Tag Archive for Art and Music

What are you looking at? | John Weretka on Music and Italian Masterpieces from Spain’s Royal Court, Museo del Prado

Master S.B. active, Rome 1633–1655 Kitchen still life (Natura morta di cucina) 1640s oil on canvas 78.0 x 151.0 cm Museo Nacional del Prado, Madrid (P01990) Spanish Royal Collection Museo Nacional del Prado

John Weretka on a musical mystery in a painting by Master S.B. in the Museo del Prado Masterpieces exhibition at the NGV Amigoni’s group portrait of Farinelli, Teresea Castellini, Metastasio and Amigoni himself and Master S.B.’s Kitchen still life are both currently on display in the Museo del Prado exhibition at the National Gallery of Victoria. Music features reasonably often in paintings and other art works and, as someone who works between musicology and art history, my eye is often drawn to these kinds of representations. Artists often take real…

Talk | Art and Music in London’s Jazz Age with Professor Tim Barringer

Untitled frontispiece depicting Harlequins with instruments, in a snow covered landscape,  from Facade by Edith Sitwell with a frontispiece by G. Severini - via General Collection, Beinecke Rare Book and Manuscript Library, Yale University

Art and Music in London’s Jazz Age Professor Tim Barringer, Yale University The Chelsea flat of the aristocratic Sitwell brothers, Osbert and Sacheverell, was the unlikely birthplace of a masterpiece of English modernism, Façade (first performed 1922). Abstract, rhythmic poems by the Sitwells’ sister Edith were matched by witty paraphrases and parodies of jazz, popular songs and avant-garde music of the day by William Walton. This lecture reveals a forgotten dimension of this jazz age jeu d’esprit: the visual. It was performed originally behind a curtain painted in primitivist style.…

Seminar Series | How to Feel: The Promise of Emotion

how to feel

Presented by Centre for Contemporary Photography and the ARC Centre of Excellence for the History of Emotions, The University of Melbourne. Over three sessions this series will consider emotions from a range of disciplines, within the context of the exhibition True Self: David Rosetzky Selected Works. The Face (7 August) addresses crying and the expressed face in art and literature. Chair: Penelope Lee, CHE Melbourne Tom Whelan, Australian Catholic University      Stephanie Trigg, CHE, The University of Melbourne Christopher Chapman, National Portrait Gallery, Canberra         Public Space (14 August) presents three diverse…

Reflections on Monet | Floor talks at the NGV

Monet in his garden and ANtonio Vivarini's 'Garden of LOve, NGV.

During July the NGV is presenting a series of floor talks that will link the permanent collection with the current exhibition Monet’s Garden. Join experts in various fields as they explore the NGV collection, making connections with Monet’s life, work and the Impressionist era. Please note these talks will not take place in the Monet’s Garden exhibition. Free Entry. Meet at the Information Desk on the ground Floor of NGV International (St Kilda Rd) Enquiries contact the NGV http://www.ngv.vic.gov.au/whats-on/programs/public-programs/floor-talk-series-the-impressionist-era Wed 3 Jul, 12.30pm | Art & Music during the Impressionist period French composers…

Lecture | Matthew Martin ‘Music at the exiled Stuart Court in Rome’

Antonio David, The Baptism of Prince Charles Edward Stuart in Rome, 1725

Music at the exiled Stuart Court Dr Matthew Martin, Assistant Curator, International Decorative Arts and Antiquities The courts of exiled Stuart monarchs James II and James III were distinguished by their rich musical lives and both kings made music an important part of court ceremonial. James II’s court was of great significance in the introduction of a taste for Italian music at the French court, and James III and his musically talented sons influenced opera in Rome. Illustrated with recent musical recordings of period instruments. The lecture will be followed…

Floor Talks for Radiance: The Neo-Impressionists

Fig. 4. Georges Seurat (French 1859–91), Study for The Bec du Hoc, Grandcamp 1885 (Étude pour Le Bec du Hoc. Grandcamp). Oil on wood panel, 15.6 x 24.5 cm. National Gallery of Australia, Canberra. Purchased from proceeds of The Great Impressionists exhibition 1984 (84.1933).

The NGV is holding a series of 30 minute lunchtime floor talks on the art of the Neo-Impressionists and the cultural life of the period as part of its programs for the exhibition Radiance: The Neo-Impressionists. Program Thursday 6th December, 12.30pm: Music in the Age of Neo-Impressionism Speaker John Weretka, musicologist and art historian John Weretka holds qualifications in musicology, history, art history and theology, and is a PhD student in the Faculty of Architecture, Building and Planning at the University of Melbourne. His PhD study investigates the Roman church…

Performance and Conversation | Kaldor Public Art Projects

Allora & Calzadilla, Stop, Repair, Prepare: variations on 'Ode to joy', 2008, The Museum of Modern Art, Gift of the Julia Stoschek Foundation, Düsseldorf, photo: Yi-Chun WU/Museum of Modern Art

Kaldor Public Art Projects at the State Library of Victoria Kaldor Public Art Projects will present its 26th art project, featuring the work of internationally renowned artist duo Jennifer Allora and Guillermo Calzadilla, in the Cowen Gallery at the State Library of Victoria from the 16th November until the 6th December 2012. The artists will present their work Stop, Repair, Prepare: Variations on ‘Ode to Joy’ for a Prepared Piano, in which they integrate sound, performance and sculpture to create a captivating new experience for audiences, heralding a new direction…

Lecture | Music, Architecture & Acoustics in Renaissance Venice: Recreating Lost Soundscapes – Deborah Howard and Malcolm Longair

Interior of St Mark's in Venice. Image via wikipedia.

