Tag: Screen Studies

New Book | Saige Walton – Cinema’s Baroque Flesh Film, Phenomenology and the Art of Entanglement

New book by Saige Walton Cinema’s Baroque Flesh Film, Phenomenology and the Art of Entanglement published by Amsterdam University Press. To coincide with the Australian launch of the book, AUP are offering a 20% discount that is valid until 31st December – download the flyer here (pdf) What is the relationship between cinema and the baroque? How might it be figured and felt? Foregrounding the baroque as a vital undercurrent of Maurice Merleau-Ponty’s philosophy, Cinema’s Baroque Flesh opens up new avenues of embodied film theory that can make room for formal and experiential structure, signification, intelligence and sight, as well as the aesthetics of sensation. Walton argues for the baroque as its own aesthetic category of film and its own unique cinema of the senses. Combining media archaeological work with art history, Merleau Ponty’s phenomenological philosophy and film-phenomenology, the book provides close…