Conference | Asia Pacific Tropical Climate Art Conservation Research Network (APTCCARN) in Taiwan

EMBRACING TO CULTURAL MATERIALS CONSERVATION IN THE TROPICS 2015-11-18 09-56-29

Staff and recent graduates of the Grimwade Centre for Cultural Materials Conservation (GCCMC), University of Melbourne are taking part in the 4th Asia Pacific Tropical Climate Art Conservation Research Network (APTCCARN) conference. From November 25-27 APTCCARN will hold their 4th meeting at the Conservation Centre, Cheng Shiu University, Taiwan. With a focus on Asia Pacific’s diverse climate and history, the meeting aims to embrace cultural materials conservation in the region, lessons learnt and ways forward. Issues such as developing a regional practice of conservation within the needs, resources, communtities and geographic place will be addressed for locally informed decision making. This is in light of recent extreme weather events, the current reality of the environment and sustainable practices. It is…

Jobs, Funding, Calls for Papers | Art History and Curatorship | November 13th 2015

Jobs Senior Curator – Art, Australian War Memorial – deadline 1st December 2015 Senior Curator / Curator of Art, Tasmanian Museum and Art Gallery, Hobart – deadline 27th November 2015 Senior Curator/Manager, Gold Museum – deadline 2nd December 2015 Education and Public Programs Officer, Perc Tucker Regional Gallery and Pinnacles Gallery; Gallery Services, Townsville City Council – deadline 23rd November 2015 Funding and Prizes Burlington Contemporary Art Writing Prize – deadline 29th February 2016 Anne L. Poulet Curatorial Fellowship 2016–18, The Frick Collection – deadline 18th January 2016 Awards from the Zentralinstitut für Kunstgeschichte, Munich – deadline 5th March 2016 Fellowships in History and Theory of Architecture, Institute gta, Zurich (2 postdocs, 1 senior fellowship) – deadline 15th February 2016 The…

News | Richard Beresford stepping down from Art Gallery of New South Wales

Richard Beresford is stepping down from his role as senior curator of International art at the Art Gallery of New South Wales. A scholar of international standing, and the author of a number of books and catalogues, including the remarkable A Dance to the Music of Time, London: Wallace Collection, 1995, Richard brought a standard of research excellence to all of his undertakings, seen most recently in the brilliant hang of the exhibition The Greats: Masterpieces from the National Galleries of Scotland. He has worked tirelessly to communicate and connect with the public on all aspects of the collection and in this role has also worked closely with the members of the society of the Art Gallery of New South…

Discussion | Celebrating the stories of Redfern through art | Sydney 13th November 2015

Redfern

Join us for a day of presentations and open discussion about the restoration of the 40,000 Years mural and the future of public art in Redfern. The 40,000 Years mural on Lawson Street is a vital part of Redfern’s cultural heritage. Painted in 1983, it contains a complex weave of Aboriginal histories that relate both to the Redfern area and to the passage of Aboriginal people to and from the city of Sydney from across Australia. The mural has deteriorated considerably since it was painted in 1983 and plans are underway for its restoration. At the same time, the Central to Eveleigh Urban Transformation Program has highlighted the need for contemporary Indigenous stories to be represented in future public art…

Panel Discussion | The Judgement of Paris: Melbourne’s Love Affair with French Theory on the Occasion of Roland Barthes 100th Birthday | CCP Melbourne

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  Kevin Murray, Ann Debono and Bryan Cooke, will share their perspectives on three different aspects of French theory, with an overarching nod to Roland Barthes.  Kevin Murray will link back to the 1980s, specifically the Judgement of Paris series at Gertrude contemporary and the local relevance of French Theory for Melbourne artists and commentators. Ann Debono will address the way that Barthes, Derrida and Baudrillard all suggest a suspicion of images as ideological programming devices, and Bryan Cooke of the Melbourne School of Continental Philosophy will look from Barthes to Ranciere. Entry is by gold coin donation, bookings can be made on our website: http://shop.ccp.org.au/products/panel-discussion-roland-barthes

