Author: Katrina Grant

Exhibitions at the State LIbrary of Victoria

Self-made: zines and artist books This bold exhibition delves into the evolution of do-it-yourself culture, from limited-run artist books to cut-and-paste photocopy fanzines. Discover science fiction fanzines from the 1940s, ground-breaking 1970s punk zines, Australian underground press publications, and artist books designed to defy tradition and buck the commercial gallery system. Free Open daily during Library hours 11 August –12 November 2017 Free guided tours: Tuesdays 12.30pm, Thursdays 6pm, Sundays 3pm Blue Rotunda, Cowen Gallery Looped: artist books in the round In this unique installation from artists Gracia Haby and Louise Jennison, each glass-panelled cabinet case around the domed reading room’s original heritage dais becomes a page. Free Open daily during Library hours 4 August –26 November 2017 La Trobe Reading Room

Writing & Concepts | Brooke Babington “All w/o tongue” | RMIT Design Hub

Brooke Babington presents: “All w/o tongue” Date: Thu 7 September 6:00pm at RMIT Design Hub Level 3 Lecture Theatre, Building 100, Cnr Victoria and Swanston Streets Carlton BROOKE BABINGTON is an artist, writer and curator. Exploring power and social dynamics, her work engages with ideas of ideology, the mythology of the artist and language. Recent exhibitions include: No Nuisance, The Alderman, 2015; This is Where you Fold Like a Cheap Suit, TCB, 2012 and Working Holiday, Rear View 2011. Recent group exhibitions include: What Has (Has Not), TCB 2013; Synonyms for Sincerity, Alaska Projects 2013; Fury Road, Appendix Project Space (Portland), 2013 and OOO (curated by Anusha Kenny), Daine Singer Gallery 2011. From 2013 to 2014 Brooke was the Director of Slopes, a twelve-month, not-for-profit project space in Melbourne with Melissa Loughnan and Helen Hughes. Her curatorial projects have included…

Jobs, Funding, Calls for Papers | Art History and Curatorship | 18th Augsut 2017

Jobs Australia Professor/Associate Professor & Head of Discipline, Fine Arts, Griffith – deadline 15th September 2017 Fundraising & Development Director, Heide MoMA – deadline 8th September 2017 Programming Communications Coordinator, Regional Arts Victoria – deadline 28th August 2017 Partnerships Coordinator, Regional Arts Victoria – deadline 28th August 2017 History and Heritage Coordinator, Glen Eira City Council – deadline 27th August 2017 International Research Associate in Cultural History, University of Oxford – deadline 14th September 2017 Lecturer in Scottish Visual History, University of Aberdeen – deadline 7th September 2017 Funding and Fellowships Visiting Professor of Australian Studies 2018-19 and/or 2019-20, Centre for Pacific and American Studies, Graduate School of Arts and Sciences, University of Tokyo – deadline 29th September 2017 Autumn 2017 Paul Mellon Foundation Research and Project Grants (various areas) – deadline 30th September 2017 Calls for Papers ‘Memories of…

Dr. Adelina Modesti | The Female Virtuosa at the Court of Medici Grand Duchess Vittoria della Rovere: ladies-in-waiting, artists, musicians, actresses and writers

Dr. Adelina Modesti, La Trobe University The Female Virtuosa at the Court of Medici Grand Duchess Vittoria della Rovere: ladies-in-waiting, artists, musicians, actresses and writers. This talk is part of the Early Modern Circle Series and will take place this coming Monday 21 August at 6:15 pm in the North Theatre, Room 239 Old Arts, University of Melbourne. Abstract: This paper will address the cultural patronage (“matronage”) of Grand Duchess of Tuscany Vittoria della Rovere via an examination of the virtuoso women artists, musicians and writers she supported throughout her long life. Victoria was an active matron of the arts who gathered round her some of the most important female cultural producers of the day, sponsoring their creative work, and developing their talent. Some of these women were her ladies-in-waiting, whom she educated as artists, musicians or embroiderers as part of their cultural…

Lectures and Study Tour | Desert Minimalism to the New Louvre

The University of Melbourne is prresenting a series of public lectures in the lead up to their study tour to the United Arab Emirates and State of Qatar. See more information about the study tour here. To book for any of the lectures or for further information see the website here. Fully booked Monday, 21 August 2017 6.15pm–7.15pm  ‘The Louvre Abu Dhabi and the Twenty-First Century Art Museum: From Agent of the West to Global Art Experience’ Presenter: Associate Professor Christopher Marshall The Louvre Abu Dhabi is scheduled to open its doors to the public in November 2017 following ten years of planning and development. One of the most high profile and eagerly anticipated international museum projects of the past fifty years, this initiative has the potential to re-define what we mean by a public art museum in the 21st…

