Job | Program and Events Officer role at the Power Institute

Applications are now open for the Program and Events Officer role at the Power Institute. Manage a vibrant program of art talks and symposia Expand our audience and engage the art community with your communication skills Part time (2.5 days per week, flexible hours but with some evening work required); fixed term of five years Remuneration package of $84k pa (pro rata), Camperdown / Darlington Campus We are looking for a skilled event and communications professional to coordinate the logistics of Power’s dynamic public program and to engage with a variety of audiences via various platforms. As the Program and Events Officer, you will be responsible for coordinating the public program; hosting a range of high profile speakers for lectures, seminars and symposia; managing key partnerships with universities, galleries and donors; and developing the public face of the Institute through a range of online…

The Andrew W. Mellon Fellowship for art historical research | Rijksmuseum

The Andrew W. Mellon Fellowship welcomes outstanding PhD candidates working on the art history of the Low Countries whose principal concern is object-based research. The Andrew W. Mellon Foundation will enable one PhD candidate annually to base part of their research at the Rijksmuseum. Applications should include an outline of the proposed research, related to the Rijksmuseum’s holdings, in which objects are fundamental. A suitable project might entail research into art objects as artistic or historical sources or object-related archival research. The Fellow’s progress will be assessed in consultation with his/her supervisors at the university and the Rijksmuseum, to determine if the renewal of the Fellowship for a second year is desirable. The Fellowship will preferably result in a publication, the content and form of which will be decided by the Fellow and his/her academic supervisors in consultation with the…

Fellowships | Metropolitan Museum of Art

Almost 150 years after its founding in 1870, The Metropolitan Museum of Art is as strongly committed as ever to its educational mission of supporting scholarly investigation and research into its encyclopedic collection, and to contributing to broader academic discourses. Join a community of scholars in the fields of art history, archaeology, museum education, conservation, and related sciences, as well as scholars in other disciplines whose projects are interdisciplinary in nature and relate to objects in The Met collection. Fellowships include: Art History Fellowships | For qualified graduate students at the predoctoral level, postdoctoral researchers, and senior museum professionals. Conservation and Scientific Research Fellowships | For qualified graduate students at the predoctoral level, postdoctoral researchers, and senior museum professionals. Leonard A. Lauder Fellowships in Modern Art | For doctoral and postdoctoral scholars studying Cubism. Andrew W. Mellon Postdoctoral Curatorial Fellowship…

Symposium | The Transit Lounge of Photography and Magic Lantern Performance | CCP Fitzroy

A symposium on the ever-changing states of photography from the invention of the medium to the digital present. From the magic lantern to Instagram and ‘connected photography’ this symposium unpacks a little history of the transmission of images. The Transit Lounge of Photography examines where the medium of record has been and asks: how is it travelling. The Transit Lounge of Photography is all about making connections with photographic images and reading their vapor trails, presenting a series of projections on images and ideas in the share-house of photography. Join us for an afternoon looking through photographs and at photography ending in a live magic lantern show in the evening. Coordinated by Patrick Pound (Deakin Motion Lab Centre for Creative Arts Research) and the CCP. Presented by Deakin Motion Lab Centre for Creative Arts Research Saturday 21 October, 3pm–7:30pm Bookings required,…

Lecture | James Elkins – Limits of the Criticism of Writing in the Humanities | University of Melbourne

Ever since new criticism, literary study has been developing ideas of close reading. Since the inception of poststructuralism there has been wide acknowledgment of the constructed nature of the text. In the last 15 years there have been even more models for understanding texts, including ‘distance reading’ and ‘surface reading’. Given that amazing richness of interpretive possibilities, it is strange that the humanities continue to teach writing on a rudimentary level, stressing clarity, concision, and organisation – basic pedagogy that was already out of date 100 years ago. This talk is an informal survey of the absence of the tools of literary theory and rhetoric in fields such as sociology, anthropology and art history, with special reference to examples such as Rosalind Krauss, Alex Nemerov, T.J. Clark, Stephen Greenblatt, Steven Pinker and Saul Kripke. James Elkins’ lecture is coordinated in…

