Reminder: Dr Lucy-Anne Hunt Lecture Thursday 13 May

The Fine Arts Network in collaboration with Art History, School of Culture and Communication, The University of Melbourne, present: The Joseph Burke Lecture 2010 Dr Lucy-Anne Hunt Professor and Head of Art, Faculty of Art & Design, Manchester Metropolitan University, England ‘Eastern Christian Art and Culture: Convergence between Jerusalem, Greater Syria and Egypt between the 12th-14th Centuries’ Lucy-Anne Hunt’s interests and publications focus on cross-cultural analysis between Byzantine and Islamic, and Christian and Muslim art and culture in the Middle Ages through the study of Byzantine, Eastern Christian – especially Coptic and Syrian – as well as Crusader art. Date: Thursday 13 May 2010,  6.30pm Venue: Elisabeth Murdoch Theatre, University of Melbourne (Parkville). Free Public Lecture All Welcome.   Bookings not required Enquires: registrar@hildas.unimelb.edu.edu.au

Seminar: Vincent Alessi on Vincent Van Gogh

Vincent Alessi Postgraduate candidate at La Trobe University ‘It’s a Kind of Bible: A Thematic and Stylistic Analysis of Vincent Van Gogh’s Collection of English Black-and-White illustrations’ La Trobe University, School of Historical Studies Research Seminars Date: Thursday 13 May, 12:05 to 1:45 pm Venue: History Meeting Room, David Myers Building East 125, Bundoora Campus, La Trobe University. (Car Park 3) Enquiries: Dr Robert Kenny, History Research Seminar Co-ordinator, r.kenny@latrobe.edu.au

Symposium: Cities and History: new voices, new approaches

Cities & History: new voices, new approaches Friday 21 May 2010 9am to 5pm Discovery Centre, Melbourne Museum Presented by the Institute for Public History at Monash University & Museum Victoria A one-day symposium featuring emerging Melbourne-based urban historians.  With commentary by Professor Helen Meller, Nottingham University, UK and Professor Erik Olssen, Otago University, NZ. Speakers Include: · Jenny Coates, Monash University · Cameron Logan, University of Melbourne · Dan Morrow, University of Melbourne · Bernice Ngo, La Trobe University and Museum Victoria · Carla Pascoe, University of Melbourne · Adrian Regan, Monash University · Simone Sharpe, Monash University · Sarah Rood, WayBack When Consulting Historians · Frank Vitelli, University of Melbourne Cost: $10.00 (pay on day) Enquiries: Seamus O’Hanlon, School of Philosophical, Historical and International Studies, Monash University (seamus.ohanlon@arts.monash.edu.au) RSVP: Kerrie Alexander, Institute for Public History, Monash University (Kerrie.alexander@arts.monash.edu.au)…

West 86th: New Journal of Decorative Arts, Design History, and Material Culture

New Journal: University of Chicago Press and Bard Graduate Center Announce West 86th The University of Chicago Press and the Bard Graduate Center (BGC) have announced a partnership to publish West 86th: A Journal of Decorative Arts, Design History, and Material Culture. The new biannual journal, which takes its name from the BGC’s New York City address, will be an international forum for research exploring the content, meaning, and significance of objects in their cultural and historical frameworks. It replaces Studies in the Decorative Arts, which the BGC had published for 17 years. As with its predecessor, West 86th will maintain the highest standards of scholarship and technical production. It will present an open and interdisciplinary approach, seeking the valuable input of design, art, and architecture historians; scholars of film, fashion, and material culture; as well as archaeologists, sociologists, and…

