Tag: Deakin University Art Gallery

Exhibition | The Drawing Room | Deakin University Art Gallery

The Drawing Room, with Anastasia Klose, Euan Heng, Kenny Pittock and Zilverster artists Sharon Goodwin and Irena Hanenbergh. The first major exhibition at the Deakin University Art Gallery for 2018 takes inspiration from the English tradition of a withdrawing chamber – a dedicated space in the house designed for entertainment of distinguished guests and visitors. Curated by James Lynch, The Drawing Room exhibition aims to create an environment of drawing in dialogue with the past and present. “The exhibition takes inspiration from the drawing rooms of the past that became a space away from the more formal and public areas of the house to encourage social interaction, play, comedy, story-telling and drama,” Mr Lynch said. The exhibition is in the form of a series of short residencies by an intergenerational group of Australian artists, Anastasia Klose, Euan Heng, Kenny Pittock,…

Exhibition | MYTHO-POETIC – Glen Skien | Deakin University Art Gallery

Glen Skien, Archive of the Unfamiliar, 2013, altered postcards, thread, ink, encaustic, dimensions variable. Courtesy of the artist.

Exhibition Dates: 25 February – 31st March A new exhibition of artist books, collages, and etching by Queensland artist Glen Skien has recently opened at Deakin University Art Gallery. Open until 31 March, MYTHO-POETIC interrogates the human condition with assemblages and installations that bring to life social histories and vexing questions of Australian identity, place, and myth. Dr Jess Berry, Lecturer at the Queensland College of Art, explained that Skien is highly respected in the national printmaking community and the delicacy and sensitivity of his images spark immediate affinity. She observes that, ‘As with atlas cartographers, Skien’s images of the past are fleeting, recuperated from lost and forgotten sources. In their reconfigured state, the original images become almost unrecognisable, echoing the way memory plays the game of Chinese whispers, obscured by what we know and see later. Thus, Skien mobilises his ghostly atlas of images,…

Exhibition | Katherine Hattam | Deakin University Art Gallery

A new exhibition has just opened at Deakin University Art Gallery Katherine Hattam: Desire first: 1978–2015, which is a survey of Hattam’s career to date. The exhibition includes paintings, drawings, prints and sculpture. In the exhibition viewers can see the development of Hattam’s distinct style. Recurring motifs in her work include chairs and other domestic objects, which she combines with references to literature, feminism, art history and modern psychoanalysis to create work that is personally symbolic. The artist and her experiences have some kind of presence in many of the works; anthropomorphic chairs stand in for a range of family members and Hattam herself is present in many of the spaces she depicts. Hattam has exhibited widely throughout Australia. Her work is included in numerous major public collections including the National Gallery of Australia, the National Gallery of Victoria, Heide…

Exhibition and Artist Talk | Gosia Wlodarczak – Found in Translation | Deakin University Art Gallery

The exhibition, Found in Translation: Deakin University Art Gallery is a new site-specific project by Gosia Wlodarczak and is part of her ongoing Instruction Drawing project. It explores the notion that drawing and language are coded modes of communication. One mode of communication is language. Language is a code. When words are the mode of communication, each individual uniquely ‘remakes’, ‘interprets’, ‘translates’, ‘de-codes’ words. Another mode of communication is drawing. Drawing is a language. Like language, drawing is a code.  – Gosia Wlodarczak For the exhibition at Deakin, Wlodarczak has created a series of three site-specific wall drawings, each containing encoded texts ‘written’ from these pictorial alphabets. The first piece will be completed by the artist, the second by Deakin University Art Gallery staff using a manual provided by the artist called INSTRUCTION FOR THE MAKER, and the third piece will be a…