Call for Sessions | AAANZ 2016 Conference ‘The Work of Art’


Deadline for the Call for Sessions is May 20th 2016. Call for Sessions The Work of Art invites discussion on how works of art, craft, design and architecture operate and are operated on in different ways and contexts, historically, socially, politically, aesthetically, affectively. Given the location for the conference in Australia’s national capital with its concentration of national cultural institutions we would also welcome sessions on how art is made to work in institutional contexts. Conference sessions might consider issues such as: the function of art in broad social terms its affect, the ways in which art “works upon” its viewers the practice of art and the various processes of creation art in which labour or work is the subject…

Jobs, Funding, Calls for Papers | Art History and Curatorship | April 29th 2016

Productie van kopergravures, Philips Galle, c. 1598 - c. 1593, Rijksmuseum.

Jobs Australia Gallery Director, Rockhampton Art Gallery – deadline 30th May 2016 Head of Learning & Access, The National Gallery of Australia – deadline 5th May 2016 Curator, Australian Catholic University – deadline 8th May 2016 International Lecturer in Contemporary Art Theory and Practice, University of Edinburgh – deadline 18th May 2016 Postdoc, Legitimation of European cultural heritage and the dynamics of identity politics in the EU, University of Jyväskylä, Finland – deadline 22nd May 2016 Lecturer in History of Art (Post-1945 to Contemporary Art), University of Birmingham – deadline 27th May 2016 Funding Caroline Villers Research Fellowship, Courtauld Institute of Art, University of London- deadline 30th May 2016 Monash University: Centre for Medieval and Renaissance Studies Visiting Scholar Program…

Lecture | Marco Polo’s Tomatoes, or on Cross-Cultural Exchange in Early European Art | Anne Dunlop, Herald Chair in Fine Arts

Marco Polo with a caravan. Illustration from the 'Catalan Atlas'. Ar. 1375. Bibliotheque Nationale, Paris

Marco Polo’s Tomatoes, or on Cross-Cultural Exchange in Early European Art A lecture by Anne Dunlop, Herald Chair in Fine Arts In the last decades, the question of cross-cultural contact and exchange has emerged as a major field of research in Art History and the humanities in general. This work is driven by the need to understand the early history of our own global moment, but it is also part of a larger and more ambitious project: the attempt to write a global history of art, one that does not privilege Western production at the expense of other cultures. The importance of the project is clear, but there are many competing, and conflicting, ideas about how such a history should…

Call for Papers | Australian and New Zealand Journal of Art Issue 1, 2017


Australian & New Zealand Journal of Art | Issue 1, 2017   Open Issue Closing: 15 August 2016 Issue editors: Professor Mark Ledbury, University of Sydney, and Rachel Kent, Chief Curator, Museum of Contemporary Art Australia The Australian and New Zealand Journal of Art is published by the Art Association of Australia and New Zealand. AAANZ is Australia’s professional body for art and design historians, arts writers, artists, students of art history and theory, and museum professionals. The Journal is Australasia’s principal refereed art history journal. The Journal is dedicated to the study of art history and its various emanations including art practice, theory and exhibition. The editors seek research papers that engage with critical debates and frameworks across art historical and theoretical enquiry within…

Workshops in Reflectance Transformation Imaging in Melbourne and Perth

RTI Workshop Perth

The Australian Institute for the Conservation of Cultural Materials with generous support from the Gordon Darling Foundation and from the ADFAS Patricia Robertson Scholarship Fund, is presenting two four-day Reflectance Transformation Imaging (RTI) Workshops. These workshops, led by experts from Cultural Heritage Imaging (CHI) in San Francisco, will take place at the Grimwade Centre for Cultural Materials Conservation at the University of Melbourne from 28 June to 1 July and at the Berndt Museum at the University of Western Australia from the 5 to 8 July 2016. RTI is a computational photographic method that captures a subject’s surface shape and color and enables the interactive re-lighting of the subject from any direction. RTI also permits the mathematical enhancement of the subject’s…

Lecture | A World of Things: Exchange and Material Culture in the First Global Age – Giorgio Riello | NGV International