Jobs, Funding, Calls for Papers | Art History and Curatorship | 6th November 2015

Jobs Lecturer, Museum Anthropology, Australian National University – deadline 15th November 2015 Curatorial Assistant: Indigenous Visual Arts Residency, Shepparton Art Museum – no deadline specified Associate Director (Berndt Museum), University of Western Australia – deadline 22nd November 2015 Curator, Hurstville City Council Museum and Gallery – deadline 15th November 2015 Senior Conservator (Textiles), Queensland Museum – deadline 18th November 2015 Cultural Engagement Manager, National Trust of Australia Head Office (Vic) – deadline 5th December 2015 International Director, Sir John Soane Museum, London – deadline 18th November 2015 Assistant Professor of Art History, Medieval Art, 400-1400, Barnard College, Columbia University – deadline 15th December until position filled Postdoctoral Research Fellowship, South African Art and Visual Culture, University of Johannesburg, NRF Research Chair…

WAYLA | Marie-Anne Collot’s Bust of Diderot | Katrina Grant

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This weekend is the final weekend of the NGV’s Masterpieces from the Hermitage: The Legacy of Catherine the Great. There are talks, drawing and music events over the weekend (see more here http://www.ngv.vic.gov.au/whats-on/programs-events/). I gave a talk at the first Friday Late event on Marie-Anne Collot’s bust of Diderot and thought I would share some of my thoughts on this portrait as a final farewell to the exhibition. In the current exhibition at the NGV of ‘Treasures from the Hermitage’ we enter the exhibition face-to-face with Catherine the Great’s formal royal portrait by Alexander Roslin, a portrait that embodies her position as an autocratic ruler. She is flanked by marble busts of two of France’s leading Enlightenment thinkers, Voltaire and…

Program for AAANZ 2015 – Image | Space | Body

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The program is now available for the 2105 AAANZ conference Image | Space | Body, QAGOMA, Brisbane, Tuesday 24 – Wednesday 25 November 2015 For more details and registration see the conference website http://aaanz.info/aaanz-home/conferences/2015-conference/ Program PROGRAM About the conference After the many ends of art history, we begin again. The conjunction of the Queensland Art Gallery/Gallery of Modern Art’s 8th Asia-Pacific Triennial (APT 8) and the Art Association of Australia and New Zealand annual conference presents opportunities to re-examine art history and generate innovative perspectives on histories and cultural traditions. APT 8 prompts us to challenge assumptions and reconsider the relations between images, bodies, and spaces. We invite discussion on traditions and legacies of art practices and of art histories. We also invite…

Lecture | The Robert Wilson Annual Decorative Arts Lecture: Amarna Palace Ware – decorated ceramics of Egypt’s Golden Age – Colin Hope | NGV International

EGYPT, Malqata, Palace of Amenhotep III, Blue-painted ibex amphora, New Kingdom, 18th Dynasty, reign of Amenhotep III, c. 1390–1353 BCE, Nile silt, white slipped and decorated, 39.5 x 21.0 cm diameter, Rogers Fund, 1911 (11.215.460), Metropolitan Museum of Art, New York

The study of ancient Egyptian decorative arts tends to focus upon manufactures in glass, precious stones and glazed composition, such a jewellery, containers and sculptures. Ceramics, which were generally undecorated, are viewed as utilitarian and often ignored. Yet during the New Kingdom – Egypt’s Golden Age – elaborately decorated pottery was produced for use on festive occasions within palaces, temples and the homes of the elite. The best quality was made in the period of King Akhenaten and Queen Nefertiti, their likely son Tutankhamun and the king’s father Amenhotep III (1390-1327 BCE), in the royal workshops using a pale blue cobalt pigment and with a wide range of other techniques. It was distributed around the country and has been found…

Jobs, Funding, Calls for Papers | Art History and Curatorship | October 30th 2015

