Tag: Exhibition Review

David R. Marshall – Scientists and the Perspective of View Painters

Opinion Scientists and the Perspective of View-painters New Scientist (26 June 2010, p. 21) has recently reported on a scientific study of the perspective used by eighteenth-century view painters (vedutisti). The team, headed by Thomas Sharpless, a retired software engineer in Philadelphia, picked 14 vedute of the interiors of buildings for which they had ground plans. ‘They identified 20 points in each painting and located them on the corresponding plan. They then used this information to create a mathematical projection function and incorporated it into a piece of software, called “Panini”.’ No prizes for guessing which painting(s) and which building features prominently! The article goes on to state that ‘Panini [the program] can squash the width of a panoramic image while retaining perspective.’ Quite what this means is far from clear. It seems to assume that all 14 paintings employ…

David Maskill – Close Examination: Fakes, Mistakes and Discoveries

Close Examination: Fakes, Mistakes and Discoveries London, The National Gallery, 30 June – 12 September Reviewed by David Maskill This exhibition, currently showing at London’s National Gallery, is one of the highlights of the summer season. As art institutions struggle with the effects of the recession, blockbusters that rely on extensive and costly loans and on the attendant crowds to pay for them have been in decline in recent times. If this exhibition is anything to go by, this may not be such a bad thing. Drawn mostly from the National Gallery’s own collection, the curators have selected forty works and explore their material histories to tell fascinating tales of deception, curatorial blunders and rediscoveries of long lost masterpieces. This is a show that needs the visitor to take time and to look closely at the works on display –…