Tag: Art and Emotions

Registrations now open for Symspoium – The Emotions of Love in the Art of Late Medieval and Early Modern Europe

REGISTRATIONS NOW OPEN!– Upcoming symposium presented by The Centre for the History of Emotions at the University of Melbourne and the National Gallery of Victoria Date: Thursday 4 May – Saturday 6 May 2017 Venue: Thursday and Friday – University of Melbourne, Woodward Conference Centre, 10th floor, Melbourne Law (Building 106), 185 Pelham Street, Carlton Venue: Saturday – The National Gallery of Victoria, Clemenger Auditorium, 180 St Kilda Road, Melbourne Convenors: Charles Zika and Angela Hesson Contact: Julie Davies (daviesja@unimelb.edu.au) Website: http://www.historyofemotions.org.au/events/the-emotions-of-love-in-the-art-of-late-medieval-and-early-modern-europe// Registrations: http://alumni.online.unimelb.edu.au/emotionsoflove Costs: Full Reg 3 days: Full $80, Students and unwaged $50 Daily Registration Day one: Full $30, Students and unwaged $20 Day two: Full $30, Students and unwaged $20 Day three (at NGV): Full $40, Students and unwaged $25 Conference Dinner Full $80, Students and unwaged $45. The Conference dinner will be held at the Carlton Wine Room on Thursday evening. Please register by 2 May for…

Read more →

Collaboratory | Art, Objects and Emotions | University of Melbourne

Conveners: Charles Zika and Angela Hesson ‘Art’ wrote Susanne Langer ‘is the objectification of feeling.’  A century earlier, Paul Cezanne had made the more extravagant claim ‘A work of art which did not begin in emotion is not art.’  Although the impulse to define art in such succinct and finite terms might be deemed an essentially modern one, the wider notion of the inseparability of art and emotion, and the power of art to evoke strong feelings in viewers has a long history. In more recent times scholars have also begun to explore the role of material objects in human relationships through their power to evoke strong emotions. Artistic and non-artistic objects can generate desire and also violence, pride, belonging, devotion and disgust. This collaboratory will consider the manifold ways in which art and objects depict, reflect, symbolise, communicate and…

Read more →