Author Archive

Call for Papers: Art Schools: Inventions, Invective and Radical Possibilities

January 17, 2010
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Art Schools: Inventions, Invective and Radical Possibilities 11- 12 June 2010 University College London Submission deadline: 30 January 2010 In conjunction with Noami Salaman’s exhibition Looking Back at the Life Room at The Strang Print Room, UCL, this conference will explore the history and legacy of the life room, its traditions of looking and...
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Fellowships at UCLA Centre for 17th and 18th century studies

January 17, 2010
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The Center administers a number of programs for senior and postdoctoral scholars. Visit their web page here for more information. Applications are considered once each year. Applications for appointments to be held anytime during a given fiscal year (from 1 July to 30 June) must be received in the preceding fiscal year, by 1...
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New Art History Research Databases from the Frick Collection

January 15, 2010
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Frick databases

The Frick Collection in New York has recently launched two new databases to support advanced research in the History of Art. These databases are open access to anyone. Visit the research page of the Frick here http://research.frick.org/
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Anthony d’Offay talk at NGV International

January 14, 2010
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Anthony d’Offay is here in Melbourne in association with the forthcoming Ron Mueck exhibition (22 January – 18 April 2010, NGV) and will present on the ARTIST ROOMS project. For more than 40 years Anthony d’Offay has been one of the world’s leading art dealers and is recognized as one of Britain’s most generous...
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Scholarships to study in Venice – Fondazione Giorgio Cini

January 7, 2010
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There is a new, prestigious cultural initiative promoted by Fondazione Giorgio Cini: the Vittore Branca International Center for the Study of Italian Culture, a new international resource for humanities studies aimed at young researchers and expert scholars interested in furthering their knowledge in a field of Italian civilisation: the visual arts, history, literature, music,...
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emaj issue 4 is now LIVE

December 16, 2009
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emaj current issue09

Issue 4 of emaj (electronic melbourne art journal) is now live. Established in 2005 it is the only fully online refereed art history journal in Australia. It is edited by PhD students and graduates from the Art History department at The University of Melbourne. It is dedicated to showcasing the work of both emerging...
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Launch of emaj issue 4, 2009

December 9, 2009
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Launch of emaj issue 4, 2009

The emaj editors invite you all to join us to celebrate the launch of emaj issue 4. Launch of emaj issue 4, 2009 Drinks in the courtyard, Elisabeth Murdoch Building University of Melbourne, Parkville Tuesday December 15, 6-8pm All welcome! Please join us for drinks to celebrate the launch of our 2009 edition! emaj (electronic...
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Stephen Mead – Bohemianism in colonial Melbourne: a study of four artists’ clubs

December 7, 2009
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Stephen Mead - Click for full size

Stephen Mead Bohemianism in colonial Melbourne: a study of four artists’ clubs This paper examines the development of a Bohemian culture in colonial Melbourne, focussing on four artists’ clubs: The Buonarotti Club (1883-87), Stray Leaves (1889-92), The Cannibal Club (1893-97) and The Ishmael Club (1898-1901). It investigates the role of the writer Marcus Clarke...
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Amelia Douglas ‘Pierre Huyghe’ – FAN postdoctoral lecture.

November 10, 2009
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Amelia Douglas ‘Pierre Huyghe’ – FAN postdoctoral lecture.

Amelia Douglas Recipient of the 2009 Chancellor’s Prize for Excellence in the PhD, University of Melbourne Pierre Huyghe and the Association of Freed Time What is at stake in the making and recording of history, and what does it mean for a contemporary artist to work as an historiographer? The contemporary French artist Pierre Huyghe is...
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Margaret Manion Lecture 2009

October 8, 2009
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Margaret Manion Lecture 2009

Sophie Matthiesson Curator, International Art, National Gallery of Victoria Captive Markets: Artists in Prison in the French Revolution Hundreds of artists found themselves in prison during the French Revolution. While confined surprising numbers resumed painting, sculpting, drawing and even engraving. Few prisons were without some level or artistic production and exchange. Based on unpublished...
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