A World of Things: Exchange and Material Culture in the First Global Age, 1500-1800 | Robert Wilson Annual Lecture 2016 | Professor Giorgio Riello, Director of the Warwick Institute of Advanced Study and Professor of History at Warwick University We are often told that we live in an age of globalization, one of growing homogenization of consumption, increasing communication and cultural and economic integration. Yet the study of material culture suggests that today’s global connectedness is not new. The early modern period (c. 1500-1800) can be seen as the ‘first global age’ as contact between different parts of the world intensified. Explore the artefacts of the first global age and the role of material culture in creating global connectivity with prize-winning…

Jobs, Funding, Calls for Papers | Art History and Curatorship | April 22nd 2016

Productie van kopergravures, Philips Galle, c. 1598 - c. 1593, Rijksmuseum.

Jobs Australia Deputy Director Engagement, Tasmanian Museum & Art Gallery – deadline 4th May 2016 Research Fellow – Migration, Cultural Diversity and Television: Reflecting Modern Australia, University of Melbourne – deadline 18th May 2016 Curator (6 months maternity leave replacement), Lismore Regional Gallery – deadline 8th May 2016 International Vice-Chancellor’s Research Fellow in Humanities (2 posts), Northumbria University – deadline 12th May 2016 Assistant Professor of Aesthetics and Culture, University of Aarhus – The School of Communication and Culture – deadline 10th May 2016 Early Career Research Fellow in Intangible Cultural Heritage or Materiality of Everyday Life, University of Hertfordshire – deadline 17th May 2016 Associate Professor (Reader or Senior Lecturer) in Fine Art, Plymouth University – deadline 23rd May 2016 Funding Paul Mellon Centre…

Lecture | Judy Watson | Monash Art Design & Architecture

Image: Judy Watson
From dusk till dawn: five Brisbane shields 2003 (detail)
ink, chinagraph pencil and synthetic polymer paint on canvas
Courtesy of the artist and Milani Gallery, Brisbane
Photo: Carl Warner

Join us for an Artforum lecture by Judy Watson presented by Art Design & Architecture and introduced by Francis E. Parker. A direct descendant of the Waanyi clan, Judy Watson grew up in Brisbane and attended the Darling Downs Institute of Advanced Education, Toowoomba, where she gained a Diploma of Creative Arts in 1979. After moving to Hobart in 1980, she graduated from the University of Tasmania with a Bachelor of Fine Arts in 1982. In 1990, she travelled to her grandmother’s country in north-west Queensland to learn more about her family’s connections to Riversleigh Station and Lawn Hill Gorge, and her grandmother’s stories. Watson’s matrilineal link to the country of her ancestors has always been central to her printmaking…

Symposium | Future of Design for Publishing | NGV International

Eastside Projects Annual, graphic design by James Langdon, 2014–2015

There is a symposium at the NGV next Friday as part of the Melbourne Art Book Fair 2016. Presented by National Gallery of Victoria’s Melbourne Art Book Fair in conjunction with the RMIT Design Futures Lab, the International Symposium on the Future of Design for Publishing features leading international and local speakers discussing new genres in publishing. The Symposium is convened by Associate Professor Brad Haylock, Program Manager, Master of Communication Design, RMIT University. Speakers include Na Kim, designer (Korea); Freek Lomme, publisher and curator, Onomatopee (The Netherlands); David Blamey, publisher, Open Editions (United Kingdom); Sophy Williams, Senior Rights Executive, Black Inc.; James Langdon, designer/researcher, Eastside Projects (United Kingdom) and Fayen d’Evie, publisher, 3-ply (Melbourne). Symposium ticket includes VIP entry to the Melbourne…

Wednesday Art News Round Up | April 20th 2016 | David Hockney at NGV, Copyright Wins and Losses, etc

David Hockney, 'Self-portrait, 20 March 2012', iPad drawing, Collection of the artist © David Hockney