Jobs Lecturer in Art (Critical and Theoretical Studies), 0.5 fixed term for three years, Victorian College of the Arts – deadline 19th November 2015 Executive Director, Art Gallery Society of New South Wales – deadline 2nd November 2015 Art Collection Officer, Deakin University – deadline 1st November 2015 Assistant Professor in Medieval or Renaissance Art History University of Hong Kong, The Department of Fine Arts – deadline 11th January 2015 Calls for Papers European Portrait Miniatures (The Tansey Miniatures Foundation, Celle, 11-13 Nov 2016) – deadline 31st March 2016 Renaissance Research Colloquium, New Grounds – New Perspectives (23rd and 24th of June 2016) – deadline 6th January 2016 Past, Present, and Future of Luxury (Toronto, 11-14 May 17), Ryerson University, Toronto Ontario – deadline March…

Exhibition | Alex Selenitsch: Life/Text | Heide MOMA

monoton eeeeeee 
1969
plastic letters on enamel on composition board
71.5 x 59 x 4 cm
Heide Museum of Modern Art, Melbourne
© Alex Selenitsch
Gift of Alex Selenitsch and Merron Selenitsch 2011

From 24th October 2015 Though primarily known as a concrete poet, Alex Selenitsch works across a broad spectrum of disciplines from architecture to artist books, collage and sculpture. His practice in each of these areas is underpinned by a creative exploration of the notion of theme and variation, often using found materials and the pre-existing systems of language and mathematics. Selenitsch has a long connection to Heide initiated through his friendship with Sweeney Reed, the adopted son of John and Sunday Reed. In 1969 Sweeney’s Strines Gallery was the venue for Selenitsch’s debut exhibition of concrete poetry, the first show of its kind in Australia. Several of these early concrete poems feature in LIFE/TEXT together with other examples from the…

Conference | Artist and Empire: New Dynamics 1790 to the present day | Tate Britain 24-26 November 2015

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  International conference | Artist and Empire: New Dynamics 1790 to the present day Tate Britain, Clore Auditorium – 24 – 26 November 2015 We are pleased to announce that Tate is holding a major conference in collaboration with Birkbeck, University of London and Culture at King’s College London, to mark the opening of the exhibition Artist and Empire. Scholars, curators and artists from around Britain and the world will consider art created under the conditions of the British Empire, its aftermath, and its future in museum and gallery displays. Scholarship has expanded over the last two decades across a span of disciplines and locations. This conference takes the historic opportunity of the exhibition, featuring diverse artists from the sixteenth century to the…

Seminar | SUPERCONNECTIVITY – Korean contemporary art | Sydney

Sanghyun Lee, First Tales of Korean Made ICBM, 2014, digital C print. Courtesy the artist

The Korean Cultural Centre in association with the launch of Artlink magazine’s new issue on Korean contemporary art, presents SUPERCONNECTIVITY, a free seminar on Korean contemporary art in Sydney. Renowned Korean and Australian curators and art writers explore connections and differences in a rare opportunity to hear from experts on Korean art in Australia. With a focus on cutting edge contemporary visual arts and in partnership with respected publications Artlink (Australia) and TheArtro (Korea), SUPERCONNECTIVITY is the first contemporary art seminar at the Korean Cultural Centre. Founding Editor of Artlink and co-editor of the Artlink KOREA issue, Stephanie Britton says “From private collections to North-South relations and Korean cultural policy, this seminar and publication look in depth at Korean contemporary…

Call for Papers | The Politics of Southeast Asian Contemporary Art – Seismopolite Journal of Art and Politics

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Call for papers: The Politics of Southeast Asian Contemporary Art | Seismopolite Journal of Art and Politics, Issue 13 Final deadline December 6 Our upcoming issue aims to shed light on the political function of art in diverse contexts in Southeast Asia. Among other things, the issue will discuss the formation of Southeast Asian contemporary art scenes, and of a regional conscience in contemporary art: In particular, the implications and consequences for artists’ ability to reflect and influence their local political situation, and for the possibility of meaningful cooperation between artists and art scenes. As a part of this investigation, the issue will also discuss topics such as the (potential) function of art in public spaces, and how the contemporary art…