Music, Architecture & Acoustics in Renaissance Venice: Recreating Lost Soundscapes  Professor Deborah Howard and Professor Malcolm Longair  During the Renaissance in Venice, composers such as the Gabrieli and Monteverdi created some of their greatest masterpieces for performance in the great churches on festive occasions. But what would the music have sounded like, given the complexity of the music and the long reverberation times of the large churches? These issues have been addressed in an interdisciplinary project involving musicologists, architectural historians, acoustians and physicists. Using the most up-to-date technology, virtual acoustic models…

Exhibition | ‘William Kentridge: Five Themes’ at ACMI, Melbourne – Katrina Grant

kentridge-hero

‘William Kentridge: Five Themes’ at the ACMI Thursday 8th March to Sunday 27th May, ACMI at Federation Square, Melbourne William Kentridge: Five Themes opens today at ACMI, Federation Square. The exhibition was originally curated by Mark Rosenthal for the Norton Museum of Art, West Palm Beach and the San Francisco Museum of Modern Art. Rosenthal has travelled to Melbourne, with the artist William Kentridge, to oversee the installation of the exhibition in ACMI’s expansive underground exhibition space. Since 2009 the exhibition has been touring cities around the world including Johannesburg,…

Event | Music from the Weimar Republic

Karl Grill  active at the Bauhaus 1920-29, Spiral costume, from the ‘Triadic ballet’, c.1926-27 gelatin silver photograph 22.5 x 16.2 cm J Paul Getty Museum, Los Angeles Photo The J Paul Getty Museum, Los Angeles

Music from the Weimar Republic A musical companion to the exhibition The Made Square: Modernity in German Art 1910–1937  currently showing at the National Gallery of Victoria will be held this Sunday at the NGV. It will explore the extraordinary breadth and depth of this last great age of music. Dr Peter Tregear, director of of the Monash Academy of Performing Arts at Monash University, writes that “Political crises.  Economic turmoil.  Moral confusion. Well we might describe our own times in such terms, but this is also how we have typically imagined the…

The Art of Praise: Forum and Display on the Medieval Choir Book

the_art_of_praise

The Art of Praise Forum and Display on the Medieval Choir Book The Advent Festival, in conjunction with the State Library of Victoria and The University of Melbourne, will host a forum and display on the Medieval Choir Book, convened by Margaret Manion.  Margaret Manion has published widely on medieval manuscripts and is preparing a publication on the medieval choir book, entitled The Art of Praise.  Shane Carmody, John Stinson, Elizabeth Melzer and Hugh Hudson will introduce the manuscripts, discussing their provenance, parchments, music and illuminations.  The forum will include a number of live…

The Gift: Redaction and Decontamination – Performance by Slave Pianos at MUMA

slave pianos

The Gift: Redaction and Decontamination Performance by Slave Pianos at Monash University Museum of Art | MUMA MUMA presents a performance by Slave Pianos on the final day of the acclaimed exhibition Slave Pianos | Punkasila | Pipeline to Oblivion: 3 Projects by Danius Kesminas and Collaborators. Slave Pianos is a provocative and highly inventive collective of artists, composers and musicians devoted to the exhibition, collection, analysis, performance and re-composition of sound work by visual artists. The closing day performance The Gift: Redaction and Decontamination will combine theatre, music and art…

Funding: Research Assistant ‘The Production and Reading of Polyphonic Music Sources’ (Warburg Institute)

warburg logo

Research Assistant in Art History (fixed term, 3 years) The Production and Reading of Polyphonic Music Sources, 1480–1530 Warburg Institute, University of London The closing date for receipt of applications is Monday, 1 November 2010, and interviews will be held in London on Thursday, 11 November 2010. Applications are invited for a research assistantship in Art History, as part of this major research project funded by the AHRC. The research project is conducted in partnership between Bangor University and the Warburg Institute (University of London), in collaboration with the Digital…

Reopening: Grainger Museum at Melbourne University

PG_3LO

Grainger Museum Re-opens Sunday 17 October The long-anticipated reopening of the Grainger Museum to the public will take place on Sunday 17 October at 1:00. Visitors can once again tour the rich and extensive collection that documents the life and times and interests of the remarkable Percy Grainger. The museum’s curators have put together a compelling new suite of exhibits that promise to fascinate and intrigue. The Grainger Museum reopens following a period of major works to preserve the historic building and upgrade its facilities for visitors, staff and the…

Lecture: Ann Galbally ‘Shackled and Set Free: Art, Music and Theatre in Melbourne in the 1890s’

G.W.L. Marshall-Hall, painted by Arthur Streeton

Ann Galbally Shackled and Set Free: Art, Music and Theatre in Melbourne in the 1890s A free public lecture in conjunction with a symposium  on G. W. L. Marshall-Hall. Composer, conductor, critic and littérateur, Marshall-Hall was Melbourne’s leading musician for more than twenty years until his death in 1915. His bohemian lifestyle and outspoken views sparked intense and sometimes vitriolic public debate, and his career was marred by misfortune and errors of judgement. Dr Ann Galbally, Professorial Fellow in Art History at the University of Melbourne and author of Charles…