EMAJ deadline EXTENDED – 15th April 2010

ART HISTORY CALL FOR PAPERS: EMAJ ISSUE 5 2010 www.melbournartjournal.unimelb.edu.au/E-MAJ SUBMISSIONS DEADLINE EXTENDED – NOW 15th April 2010 emaj (electronic Melbourne art journal) is one of the only online, refereed art history journals in Australia. Published annually in association with the University of Melbourne, emaj aims to provide an international forum for the publication of original academic research in all areas and periods of art history. For the 2010 edition of emaj, the editors now seek submissions from researchers investigating the history of art. emaj welcomes monographic articles about specific artists or art collectives as thematic or theoretical analyses of art history from any historical period. Established and emerging researchers working within the fields of art history, architectural history, curatorship, politics and aesthetics, visual culture, philosophy, historiography and museum studies are encouraged to submit. Manuscripts must be submitted by email to…

'Wonder-Lust': The Reception of the Belvedere Sculpture Courtyard

The European Visual Culture Seminar presents: Caterina Sciacca ‘Wonder-Lust’: The Reception of the Belvedere Sculpture Courtyard The Belvedere Sculpture Courtyard houses one of the most famous sculpture collections in the Western world. It has attracted the interests of scholars, artists and tourists since the Renaissance. It originally functioned as a private pleasure garden to which only a privileged few were granted access. In the eighteenth century this changed, and the courtyard became popular with a new audience: the Grand Tourists. For the Grand Tourist, the experience offered by the collection in the Belvedere Sculpture Courtyard was both educational (in that it provided access to some of the masterpieces of antiquity) and aesthetic (in that it encouraged viewers to take pleasure in the representation of the human body). This paper will discuss the sensual nature of the Belvedere Statue Courtyard during…

BHA to continue with free access for all

The Getty has announced on their site that the Bibliography of the History of Art (BHA) will continue to operate. They state that: Since ending its collaboration with the Institut de l’Information Scientifique et Technique (INIST)–CNRS in December 2007, the Getty has been searching for partners to continue the production and distribution of BHA. This process has been complicated, and with no suitable arrangement immediately available, the Getty decided to act on its commitment to the scholarly community by providing access to BHA directly from its own Web site. It can  now be accessed via their website free of charge at http://library.getty.edu/bha. Free Web access to BHA will be an advantage to those who previously could not access it as they didn’t have an institutional subscription. The database search includes both BHA (covering 1990-2007) and the International Bibliography of Art…

Grants from the Australian Academy of the Humanities

Details of funding for travel and publication by the Australian Academy of the Humanities. As part of the Australian Academy of the Humanities’ responsibility to foster the study of the humanities in Australia, the Academy has established several international programmes to facilitate Australian scholars to travel overseas, and foreign scholars to travel to Australia, to access materials not held in their home countries and to create links with academics and researchers overseas. These programmes are mostly aimed at post-doctoral researchers in the humanities. The following programmes are offered in 2010 Humanities Travelling Fellowships Fellowships of up to $4,000 each, they are intended to allow early-career humanities researchers to travel overseas for short periods (not less than two weeks) to access materials in connection with their research. This Programme also incorporates: * the Ernst Keller Travelling Fellowships (for travel to European…

Call for Papers: Consumption and Art

Deadline for Submission: April 20, 2010 This panel explores consumption as it relates to art and visual culture. Papers may deal with consumption as a subject matter and/or consumption as a dominant ideological paradigm within specific historical/cultural contexts. Papers may also address the ways in which consumption, in both practice and theory, shapes identities and transgresses or reinforces boundaries of many kinds; including but not limited to those that are geographical, political, social, and historical. Consumption could also be discussed in terms of the making, exhibiting, and viewing of fine art and other types of images, objects, and/or spaces. Submissions that question the impact that consumption has upon the environment and upon one’s sense of self and place are especially welcome, as are papers that explore the relationship between advertising and art. While all media, genres and time periods will…

CFP Images at Work: Image and Efficacy from Antiquity to the Rise of Modernity

Conference – Images at Work: Image and Efficacy from Antiquity to the Rise of Modernity. Kunsthistorisches Institut in Florenz, Max-Planck-Institut 30 September – 2 October 2010 According to legend, Virgil made a fly out of bronze and placed it above the gates of Naples.  The sole purpose of the bronze fly was to prevent other flies from entering the city.  The conference Images at Work will set out to explore the intention, function, and reception of images like Virgil’s fly: images made to influence the natural world. We seek to examine the theories behind the construction of these operative images, to interrogate how the production of apotropaic images related to the production of Art, and to question how the manufacture of such working images interacted with the production of other types of mechanical apparatus. In contrast to religious miracle-working images…

Call for Papers – Journal of Art History and Theory

rebus | journal of art history & theory Call for papers – 5000 to 7000 word essay contributions from postgraduate students and recently graduated PhDs on any aspect of photography from the disciplines of art history, art criticism, visual culture, film  and media studies, and aesthetics for the Summer 2010 issue. The deadline for submission is April 30. rebus is the postgraduate journal of the Department of Art History and Theory at the University of Essex launched in Spring 2008.  Founded and edited by postgraduate students of the department, the journal publishes peer reviewed papers that present new research and fresh perspectives on art and its histories as well as related aspects of cultural theory. For more details and notes for contributors, please visit our website at http://www.essex.ac.uk/arthistory/rebus/statement.htm or email us at rebus@essex.ac.uk

New Perspectives on Cubism & Australian Art

New Perspectives on Cubism & Australian Art A forum, co-presented by Heide Museum of Modern Art and the University of Melbourne, to critically discuss the exhibition Cubism & Australian Art. Time: Monday 29 March 2010, 5:30pm – 8pm Cost: FREE (discounted exhibition admission available when booking) Venue: Laby Theatre, David Caro Building, University of Melbourne Bookings: 9850 1500 PDF flyer Speakers · Associate Professor Rex Butler, School of English, Media Studies and Art History, University of Queensland · Dr Ann Stephen, Senior Curator, University of Sydney Art Gallery and Art Collection · Dr Anthony White, Lecturer, School of Culture & Communication, University of Melbourne · Sue Cramer and Lesley Harding, Curators, Cubism & Australian Art, Heide Museum of Modern Art Chaired by Associate Professor Alison Inglis, School of Culture and Communication, University of Melbourne. Sue Cramer and Lesley Harding –…

New Book ‘The Possessions of a Cardinal Politics, Piety, and Art, 1450–1700′

The Possessions of a Cardinal: Politics, Piety, and Art, 1450–1700 Edited by Mary Hollingsworth and Carol M. Richardson Cardinals occupied a unique place in the world of early modern Europe, their distinctive red hats the visible signs not only of impressive careers at the highest rank the pope could bestow, but also of their high social status and political influence on an international scale. Appointed for life, these princes of the Church played a key role in the dramatic events during a period in which both the power and the authority of the papacy were challenged. Cardinals crossed the ambiguous boundaries then existing between religious and secular power. Granted unparalleled access to Church and private property, they spent considerable time, money, and effort on making the best collections of art and antiquities. Some commissioned artworks in churches that advertised their…

Fresh Voices at the NGV – Dosso Dossi’s ‘Lucrezia Borgia’

Jenni Walker (Graduate Student in the Faculty of the VCA and Music, The University of Melbourne) will talk about issues of attribution and recent discoveries relating to Dosso Dossi’s portrait Lucrezia Borgia, Ducchess of Ferrara, c. 1518. All Welcome Cost: Free. Date: Friday 26th March, 12:30pm Venue: NGV International – meet at Information Desk, Ground Level, NGV International, 180 St Kilda Rd.