Scholarship: Francis Haskell Memorial Fund

Francis Haskell Memorial Fund, The Burlington Magazine Foundation 2010 Scholarships Grants of up to £2000 will be awarded from the Francis Haskell Memorial Fund each year to enable scholars to spend time in libraries or archives carrying out advanced research in the history of western art. Preference may be given to candidates in the early stages of their careers; to subjects related to the commissioning, collecting or interpretation of works of art made before 1914; and to research carried out outside the applicant’s country of residence. Scholars from any country may apply. An additional award may be made by the Trustees of The Burlington Magazine Foundation in conjunction with the Francis Haskell Trustees. Applications, including a two-page proposal, a C.V. and a budget, should be sent by email to Caroline Elam: carolineelam@yahoo.co.uk * Please label all attachments with surname of…

CFP: Constructing the Discipline – Art History in the UK

The third annual Glasgow Colloquium on Art Historiography will be held in the Institute for Art History of the University of Glasgow 25th – 27th November 2010. Papers lasting 20 minutes are invited on formative moments, movements, institutions and individuals in accordance with the mission statement of the Journal of Art Historiography.  The UK means England, Ireland, Scotland and Wales. Moments could include significant exhibitions or the creation of the DipAD, with its attendant requirements for art historical instruction. Movements could include the movement of scholars or exchange of ideas, the movement towards new art history and broadening of study to extend out of Europe. Institutions could include the foundation of art history departments or changes in the museum sector. Individuals could include significant scholars who have made an impact on the practice of the discipline. Declarations of interest with…

CFP: Eighteenth-Century Studies Conference in Melbourne – July 2011

La Trobe University, School of Historicaland European Studies. History Program. 14th Australasian David Nicol Smith Seminar in Eighteenth-Century Studies Melbourne 4 – 8 July 2011 In the heart of the city @ State Library of Victoria and National Gallery of Victoria The conference convenors seek papers, please visit the conference website for further details – http://www.latrobe.edu.au/history/eighteenthcenturyconference.html The Occasion The David Nicol Smith seminar in Eighteenth-Century Studies is a long-running quadrennial conference. Over the years, it has spawned many influential publications. We hope our 14th seminar will be the same. Inaugurated and supported by the National Library of Australia, the Nicol Smith is the major Australasian showcase for inter-disciplinary professional and academic discussion on eighteenth-century studies. The conference attracts scholars across all the Humanities’ disciplines of history, literature, art history, and musicology, studies of material culture and anthropology and archaeology. The…

Forum: The Keith Haring mural – yesterday, today, tomorrow

Yarra Talking Arts Forum: The Keith Haring mural – yesterday, today, tomorrow Time: Thursday 29 April Venue: Collingwood Neighbourhood Justice Centre, 241 Wellington St Collingwood Free entry. All Welcome. In 1984 American artist Keith Haring visited Australia and painted a mural on the side of the Collingwood Technical College on Johnston Street. Since then, Haring has been internationally recognised as an artist of great significance and subsequently the Collingwood mural has been placed on the Victoria Heritage Register. A legacy of Haring’s visit to Melbourne and his life’s work, this mural has become a local icon. This forum is an opportunity to find out more about this work and discuss the mural’s history and its future. The forum will feature a special presentation of information from the Haring Foundation. CHAIR: Megan Evans PANEL: Hannah Mathews – Freelance Curator, Ted Gott…

CFP: ‘World, Knowledge, Power. Encyclopaedic pictorial programmes from the thirteenth to the fifteenth century

World, Knowledge, Power. Encyclopaedic pictorial programmes from the thirteenth to the fifteenth century Summer School of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut 3 – 11 September 2010 Deadline for application: 14 June 2010 Concept and organization: Manuela De Giorgi, Susanne Pollack, Gerhard Wolf Academic guest: Dieter Blume The thirteenth century was a ‘century of encyclopaedias’. Learned compilations of knowledge were then produced, and iconographic programmes formulated, with the claim to present all fields of available knowledge in a comprehensive and systematic way. To be able to present knowledge as ‘Summa’, and represent it in encyclopaedic pictorial  programmes, thematic groups were defined and used in a strikingly constant way; they comprised, for example, such recurrent elements as the planets, the months of the year and the work associated with each, the virtues or the liberal arts. Within this vocabulary uniqueness…