Jobs, Funding, Calls for Papers | Art History and Curatorship | August 11th 2017

Jobs Australia Curator, Collections and Exhibitions Manager, The Royal Children’s Hospital, Melbourne – deadline 13th August 2017 Senior Curator – Public Programs, Australian Centre for the Moving Image – deadline 17th August 2017 Heritage Project Coordinator, Museum of Australian Democracy at Old Parliament House – deadline 27th August 2017 Curator, Bendigo Art Gallery – deadline 21st August 2017 Head of Curatorial Projects, The Arts Centre Gold Coast – deadline 5th September 2017 Curator First Peoples Project, Australian National Maritime Museum – deadline 27th August 2017 Assistant Curator, UTS ART, UNiversity of Technology, Sydney – deadline 21st August 2017 International Programme Leader, Foundation Diploma in Art & Design, British Higher School of Art and Design – Moscow, Russia – deadline 28th August 2017 Assistant / Associate-Level Faculty Position in Islam and the Arts, Stanford University – deadline 2nd October 2017 Assistant Professor…

Beyond Disegno: Professional Identity and Material Experimentation in mid 16th-century Italian Portraiture – Dr. Elena Calvillo

Beyond Disegno: Professional Identity and Material Experimentation in mid 16th-century Italian Portraiture Dr. Elena Calvillo, Associate Professor of Art History, University of Richmond Date: 5:30-7pm, 17th August 2017 Venue: Lecture Theatre C (Room 124), Old Arts Building, University of Melbourne, Parkville, Vic, 3010 More info here: https://events.unimelb.edu.au/events/9214-beyond-disegno-professional-identity-and-material-experimentation-in-mid-16th-century By 1531, the Venetian artist Sebastiano del Piombo had resettled in Rome after the Sack, received a lucrative sinecure as the keeper of the papal seals and won acclaim for his method of painting in oils on stone supports. Two decades later, Agnolo Bronzino produced a series of portraits on tin supports while working for Cosimo I de’ Medici. This lecture examines the ways in which their innovative use of materials in portraiture contributed to both the painters’ and patrons’ identities, and how it made claims of originality and invention that might otherwise…

Launch | Dancing Sculpture | NGV Australia

DANCING SCULPTURE LAUNCH Date: Friday 11 August , 3pm Venue: Level 3 Foyer, Ian Potter Centre: NGV Australia, Federation Square, Melbourne FREE ENTRY The Australian Centre at the University of Melbourne invites you to the opening performance of Dancing Sculpture; an experience of modern dance and its transformation of movement and gesture in the twentieth century. Dancing Sculpture Fri 11 Aug: 3pm, Sat 12 Aug: 3pm and Sun 13 Aug: 12pm, 3pm These performances have been programmed as part of Leap Into the Modern – a one day symposium exploring modern dance in Australia from the 1930’s, curated by Professor Rachel Fensham and Dr Jordan Beth Vincent. THE DEMON MACHINE Dance students from the Victorian College of Arts perform choreographer Gertrud Bodenwieser’s Demon Machine (1924), a work of modern dance which toured Australia for nearly two decades beginning in 1939. This recreation by Carol Brown follows reconstructions by Shona Dunlop-MacTavish (1980); and Evelyn…

Symposium | Syria: Ancient History – Modern Conflict | University of Melbourne

The symposium for Syria: Ancient History – Modern Conflict expands on the eponymous exhibition, exploring Australian archaeological work in Syria across three decades. These excavations, and the materials they uncovered, will be presented within the framework of Syria’s current heritage crisis. The symposium will cover the various aspects of site analysis and management, touching on key issues like the politics of mapping archaeological landscapes and excavating sustainably. By bringing in experts from across the discipline we aim to show the wealth of knowledge that excavations in Syria have procured about the history of the region, as well as shedding some light on the process of archaeology and how it can aid in the current conflict. Join us for an illuminating symposium looking at the University’s past research projects in Syria and the contribution they have made to our understanding of…

Lecture | Aleppo and Palmyra – How monuments were ‘weaponised’ in the Syrian conflict – Ross Burns | University of Melbourne

Ross Burns, whose recent publications include Aleppo, A History and Monuments of Syria, presents an analysis of why the country’s incomparable store of historical buildings and sites has been so deliberately targeted. In many cases such damage represents not collateral casualties but the deliberate ‘weaponising’ of symbols of the past – turning historical treasures from many civilisations into weapons in a propaganda war. While such deliberate targeting represents only a small proportion of the carnage afflicted on the country – compared to the results of deliberate assaults on civilian housing, medical facilities and schools – such cultural assets can play an important role in the restoration of Syrian national identity after the end of the conflict. Adjunct Professor Ross Burns graduated in History and Archaeology from Sydney University, 1966 and spent 37 years in the Australian Foreign Service including posts…

Lecture | Melbourne Mandarins: ‘Modern Chinese painters’ 1974 – Claire Roberts | Ian Potter Museum of Art

