Propose a Paper or Presentation for the 2011 CAA Annual Conference

Deadline for proposals: May 3, 2010. The 99th Annual College Art Association Conference in New York—which kicks off CAA’s centennial year—takes place February 9–12, 2011. CAA and session chairs invite your participation: please follow the instructions in the booklet (pdf) on their website to submit a proposal for a paper. This publication also includes a call for Poster Session proposals and describes the Open Forms sessions. In addition to attending and participating in the wide-ranging panels on art history, studio art, contemporary issues, and professional and educational practices, CAA expects participation from many area schools, museums, galleries, and other art institutions. The Hilton New York is the conference hotel, holding most sessions and panels, Career Services and the Book and Trade Fair, receptions and special events, and more.

CFP: Museums in Central Europe, 1850-1939

Call for Papers for a Special Issue of “Centropa”, 2012 - Museums in Central Europe, 1850-1939 http://www.artworlds.org/centropa.htm The rise of the exhibitionary complex in nineteenth-century Germany, France and Britain has been the subject of substantial amounts of research. It has been rather less well explored in relation to central Europe. The journal Centropa will therefore be publishing a special issue on museums in Central Europe in 2012. The issue will be examining the development of museums between 1850 and 1939 and their contribution to processes of identity formation during the period in question. Questions to be addressed will include: 1. What ideological impulses gave rise to the foundation of museums across central Europe? 2. What were the ideological implications of their collecting and exhibition policies? 3. How did their functions and meanings change between 1850 and 1939? 4. How did…

Lecture and Seminar on ‘Reversed Painting’ with Professor Richard Read

Richard Read Professor of Art History at the University of Western Australia LECTURE: Reversed Painting and the Conflict between Commercial and Academic Values in Nineteenth-Century London and Paris This lecture examines how the strange, complex pictorial motif of the reversed painting was used in paintings representing art galleries and academic juries to adjudicate the conflict between academic and commercial values at a time when newly professionalized commercial galleries sought to wrest cultural authority and financial power from academies in both London and Paris. SEMINAR: The Reversed Painting in Colonial Art The lecture is followed by a seminar in which Richard Read will lead the discussion. This will explore the use of the reflexive pictorial motif of the reversed canvas in colonial and decolonized art to register synchronic differences between cultures where the representation of skin colour, pioneer technologies, and contrasting…

Writing Architecture: A Symposium on Innovations in the Textual and Visual Critique of Buildings

Deadline - 16th April 2010. Abstracts are invited on innovative approaches to critical and creative work about buildings and places, through text and or images. Both scholarly papers and new examples of critical and creative work are welcome. The conference will be held at Brisbane’s Gallery of Modern Art, and the State Library of Queensland, on July 22 & 23 2010. Keynote speaker is Professor Katja Grillner, KTH Stockholm. Within an expanding international discourse on writing and architecture, the conference invites a broad range of disciplinary approaches including perspectives from photography, literature, philosophy, anthropology, aesthetics, the fine arts, design, psychology, cultural studies, art history, creative writing, sociology, journalism, and others. Topics might include, but are not limited to: WRITING AS AN ARCHITECTURAL PRACTICE: When and how is writing an architectural medium? What might an experimental writing in architecture and its…

Harrell Fletcher – Towards a tender society of thoughtful questions and answers

Harrell Fletcher - Towards a tender society of thoughtful questions and answers SATURDAY 20 MARCH, 12:30PM Clemenger BBDO auditorium NGV International 180 St Kilda Rd FREE Harrell Fletcher (b. 1967, lives and works in Portland, Oregon, U.S.A.) creates art through collaboration and participation often with those outside the parameters of the art world. From installing a museum focusing on local peoples’ lives in a northern California shopping mall to working with an eight-year-old boy as the principle decision-maker for a work of public art created for a park in Brittany, France, Fletcher’s art is really all about you, rather than all about him. Fletcher is developing a project for the NGV that opens this September. “People often ask how I’m able to entice random strangers into working with me. The answer is that I appear to actually be interested in the…