Exhibition | Seeing Voices | Horsham Regional Art Gallery

Seeing Voices, an exhibition that thinks through how the voice is visualised, employed and reimagined in contemporary art, has opened at Horsham Regional Gallery and runs until 10 December. Seeing voices, a collaboration between NETS Victoria and Monash University Museum of Art I MUMA uses the Monash University Collection as a springboard for thinking through the voice. The exhibition encompasses drawing, painting, photography, sculpture and video, and a live performance with each iteration of the exhibition. In the exhibition, the voice might act as a metaphor for  collective action, for speaking out against injustice and coming together in gestures of solidarity. It can be a marker of cultural and geographic specificity or the trace of disappearing language. It may also function like a spiritual medium; through its historical recording and archiving it time-travels to haunt the present. The voice is…

Keir Lectures on Art | The Limits of Globalisation in Art History – James Elkins | Sydney

The Power Institute with Sydney Ideas is pleased to present a lecture by James Elkins, Professor Art History, Theory and Criticism, and Visual and Critical Studies at the School of the Art Institute of Chicago. Elkins is the third speaker in our Keir Lectures on Art series. ABSTRACT | This lecture is not concerned with global art per se, but with the global writing of art history. Current initiatives supporting the international practice of art history, such as the Clark Art Institute’s Mellon Foundation-funded projects, are aimed at the exchange of information and the facilitation of travel and study. Such programs, Elkins argues, can promote a homogenised approach. In this lecture, Elkins challenges the assumption that there are traditions of art-historical scholarship different from those that are widely acknowledged, suggesting instead that scholarly practices exist, but not as art history…

Final days to enter the Power Publications Dissertation Prize for Indigenous Art Research

Deadline: 20th October 2017 The dissertation prize for the best PhD, DPhil or Master by Research written on Indigenous art. Supported by the Copyright Agency Cultural Fund, this prize supports new research and writing on Indigenous art within a scholarly context. The prize is not restricted to authors of Indigenous heritage. Academic supervisors will be invited to nominate candidates and a jury led by Professor Ian McLean, of the University of Melbourne, will select an awardee. The prize will be financial ($2,000) and the winning author will be invited to present their research at the University of Sydney. Individuals can apply, or, can be nominated by a friend or colleague. Application requirements: The 2017 round of the award is currently open and applications can be made via Submittable Applicants for the 2017 award must have completed and defended their dissertation in the calendar…

Free Public Lecture | Design Sensibility: Viennese émigrés in Australia | Harriet Edquist

 Annual Duldig Lecture for 2017 | Wednesday 18th October 2017 Design Sensibility: Viennese émigrés in Australia Professor Harriet Edquist, Professor of Architectural History, RMIT University   Situated between international modernism on the one hand and local debates about “Australian” architecture and design propounded by Robin Boyd and others on the other, Viennese designers negotiated the values of domestic design they had absorbed in the cities of Europe within a fast-changing postwar Australian environment. In this lecture Harriet Edquist will show how personal histories of émigré and refugee Viennese designers throw into question Australian design history’s often limited definition of design as a purely modernist professional practice beholden to a national agenda. It will argue that on the contrary, geographical and cultural boundaries are fluid, that learning never stops, that memory was often central to the émigré expression of “home” and…

Jobs and Funding | Art History and Curatorship | 13th October 2017

Jobs Australia Branch Head, Assistant Director National Collection, Australian War Memorial – deadline 26th October 2017 Public Programs Officer, Museum and Art Gallery of the Northern Territory – deadline 30th October 2017 – deadline 30th October 2017, Board of the Museum and Art Gallery of the Northern Territory – deadline 30th October 2017 Architectural Historian, Parliament of Australia – deadline 24th October 2017 Indigenous Curator, National Library of Australia – deadline 15th October 2017 Registration Officers, The National Gallery of Australia – deadline 26th October 2017 Museum Curator, Law Society of WA – deadline 17th October 2017 International Programme Director (specialist in art history/object-based study/curating/arts management), Christie’s Education – deadline 30th October 2017 Lecturer Art Law & Business (Business Component), Christie’s Education – Creative Arts and Design – deadline 30th October 2017 Lecturer/Assistant Professor in Greek Archaeology and Museum Curator,…