Date: Thursday 10 Aug 2017, 6.00- 7.30pm Venue: Ian Potter Museum of Art, University of Melbourne Free. RSVP via the website: http://www.art-museum.unimelb.edu.au/public-programs/current-events/prgm-date/2017-08-10/prgm/melbourne-mandarins-modern-chinese-painters-1974 Join us for a lecture on the exhibition ‘Modern Chinese Painters in the Traditional Style’, held at the University Art Gallery, Melbourne in 1974, an early and rather impressive effort to promote the appreciation of Chinese painting in Australia. The exhibition crossed boundaries in bringing together those in Australia with an interest in and knowledge of Chinese art to share their understandings with a wider public. At a pivotal moment in Australia’s changing relationship with China it reflected a fragile but evolving cultural eco system that developed from the efforts of a discerning group of citizens with strong links to the University. Followed by refreshments. Claire Roberts is an historian of Chinese art and a curator. She is…

Lecture | Ding Yanyong’s Guangzhou/Hong Kong: A Forgotten History of Modern Chinese Art that Straddles the Year 1949 – Cai Tao | Ian Potter Museums of Art

Ding Yanyong’s Guangzhou/Hong Kong: A Forgotten History of Modern Chinese Art that Straddles the Year 1949 Date: Wednesday 9 Aug 2017, 12.00- 1.30pm Venie: Ian Potter Museum of Art A lecture presented by Cai Tao with translation by Claire Roberts This talk will focus on the cross-disciplinary artistic practice developed by Ding Yanyong (1902-1978) in Guangzhou and Hong Kong in the period after the end of the Sino-Japanese War. Owing to the fact that Ding moved to Hong Kong after 1949, viewers in mainland Chinese remain unfamiliar with this talented avant-garde artist. Using works by Ding Yanyong from collections in Australia, Hong Kong and elsewhere, the talk will reconsider the artist’s life experience and, drawing on perspectives from modern East Asian art history, examine the pathways of modern art opened up by Ding Yanyong, Guan Liang, Tan Huamu and other…

Workshop | Art and Translation: Ian Fairweather’s The Drunken Buddha | Ian Potter Museum of Art

Date: Tuesday 8 Aug 2017, 10.00- 5.00pm Venue: Ian Potter Museum of Art, University of Melbourne Website: http://www.art-museum.unimelb.edu.au/public-programs/current-events/prgm-date/2017-08-08/prgm/art-and-translation-ian-fairweather-s-the-drunken-buddha This international workshop will examine the translation of The Drunken Buddha (University of Queensland Press, 1965), from Chinese to English, by artist Ian Fairweather (1891-1974), and the accompanying illustrations. Scholars with backgrounds in Chinese language, literature and art history; artists and students of translation will come together to consider this rare example of a serious book-length translation by a practicing artist. How do we understand The Drunken Buddha in the context of literature, translation and creative practice? What was the relationship between Chinese language, translation and artistic practice for Fairweather, and what might that mean in an Australian context? Workshop participants include: Cai Tao, Associate Professor, Art History Research Institute, Guangzhou Academy of Fine Arts Nicholas Jose, Professor of English and Creative…

Funding | The Judith Neilson Scholarship in Contemporary Art

The Judith Neilson Scholarship in Contemporary Art has been established to support the study of contemporary Chinese art in its global contexts. The Scholarship provides support for full-time doctoral study to be undertaken through the Department of Art History at the University of Sydney. We invite applications from highly motivated individuals interested in engaging deeply with issues related to contemporary Chinese art, global art cultures, and transcultural studies. Prospective students must possess demonstrable research skills, high proficiency in writing in English, and academic experience in one or more of the following fields: art history and theory, Chinese studies, visual culture, and/or curatorial studies. Proficiency in Chinese is strongly preferred. Applications that demonstrate potential for engagement with the White Rabbit Collection are encouraged. Prospective applicants are encouraged to contact Dr Stephen Whiteman (stephen.whiteman@sydney.edu.au) with questions and expressions of interest. For further…

Jobs, Funding, Calls for Papers | Art history and Curatorship | July 28th 2017

Jobs Australia Director and CEO, Footscray Community Arts Centre – deadline 7th August 2017 Public Programs Curator, Benalla Art Gallery – deadline 3rd August 2017 Head, Digital Experience, Australian War Memorial – deadline 8th August 2017 Conservation Assistant – Paper Lab, Australian War Memorial – deadline 4th August 2017 Assistant Curator, Grade 2 – Australian Art, Art Gallery of NSW – deadline 4th August 2017 Painting Conservator, Art Gallery of NSW – deadline 11th August 2017 Frame Conservator, Art Gallery of NSW – deadline 11th August 2017 Special Exhibitions Curator, Art Gallery of NSW – deadline 4th August 2017 Curator and Collection Coordinator, Artbank – deadline 3rd August 2017 International Lecturer/Senior Lecturer in Curating and Museology, SOAS University of London – deadline 24th August 2017 Funding Artbank Emerging Curator Callout – deadline 21st August 2017 Fellowships at the Huntington Library, Art Collections, and Botanical Gardens to support research…