Launch of ‘Europe and Australia’ MAJ nos. 11 and 12 edited by David R. Marshall

‘Europe and Australia’ (MAJ nos. 11 and 12) edited by David R. Marshall. This volume has a focus on ‘Europe and Australia’ and includes a diverse range of articles from both Australian and international scholars including Ruth Pullin, Caroline Jordan, Veronica Filmer, Mark Stocker, Katti Williams, David Maskill, Simon Pierse, Richard Read and Alex Baker. Time: 5:30pm for a 6pm launch, Thursday 25th March, 2010. Venue: Courtyard of the Elisabeth Murdoch Building, The University of Melbourne (Parkville). For a contents list and a sneak peak inside please see the MAJ page on this website. The Melbourne Art Journal is published by the Fine Arts Network (please note it is now published Daytopia Press, see the MAJ page on this website.)

Expressions of interest for opportunity as emaj Sub-Editor issue 5, 2010

Applications now open www.melbourneartjournal.unimelb.edu.au/E-MAJ Masters and Art History PhD candidates are encouraged to apply Deadline: 15 April 2021 emaj (electronic Melbourne art journal) is the only online, refereed art history journal published in Australia. emaj aims to provide an international forum for the publication of original academic research in all areas and periods of art history. emaj welcomes monographic articles about specific artists or art collectives as well as thematic or theoretical analyses on aspects of art history. emaj is published annually by the Fine Arts Network and is edited by art history graduates and post-graduates from the University of Melbourne. Our aim for the position of Sub-Editor is to provide an emerging editor / art historian with the opportunity to expand their editorial skills and professional development in the production of a high quality, online, academic publication. The Sub-Editor…

Dr Michael Brand – ‘Curating for the Common Good’

Dr Michael Brand, Director J. Paul Getty Museum 2005-2010, Miegunyah Distinguished Visiting Fellow. Curating for the Common Good Friday 12 March, 2010, 5.30-6.45 pm, Elisabeth Murdoch Lecture Theatre, University of Melbourne, Parkville. Curatorship straddles the middle ground between art collections placed on display for the public good and the discipline of art history that provides most of the tools for investigating the ideas and ideals that those works of art embody. Drawing upon experience as a curator in Australia and as a museum director in the United States, this lecture will look at issues confronting the practice of curatorship on both sides of the Pacific. Dr Brand’s lecture is the keynote address for the symposium, Interrogating Art Curatorship in Australia, which is being held on 13-14 March to celebrate twenty years of teaching art curatorship at the University of Melbourne.…

Symposium – Interrogating Art Curatorship in Australia (University of Melbourne, Parkville)

An international conference to be held at the University of Melbourne on 12 (evening), 13 and 14 March 2010, interrogating the practice of art curatorship in Australia now, and in the recent past. The program is conceived in celebration of twenty years of art curatorship at the University of Melbourne. It has been organized in conjunction with the launch of the initiative to establish the Australian Institute of Art History at the University of Melbourne. Keynote speaker Michael Brand, Director, J. Paul Getty Museum, 2005-2010 Miegunyah Visiting Fellow, 2010. Symposium speakers include: Anthony Bond; Joanna Bosse; Jane Clark; Alison Carroll; Rebecca Coates; Charlotte Day; Max Delany; David Elliott; Juliana Engberg; Stephen Gilchrist; Alexi Glass-Kantor; Charles Green; Alison Inglis; Jeff Kahn; Rachel Kent; Frances Lindsay; Ruth McDougall; Kyla McFarlane; Christopher Marshall; Hannah Matthews; Karen Quinlan; Patrick Pound; Jason Smith; Daniel Thomas…

JSTOR Auction catalogues online – open access till June 2010

JSTOR is collaborating with the Frick Collection and the Metropolitan Museum of Art in a pilot project funded by The Andrew W. Mellon Foundation to understand how auction catalogs can be best preserved for the long-term and made most easily accessible for scholarly use. Auction catalogs are vital for provenance research as well as for the study of art markets and the history of collecting. This prototype site is open to the public through June 2010. If you are interested in this content and the importance to art research, you are encouraged to try the site and take a brief survey. In June, we will evaluate use of the content and the feedback we have received in order to help determine the future of the resource. http://auctioncatalogs.jstor.org/