Yesterday the NGV announced their main exhibitions for the Spring and Sunmmer this year. The major summer exhibition at the NGV International will be a major solo exhibition of art by David Hockney (opening 11 November 2016 at NGV International). The exhibition, curated by the NGV in collaboration with David Hockney and his studio, will feature more than 700 works from the past decade of the artist’s career – some new and many never exhibted before in Australia. The exhibition will include paintings, digital drawings, photography and video works. One major work inclluded will be The Four Seasons, Woldgate Woods, a video work that shows the changing landscape of Hockney’s native Yorkshire, each season comprised of nine high-definition screens. Over at the NGV…

Launch |un Magazine 10.1 | ACCA

Pia van Gelder, Theoretical Waveform Instrument for Earth Generation (detail) 2016. Copper, paper, wire, carbon

Everyone is invited to celebrate the launch of un Magazine issue 10.1 at the Australian Centre for Contemporary Art, Melbourne. Issue 10.1 reflects on recent philosophical and artistic investigations into the productive forces of the material world and the potential of objects. Join contributors Dr Andrea Eckersley, Tristen Harwood, Emily Castle, along with ACCA curator, Annika Kristensen, in discussion with the editors. Venue: ACCA, 111 Sturt St. Southbank , Melbourne Date: From 6pm, Tuesday 26 April 2016 FREE Website: View this event on Facebook. un Magazine 10.1 LIST OF CONTRIBUTORS Michael Ascroft, Deborah Birch, Jessie Bullivant, Deirdre Cannon, Emily Castle, Sophia Dacy-Cole, Saskia Doherty, Jeremy Eaton, Andrea Eckersley, Kelly Fliedner, Lucy Forsberg, Richard Frater, Chris Griffiths, Tristen Harwood, Taloi Havini, Helen Hughes, Glenn Iseger-Pilkington, Susan Jacobs,…

Writing and Concepts | Lecture 7 Esther Anatolitis | RMIT Design Hub

The Scheme was a Blueprint for Future Development Programs, designed in collaboration between Simon Browne and Agatha Gothe-Snape, 2015 (photo by Simon Browne).

Esther Anatolitis Esther Anatolitis is a writer and curator with an abiding interest in how art creates public space in all its forms. Her practice rigorously integrates professional and artistic modes of working to create collaborations, projects and workplaces that promote a critical reflection on practice. With a focus on both system and constructive disruption, she has presented or collaborated on works across media and across the world. Esther’s writing has been published and translated widely in Australia and overseas. While experimentation is her writerly love, her influential blog spans critique, politics and culture. In 2016 she will exhibit her twenty-year INDEX-SYSTEM project at Mailbox 141. In 2017, she is a keynote speaker for Writing as Performance at the College…

Open call for artists | Public Art Melbourne Biennial Lab

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The City of Melbourne are calling for artists to apply for the inaugural Public Art Melbourne Biennial Lab. We encourage early mid-career artists to imagine and develop new encounters with the city in this bold new initiative led by Chief Curator Natalie King. Selected artists will spend two weeks in June in a laboratory setting, to develop their concepts under the mentorship of leading national and international public art experts, including Claire Doherty from Situations UK. Up to 10 temporary works of art conceived in the Biennial Lab will then be created and installed at the Queen Victoria Market during the Melbourne Festival in October. A series of public programs will run alongside both lab stages, inviting the wider Melbourne community to share in…

Public Forum | Panorama Forum | TarraWarra Museum of Art

Judy Watson mt riddell 2016, pencil and acrylic on canvas, 240 x 148 cm, Courtesy of the artist and Milani Gallery, Brisbane

While the Australian bush has traditionally exerted a powerful mystique over the popular imagination, suburbia has gradually usurped the natural landscape as the site of the day-to-day lives and experiences for the majority of Australians. Nevertheless, the landscape genre featured in Panorama and Judy Watson: the scarifier persists as a subject not only reflecting on the changes wrought on the Australian landscape since colonisation, but also the transformation of its social, economic and cultural functions. Moreover, these works call into question the very nature of our relationships to, and conceptions of the landscape, challenging us to consider its role in the delineation of personal, community and national identities. In the forum, panellists Judy Watson, Danie Mellor and Imants Tillers will…