Tag: Art History

Andrew W. Mellon Postdoctoral Fellowship in the Humanities

Andrew W. Mellon Postdoctoral Fellowship in the Humanities Call for Applications, 2011-12 Topic: Adaptions Five (5) one-year Mellon Postdoctoral Fellowships are available at the University of Pennsylvania for the 2011-2012 academic year for untenured scholars in the humanities (including art and architectural history) who received or will receive their Ph.D. between December 2002 and December 2010. The fellowship is open to all scholars, national and international, who meet application terms (see Guidelines below). The programs of the Penn Humanities Forum are conceived through yearly topics that invite broad interdisciplinary collaboration. For the 2011–2012 academic year, the theme set is Adaptations (the topic director is Warren Breckman). Humanists and those in related fields are invited to submit research proposals on any aspect of this topic, except educational curriculum building and the performing arts. Fellows teach one undergraduate course in addition to…

Seminar: Vincent Alessi on Vincent Van Gogh

Vincent Alessi Postgraduate candidate at La Trobe University ‘It’s a Kind of Bible: A Thematic and Stylistic Analysis of Vincent Van Gogh’s Collection of English Black-and-White illustrations’ La Trobe University, School of Historical Studies Research Seminars Date: Thursday 13 May, 12:05 to 1:45 pm Venue: History Meeting Room, David Myers Building East 125, Bundoora Campus, La Trobe University. (Car Park 3) Enquiries: Dr Robert Kenny, History Research Seminar Co-ordinator, r.kenny@latrobe.edu.au

CFP: Constructing the Discipline – Art History in the UK

The third annual Glasgow Colloquium on Art Historiography will be held in the Institute for Art History of the University of Glasgow 25th – 27th November 2010. Papers lasting 20 minutes are invited on formative moments, movements, institutions and individuals in accordance with the mission statement of the Journal of Art Historiography.  The UK means England, Ireland, Scotland and Wales. Moments could include significant exhibitions or the creation of the DipAD, with its attendant requirements for art historical instruction. Movements could include the movement of scholars or exchange of ideas, the movement towards new art history and broadening of study to extend out of Europe. Institutions could include the foundation of art history departments or changes in the museum sector. Individuals could include significant scholars who have made an impact on the practice of the discipline. Declarations of interest with…

CFP: Eighteenth-Century Studies Conference in Melbourne – July 2011

La Trobe University, School of Historicaland European Studies. History Program. 14th Australasian David Nicol Smith Seminar in Eighteenth-Century Studies Melbourne 4 – 8 July 2011 In the heart of the city @ State Library of Victoria and National Gallery of Victoria The conference convenors seek papers, please visit the conference website for further details – http://www.latrobe.edu.au/history/eighteenthcenturyconference.html The Occasion The David Nicol Smith seminar in Eighteenth-Century Studies is a long-running quadrennial conference. Over the years, it has spawned many influential publications. We hope our 14th seminar will be the same. Inaugurated and supported by the National Library of Australia, the Nicol Smith is the major Australasian showcase for inter-disciplinary professional and academic discussion on eighteenth-century studies. The conference attracts scholars across all the Humanities’ disciplines of history, literature, art history, and musicology, studies of material culture and anthropology and archaeology. The…

Symposium – Interrogating Art Curatorship in Australia (University of Melbourne, Parkville)

An international conference to be held at the University of Melbourne on 12 (evening), 13 and 14 March 2010, interrogating the practice of art curatorship in Australia now, and in the recent past. The program is conceived in celebration of twenty years of art curatorship at the University of Melbourne. It has been organized in conjunction with the launch of the initiative to establish the Australian Institute of Art History at the University of Melbourne. Keynote speaker Michael Brand, Director, J. Paul Getty Museum, 2005-2010 Miegunyah Visiting Fellow, 2010. Symposium speakers include: Anthony Bond; Joanna Bosse; Jane Clark; Alison Carroll; Rebecca Coates; Charlotte Day; Max Delany; David Elliott; Juliana Engberg; Stephen Gilchrist; Alexi Glass-Kantor; Charles Green; Alison Inglis; Jeff Kahn; Rachel Kent; Frances Lindsay; Ruth McDougall; Kyla McFarlane; Christopher Marshall; Hannah Matthews; Karen Quinlan; Patrick Pound; Jason Smith; Daniel Thomas…

Launch of emaj issue 4, 2009

The emaj editors invite you all to join us to celebrate the launch of emaj issue 4. Launch of emaj issue 4, 2009 Drinks in the courtyard, Elisabeth Murdoch Building University of Melbourne, Parkville Tuesday December 15, 6-8pm All welcome! Please join us for drinks to celebrate the launch of our 2009 edition! emaj (electronic Melbourne art journal) is the only online, refereed art history journal published in Australia. Founded in 2005, emaj aims to provide an international forum for the publication of original academic research by emerging and established scholars in all areas and periods of art history. All Welcome. If you are on Facebook you can see the event here and to be informed of future issues and calls for papers become a fan of emaj here. www.melbourneartjournal.unimelb.edu/E-MAJ

Stephen Mead – Bohemianism in colonial Melbourne: a study of four artists’ clubs

Stephen Mead Bohemianism in colonial Melbourne: a study of four artists’ clubs This paper examines the development of a Bohemian culture in colonial Melbourne, focussing on four artists’ clubs: The Buonarotti Club (1883-87), Stray Leaves (1889-92), The Cannibal Club (1893-97) and The Ishmael Club (1898-1901). It investigates the role of the writer Marcus Clarke in introducing Parisian and London models of Bohemianism to Melbourne between 1865-1880.  It will be argued that these clubs played a more significant function in the shaping of professional artistic life during this period than has previously been acknowledged. Monday December 14th, 2009 Room 148, Elizabeth Murdoch Building, Parkville Campus 6:30-7pm EVCS Christmas Drinks. Paper from 7pm. Dinner afterwards. ALL WELCOME. Please RSVP for dinner to Mark Shepheard, shepm@unimelb.edu.au

Margaret Manion Lecture 2009

Sophie Matthiesson Curator, International Art, National Gallery of Victoria Captive Markets: Artists in Prison in the French Revolution Hundreds of artists found themselves in prison during the French Revolution. While confined surprising numbers resumed painting, sculpting, drawing and even engraving. Few prisons were without some level or artistic production and exchange. Based on unpublished research of French prison archives and prison-made works of art, this lecture addresses some basic questions. Who were the artists, and why were they imprisoned? What did they make and for whom? Using select case studies, this talk will propose some basic categories and functions of the prison-made object and present a model for its interpretation. It will also consider some of the wider implications of this curious and little-known area of cultural production for our understanding of the political prison in France in the period…