dr Ann Stephen, Senior Curator, University of Sydney Art Gallery and Art Collection · Dr Anthony White, Lecturer, School of Culture & Communication, University of Melbourne · Sue Cramer and Lesley Harding, Curators, Cubism & Australian Art, Heide Museum of Modern Art Chaired by Associate Professor Alison Inglis, School of Culture and Communication, University of Melbourne. Sue Cramer and Lesley Harding –…

‘Garters and Petticoats’: Winterhalter’s 1843 Portraits of Victoria and Albert

The Early Modern Visual Culture Seminar returns for 2010. Eugene Barilo von Reisberg ‘Garters and Petticoats’: Winterhalter’s 1843 Portraits of Victoria and Albert What does official royal iconography tell us? What messages does it communicate about the sitters – and from the sitters? This paper deconstructs two official portraits of Queen Victoria and Prince Albert painted by Franz Xaver Winterhalter (1805-1873) in 1843. It outlines the complex semantic layering within this pair of British royal portraits, and explores in particular the emphasis on Prince Albert’s newly-acquired ‘Englishness’ and the notion of an iconographic ‘gender reversal’ within the context of traditional marital pendants. March 8 2010 6.30pm Room 150 Elisabeth Murdoch Building, Parkville Campus All Welcome Please RSVP Mark Shepheard (shepm@unimelb.edu.au) if you plan to join us for dinner in Lygon Street afterwards. For further details on Eugene’s research on Winterhalter please visit his website…

Art History PhD Scholarship opportunity at The University of Melbourne: ‘Medieval and Renaissance Manuscripts in Australia.’

Expressions of Interest – PhD Scholarship in Medieval and Renaissance Manuscripts. Deadline 22 February 2010. Expressions of Interest are called for, for a three year full-time Ph.D scholarship at The University of Melbourne in connection with an ARC Linkage Grant administered by the University of Melbourne and to be conducted in partnership with the State Library of Victoria. The grant: Medieval and Renaissance Manuscripts in Australia: researching and relating Australia’s manuscript holdings to new technologies and new readers will begin in March, 2010. It involves research on the manuscripts in Australian collections, the digitisation of the Victorian holdings and research findings. The successful applicant for the Ph.D scholarship related to this project will be required to research a doctoral topic that is related to the objective of the grant.  Ideally they should have some training and experience in medieval manuscript…

Margaret Manion Lecture 2009

Sophie Matthiesson Curator, International Art, National Gallery of Victoria Captive Markets: Artists in Prison in the French Revolution Hundreds of artists found themselves in prison during the French Revolution. While confined surprising numbers resumed painting, sculpting, drawing and even engraving. Few prisons were without some level or artistic production and exchange. Based on unpublished research of French prison archives and prison-made works of art, this lecture addresses some basic questions. Who were the artists, and why were they imprisoned? What did they make and for whom? Using select case studies, this talk will propose some basic categories and functions of the prison-made object and present a model for its interpretation. It will also consider some of the wider implications of this curious and little-known area of cultural production for our understanding of the political prison in France in the period…

Joseph Burke Lecture 2009 – Jason Smith

The Joseph Burke Lecture 2009 Jason Smith Director, Heide Museum of Modern Art Dark Theatres and Erotic Intensities: some thoughts on the works of Bacon, Henson, Booth and Boynes This lecture will be a further elaboration of my long standing interest in the humanist foundation of the works of many artists with whose practices I have interacted closely during my career. In this lecture I focus on the works of Francis Bacon, Bill Henson, Peter Booth and Robert Boynes as artists who were and are sensitive barometers of their times. Their works alert us to unpredictable and sometimes dire evolutions in culture by offering us images and ideas that are alternative to the mainstream. In his 1878 treatise Human, All Too Human, Friedrich Nietzsche suggested that if ‘someone doesn’t want to see something, they won’t.’ The works of Bacon, Henson,…